Short Fiction by O. Henry (librera reader txt) 📕

po’ out of de bilin’ tea-kittle a big pan full ob hot water an’ she fling it all ober de Cunnel. I gits a big lot ob it on dis arm as I was pilin’ de wood in de box, an’ it tuk de skin off, an’ I dun had it wrapped up fo’ days. De Cunnel am in bed yit, but he sw’ar w’en he git up he gwine ter wuk.

“Dat’s how dis here wah wid Spain done up dis ole niggah. ’Bout w’en, boss, will de fus’ payment ob dat penshun git here, do you recum?”

“The ignorance and stupidity,” said the tourist, as he shut down his window, “of the colored man in the South are appalling.”

Her Ruse

“How do I keep John home of nights?” asked a Houston lady of a friend the other day.

“Well, I struck a plan once by a sudden inspiration, and it worked very nicely. John had been in a habit of going downtown every night after supper and staying until ten or eleven o’clock. One night he left as usual, and after going three or four blocks he found he had forgotten his umbrella and came back for it. I was in the sitting room reading, and he slipped in the room on his tiptoes and came up behind me and put his hands over my eyes. John expected me to be very much startled, I suppose, but I only said softly, ‘Is that you, Tom?’ John hasn’t been downtown at night since.”

Why Conductors Are Morose

Street car conductors often have their tempers tried by the inconsiderate portion of the public, but they are not allowed to ease their feelings by “talking back.” One of them related yesterday an occurrence on his line a few days ago.

A very fashionably dressed lady, accompanied by a little boy, was in the car, which was quite full of people. “Conductor,” she said languidly, “let me know when we arrive at Peas Avenue.”

When the car arrived at that street the conductor rang the bell and the car stopped.

“Peas Avenue, ma’am,” he said, climbing off to assist her from the car.

The lady raised the little boy to his knees and pointed out the window at the name of the street which was on a board, nailed to the corner of a fence.

“Look, Freddy,” she said, “that tall, straight letter with a funny little curl at the top is a ‘P.’ Now don’t forget it again. You can go on, conductor; we get off at Gray Street.”

Led Astray

There was no happier family in all Houston than the O’Malleys. Mr. O’Malley held a responsible position in one of our large breweries, and was a thrifty citizen and an indulgent husband and father. His son Pat was part owner of a flourishing little grocery, and also played the E-flat horn in the band that discourses sweet music Sunday afternoons in a building on one of our quietest unpaved avenues.

The light and hope of the family was the youngest daughter, Kathleen, an ebon-haired girl of 19, with Madonna-like features, and eyes as black as the wings of the crow. They lived in a little rose-embowered cottage near the corner where the street car turns.

Kathleen was engaged to be married to Fergus O’Hollihan, a stalwart and handsome young man, who came to see her every night, with exquisitely washed hands and face, and wet hair, brushed down low upon a forehead that did not exactly retreat, but seemed to rather fall back for reinforcements. On Sunday nights Kathleen and Fergus would wander arm in arm over to the Gesundheit Bier Garten, and while the string band in the pavilion played the dear old Fatherland melodies they would sit at a little round table in some dark corner and click glasses in the most friendly and lover-like manner. The marriage was to come off in June, and Kathleen, after the custom of her people, had already prepared her bridal trousseau and housekeeping effects. In her wardrobe were great piles of beautifully embroidered things in fine linen and damask; heaps of table cloths, napkins and towels, and in the big drawers of her bureau were piles of dainty, lace-trimmed garments that Kathleen, being a modest Irish maiden and not a New York millionairess, kept shyly hidden from view, instead of having their description printed in the Post. Kathleen had made these garments herself, working with loving care and patience, and they were intended as a guarantee of good faith, and not for publication. The girls in the neighborhood all envied Kathleen her good luck, for Fergus was a fine-looking young man, and his business was prospering. He could drink more whiskey, tell funnier jokes and sing “The Wearin’ of the Green” so you could hear it farther on a still night than could any other young man of their acquaintance.

So, dark-haired Kathleen was happy, bending over her work with rosy cheeks and smiling lips, while, alas! already the serpent was at work that was to enter her Eden.

One day Kathleen was sitting at her window, half hidden by the climbing honeysuckle vines, when she saw Fergus pass down the street with another man, a low-browed, treacherous-looking person, with shifty eyes and a snakelike manner.

It was with a deep foreboding and a strange sinking of the heart that she recognized Fergus’ companion as a notorious member of the Young Men’s Christian Association of Houston. From that moment Kathleen’s peace of mind fled. When Fergus came to see her that night he seemed abstracted and different. His hand trembled when he took the glass of rye she handed him, and when he sang for her

“Let the huntsman graze his hounds
As the farmer does his grounds,”

that sad and melancholy old song that Irishmen always sing when they feel particularly jolly, his voice sounded plaintive and full of pathos.

Kathleen was far too wise to chide him. She tried to be