Winesburg, Ohio by Sherwood Anderson (best thriller books to read .txt) đź“•
Description
Winesburg, Ohio, is set in a fictional town in early 1900s America based on Anderson’s boyhood memories of his hometown of Clyde, Ohio. The novel is actually a series of interconnected short stories, with each one focusing on the life of a different resident of the sleepy, pre-industrial town. Though each story peers into the personal life of a different character, the common threads running through all of them are George Willard, the young reporter for the Winesburg Eagle—and a pervasive sense of loneliness, even despair. As the stories obliquely trace George’s coming of age, he becomes a symbol of the hope the town holds for the future as its citizens struggle against the oppressive smallness of their existence and their paradoxical inability to form meaningful bonds with each other in such a small community.
The stories in Winesburg, Ohio are of a decidedly melancholy nature, but their real beauty lies in the vivid characterization of the big personalities living in the small town. The simplicity of Anderson’s plain-styled prose paints a rich picture, with each character precisely portrayed in all of their dusty down-to-earth physicality. One can almost picture the narrator as the whiskey-soaked voice of Tom Waits, rolling each syllable around in his mouth as the summer heat lies heavy in the twilight air.
Atmosphere aside, the stories are also unique in that Anderson creates narrative tension not with plot development, but with insights into the psychology of the kinds of people who choose, or don’t choose, to live in Winesburg. This makes the novel one of the earliest examples of literary modernism. It was praised by its contemporaries on publication, with H. L. Mencken stating that the novel “embodies some of the most remarkable writing done in America in our time.” It remained both acclaimed and widely read throughout the 1930s, when its popularity waned with the author’s own. In the 1960s critics reevaluated it, firmly placing it in the canon of modern American classics.
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- Author: Sherwood Anderson
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Tom Foster’s voice arose, and for once in his life he became almost excited. “It was like making love, that’s what I mean,” he explained. “Don’t you see how it is? It hurt me to do what I did and made everything strange. That’s why I did it. I’m glad, too. It taught me something, that’s it, that’s what I wanted. Don’t you understand? I wanted to learn things, you see. That’s why I did it.”
DeathThe stairway leading up to Doctor Reefy’s office, in the Heffner Block above the Paris Dry Goods store, was but dimly lighted. At the head of the stairway hung a lamp with a dirty chimney that was fastened by a bracket to the wall. The lamp had a tin reflector, brown with rust and covered with dust. The people who went up the stairway followed with their feet the feet of many who had gone before. The soft boards of the stairs had yielded under the pressure of feet and deep hollows marked the way.
At the top of the stairway a turn to the right brought you to the doctor’s door. To the left was a dark hallway filled with rubbish. Old chairs, carpenter’s horses, step ladders and empty boxes lay in the darkness waiting for shins to be barked. The pile of rubbish belonged to the Paris Dry Goods Company. When a counter or a row of shelves in the store became useless, clerks carried it up the stairway and threw it on the pile.
Doctor Reefy’s office was as large as a barn. A stove with a round paunch sat in the middle of the room. Around its base was piled sawdust, held in place by heavy planks nailed to the floor. By the door stood a huge table that had once been a part of the furniture of Herrick’s Clothing Store and that had been used for displaying custom-made clothes. It was covered with books, bottles, and surgical instruments. Near the edge of the table lay three or four apples left by John Spaniard, a tree nurseryman who was Doctor Reefy’s friend, and who had slipped the apples out of his pocket as he came in at the door.
At middle age Doctor Reefy was tall and awkward. The grey beard he later wore had not yet appeared, but on the upper lip grew a brown mustache. He was not a graceful man, as when he grew older, and was much occupied with the problem of disposing of his hands and feet.
On summer afternoons, when she had been married many years and when her son George was a boy of twelve or fourteen, Elizabeth Willard sometimes went up the worn steps to Doctor Reefy’s office. Already the woman’s naturally tall figure had begun to droop and to drag itself listlessly about. Ostensibly she went to see the doctor because of her health, but on the half dozen occasions when she had been to see him the outcome of the visits did not primarily concern her health. She and the doctor talked of that but they talked most of her life, of their two lives and of the ideas that had come to them as they lived their lives in Winesburg.
In the big empty office the man and the woman sat looking at each other and they were a good deal alike. Their bodies were different, as were also the color of their eyes, the length of their noses, and the circumstances of their existence, but something inside them meant the same thing, wanted the same release, would have left the same impression on the memory of an onlooker. Later, and when he grew older and married a young wife, the doctor often talked to her of the hours spent with the sick woman and expressed a good many things he had been unable to express to Elizabeth. He was almost a poet in his old age and his notion of what happened took a poetic turn. “I had come to the time in my life when prayer became necessary and so I invented gods and prayed to them,” he said. “I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the gods came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she worshipped also the same gods. I have a notion that she came to the office because she thought the gods would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places.”
On the summer afternoons when Elizabeth and the doctor sat in the office and talked of their two lives they talked of other lives also. Sometimes the doctor made philosophic epigrams. Then he chuckled with amusement. Now and then after a period of silence, a word was said or a hint given that strangely illuminated the life of the speaker, a wish became a desire, or a dream, half dead, flared suddenly into life. For the most part the words came from the woman and she said them without looking at the man.
Each time she came to see the doctor the hotel keeper’s wife talked a little more freely and after an hour or two in his presence went down the stairway into Main Street feeling renewed and strengthened against the dullness of her days. With something approaching a girlhood swing to her body she walked along, but when she had got back to her chair by the window of her room and
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