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district. The murderer seems to have been a desperate fellow, he risked everything in open daylight, was saved by a miracle⁠—but his hands shook, too. He did not succeed in robbing the place, he couldn’t stand it. That was clear from the⁠ ⁠…”

Raskolnikov seemed offended.

“Clear? Why don’t you catch him then?” he cried, maliciously gibing at Zametov.

“Well, they will catch him.”

“Who? You? Do you suppose you could catch him? You’ve a tough job! A great point for you is whether a man is spending money or not. If he had no money and suddenly begins spending, he must be the man. So that any child can mislead you.”

“The fact is they always do that, though,” answered Zametov. “A man will commit a clever murder at the risk of his life and then at once he goes drinking in a tavern. They are caught spending money, they are not all as cunning as you are. You wouldn’t go to a tavern, of course?”

Raskolnikov frowned and looked steadily at Zametov.

“You seem to enjoy the subject and would like to know how I should behave in that case, too?” he asked with displeasure.

“I should like to,” Zametov answered firmly and seriously. Somewhat too much earnestness began to appear in his words and looks.

“Very much?”

“Very much!”

“All right then. This is how I should behave,” Raskolnikov began, again bringing his face close to Zametov’s, again staring at him and speaking in a whisper, so that the latter positively shuddered. “This is what I should have done. I should have taken the money and jewels, I should have walked out of there and have gone straight to some deserted place with fences round it and scarcely anyone to be seen, some kitchen garden or place of that sort. I should have looked out beforehand some stone weighing a hundredweight or more which had been lying in the corner from the time the house was built. I would lift that stone⁠—there would sure to be a hollow under it, and I would put the jewels and money in that hole. Then I’d roll the stone back so that it would look as before, would press it down with my foot and walk away. And for a year or two, three maybe, I would not touch it. And, well, they could search! There’d be no trace.”

“You are a madman,” said Zametov, and for some reason he too spoke in a whisper, and moved away from Raskolnikov, whose eyes were glittering. He had turned fearfully pale and his upper lip was twitching and quivering. He bent down as close as possible to Zametov, and his lips began to move without uttering a word. This lasted for half a minute; he knew what he was doing, but could not restrain himself. The terrible word trembled on his lips, like the latch on that door; in another moment it will break out, in another moment he will let it go, he will speak out.

“And what if it was I who murdered the old woman and Lizaveta?” he said suddenly and⁠—realised what he had done.

Zametov looked wildly at him and turned white as the tablecloth. His face wore a contorted smile.

“But is it possible?” he brought out faintly. Raskolnikov looked wrathfully at him.

“Own up that you believed it, yes, you did?”

“Not a bit of it, I believe it less than ever now,” Zametov cried hastily.

“I’ve caught my cock-sparrow! So you did believe it before, if now you believe less than ever?”

“Not at all,” cried Zametov, obviously embarrassed. “Have you been frightening me so as to lead up to this?”

“You don’t believe it then? What were you talking about behind my back when I went out of the police-office? And why did the explosive lieutenant question me after I fainted? Hey, there,” he shouted to the waiter, getting up and taking his cap, “how much?”

“Thirty kopecks,” the latter replied, running up.

“And there is twenty kopecks for vodka. See what a lot of money!” he held out his shaking hand to Zametov with notes in it. “Red notes and blue, twenty-five roubles. Where did I get them? And where did my new clothes come from? You know I had not a kopeck. You’ve cross-examined my landlady, I’ll be bound.⁠ ⁠… Well, that’s enough! Assez causé! Till we meet again!”

He went out, trembling all over from a sort of wild hysterical sensation, in which there was an element of insufferable rapture. Yet he was gloomy and terribly tired. His face was twisted as after a fit. His fatigue increased rapidly. Any shock, any irritating sensation stimulated and revived his energies at once, but his strength failed as quickly when the stimulus was removed.

Zametov, left alone, sat for a long time in the same place, plunged in thought. Raskolnikov had unwittingly worked a revolution in his brain on a certain point and had made up his mind for him conclusively.

“Ilya Petrovitch is a blockhead,” he decided.

Raskolnikov had hardly opened the door of the restaurant when he stumbled against Razumihin on the steps. They did not see each other till they almost knocked against each other. For a moment they stood looking each other up and down. Razumihin was greatly astounded, then anger, real anger gleamed fiercely in his eyes.

“So here you are!” he shouted at the top of his voice⁠—“you ran away from your bed! And here I’ve been looking for you under the sofa! We went up to the garret. I almost beat Nastasya on your account. And here he is after all. Rodya! What is the meaning of it? Tell me the whole truth! Confess! Do you hear?”

“It means that I’m sick to death of you all and I want to be alone,” Raskolnikov answered calmly.

“Alone? When you are not able to walk, when your face is as white as a sheet and you are gasping for breath! Idiot!⁠ ⁠… What have you been doing in the Palais de Cristal? Own up at once!”

“Let me go!” said Raskolnikov and tried to pass him.

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