Scaramouche by Rafael Sabatini (best color ebook reader txt) 📕
Description
Scaramouche tells the tale of André-Louis Moreau, a young lawyer in Brittany. When his friend is killed by an unremorseful landowner, Moreau swears revenge and begins a life of adventure on the run. His travels lead him to joining a traveling theater troupe, becoming a master swordsman, and even to revolution.
While the story of Scaramouche is fiction, Sabatini was always very careful to portray history as accurately as he could in his novels. Thus, the backdrop of the French Revolution is vibrant, immediate, and carefully described. In general Sabatini’s prose is sharp and entertaining.
Scaramouche was incredibly popular in its day, and was Sabatini’s most famous novel. The first line is written on Sabatini’s grave.
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- Author: Rafael Sabatini
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“Monsieur?” he inquired, politely.
It was clear that he mistook André-Louis’ quality, which is not surprising, for despite his sadly reduced fortunes, his exterior was irreproachable, and M. des Amis was not to guess that he carried upon his back the whole of his possessions.
“You have a notice below, monsieur,” he said, and from the swift lighting of the fencing-master’s eyes he saw that he had been correct in his assumption that applicants for the position had not been jostling one another on his threshold. And then that flash of satisfaction was followed by a look of surprise.
“You are come in regard to that?”
André-Louis shrugged and half smiled. “One must live,” said he.
“But come in. Sit down there. I shall be at your. … I shall be free to attend to you in a moment.”
André-Louis took a seat on the bench ranged against one of the whitewashed walls. The room was long and low, its floor entirely bare. Plain wooden forms such as that which he occupied were placed here and there against the wall. These last were plastered with fencing trophies, masks, crossed foils, stuffed plastrons, and a variety of swords, daggers, and targets, belonging to a variety of ages and countries. There was also a portrait of an obese, big-nosed gentleman in an elaborately curled wig, wearing the blue ribbon of the Saint Esprit, in whom André-Louis recognized the King. And there was a framed parchment—M. des Amis’ certificate from the King’s Academy. A bookcase occupied one corner, and near this, facing the last of the four windows that abundantly lighted the long room, there was a small writing-table and an armchair. A plump and beautifully dressed young gentleman stood by this table in the act of resuming coat and wig. M. des Amis sauntered over to him—moving, thought André-Louis, with extraordinary grace and elasticity—and stood in talk with him whilst also assisting him to complete his toilet.
At last the young gentleman took his departure, mopping himself with a fine kerchief that left a trail of perfume on the air. M. des Amis closed the door, and turned to the applicant, who rose at once.
“Where have you studied?” quoth the fencing-master abruptly.
“Studied?” André-Louis was taken aback by the question. “Oh, at Louis Le Grand.”
M. des Amis frowned, looking up sharply as if to see whether his applicant was taking the liberty of amusing himself.
“In Heaven’s name! I am not asking you where you did your humanities, but in what academy you studied fencing.”
“Oh—fencing!” It had hardly ever occurred to André-Louis that the sword ranked seriously as a study. “I never studied it very much. I had some lessons in … in the country once.”
The master’s eyebrows went up. “But then?” he cried. “Why trouble to come up two flights of stairs?” He was impatient.
“The notice does not demand a high degree of proficiency. If I am not proficient enough, yet knowing the rudiments I can easily improve. I learn most things readily,” André-Louis commended himself. “For the rest: I possess the other qualifications. I am young, as you observe: and I leave you to judge whether I am wrong in assuming that my address is good. I am by profession a man of the robe, though I realize that the motto here is cedat toga armis.”
M. des Amis smiled approvingly. Undoubtedly the young man had a good address, and a certain readiness of wit, it would appear. He ran a critical eye over his physical points. “What is your name?” he asked.
André-Louis hesitated a moment. “André-Louis,” he said.
The dark, keen eyes conned him more searchingly.
“Well? André-Louis what?”
“Just André-Louis. Louis is my surname.”
“Oh! An odd surname. You come from Brittany by your accent. Why did you leave it?”
“To save my skin,” he answered, without reflecting. And then made haste to cover the blunder. “I have an enemy,” he explained.
M. des Amis frowned, stroking his square chin. “You ran away?”
“You may say so.”
“A coward, eh?”
“I don’t think so.” And then he lied romantically. Surely a man who lived by the sword should have a weakness for the romantic. “You see, my enemy is a swordsman of great strength—the best blade in the province, if not the best blade in France. That is his repute. I thought I would come to Paris to learn something of the art, and then go back and kill him. That, to be frank, is why your notice attracted me. You see, I have not the means to take lessons otherwise. I thought to find work here in the law. But I have failed. There are too many lawyers in Paris as it is, and whilst waiting I have consumed the little money that I had, so that … so that, enfin, your notice seemed to me something to which a special providence had directed me.”
M. des Amis gripped him by the shoulders, and looked into his face.
“Is this true, my friend?” he asked.
“Not a word of it,” said André-Louis, wrecking his chances on an irresistible impulse to say the unexpected. But he didn’t wreck them. M. des Amis burst into laughter; and having laughed his fill, confessed himself charmed by his applicant’s fundamental honesty.
“Take off your coat,” he said, “and let us see what you can do. Nature, at least, designed you for a swordsman. You are light, active, and supple, with a good length of arm, and you seem intelligent. I may make something of you, teach you enough for my purpose, which is that you should give the elements of the art to new pupils before I take them in hand to finish them. Let us try. Take that mask and foil, and come over here.”
He led him to the end of the room, where the bare floor was scored with lines of chalk to guide the beginner in the management of his
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