A Portrait of the Artist as a Young Man by James Joyce (best way to read books .TXT) ๐
Description
A Portrait of the Artist as a Young Man is Joyceโs first novel, published after the previous success of his short story collection Dubliners. The novel is written in a modernist style, with dialog and narration blending together in a kind of stream-of-consciousness meant to invoke the blurriness of memory.
Joyce originally planned writing a realist autobiographical novel of 63 chapters titled Stephen Hero. He abandoned the attempt halfway through, and refocused his efforts on Portrait, a shorter, sharper work in the modernist style. His alter-ego remained Stephen Dedalus, named after Daedalus, the mythological Greek craftsman and father of Icarus. Portrait was written while he was waiting for Dubliners to be published, a process that took eight years and so frustrated Joyce that he once threw the manuscript of Portrait into a fire, causing his family to run to save it.
The novel closely traces Joyceโs early years. Like his alter-ego Stephen, Joyce was born into a middle-class family and lived in Dublin as they descended into poverty; he rebelled against his Irish Catholic upbringing to become a star student at Dublin University, and put aside thoughts of priesthood or medicine, the other careers offered him, to become a writer. Joyce doesnโt shy away from sensitive topics, presenting the discoveries of youth in all of their physical detail, including Stephenโs teenage visits to prostitutes (which also mirror Joyceโs youth, and were how he probably contracted the suspected syphilis that plagued his vision and tortured his health for the rest of his life), and the homosexual explorations of children at a Jesuit school.
The writing is in the free indirect style, allowing the narrator to both focus on Stephen and present characters and events through his eyes, until the last chapter, where Stephenโs first-person diary entries suggest heโs finally found his voice. As the novel progresses, the syntax and vocabulary also grow in complexity, reflecting Stephenโs own development.
Of Joyceโs three novels, Portrait is the most straightforward and accessible. But it remains just as rich and complex as any masterpiece, with critics across generations hailing it as work of unique beauty and perception.
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- Author: James Joyce
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โYour beloved is here.
Stephen took his place silently on the step below the group of students, heedless of the rain which fell fast, turning his eyes towards her from time to time. She too stood silently among her companions. She has no priest to flirt with, he thought with conscious bitterness, remembering how he had seen her last. Lynch was right. His mind emptied of theory and courage, lapsed back into a listless peace.
He heard the students talking among themselves. They spoke of two friends who had passed the final medical examination, of the chances of getting places on ocean liners, of poor and rich practices.
โThatโs all a bubble. An Irish country practice is better.
โHynes was two years in Liverpool and he says the same. A frightful hole he said it was. Nothing but midwifery cases.
โDo you mean to say it is better to have a job here in the country than in a rich city like that? I know a fellowโ โโ โฆ
โHynes has no brains. He got through by stewing, pure stewing.
โDonโt mind him. Thereโs plenty of money to be made in a big commercial city.
โDepends on the practice.
โEgo credo ut vita pauperum est simpliciter atrox, simpliciter sanguinarius atrox, in Liverpoolio.
Their voices reached his ears as if from a distance in interrupted pulsation. She was preparing to go away with her companions.
The quick light shower had drawn off, tarrying in clusters of diamonds among the shrubs of the quadrangle where an exhalation was breathed forth by the blackened earth. Their trim boots prattled as they stood on the steps of the colonnade, talking quietly and gaily, glancing at the clouds, holding their umbrellas at cunning angles against the few last raindrops, closing them again, holding their skirts demurely.
And if he had judged her harshly? If her life were a simple rosary of hours, her life simple and strange as a birdโs life, gay in the morning, restless all day, tired at sundown? Her heart simple and wilful as a birdโs heart?
Towards dawn he awoke. O what sweet music! His soul was all dewy wet. Over his limbs in sleep pale cool waves of light had passed. He lay still, as if his soul lay amid cool waters, conscious of faint sweet music. His mind was waking slowly to a tremulous morning knowledge, a morning inspiration. A spirit filled him, pure as the purest water, sweet as dew, moving as music. But how faintly it was inbreathed, how passionlessly, as if the seraphim themselves were breathing upon him! His soul was waking slowly, fearing to awake wholly. It was that windless hour of dawn when madness wakes and strange plants open to the light and the moth flies forth silently.
An enchantment of the heart! The night had been enchanted. In a dream or vision he had known the ecstasy of seraphic life. Was it an instant of enchantment only or long hours and years and ages?
The instant of inspiration seemed now to be reflected from all sides at once from a multitude of cloudy circumstances of what had happened or of what might have happened. The instant flashed forth like a point of light and now from cloud on cloud of vague circumstance confused form was veiling softly its afterglow. O! In the virgin womb of the imagination the word was made flesh. Gabriel the seraph had come to the virginโs chamber. An afterglow deepened within his spirit, whence the white flame had passed, deepening to a rose and ardent light. That rose and ardent light was her strange wilful heart, strange that no man had known or would know, wilful from before the beginning of the world; and lured by that ardent roselike glow the choirs of the seraphim were falling from heaven.
Are you not weary of ardent ways,
Lure of the fallen seraphim?
Tell no more of enchanted days.
The verses passed from his mind to his lips and, murmuring them over, he felt the rhythmic movement of a villanelle pass through them. The roselike glow sent forth its rays of rhyme; ways, days, blaze, praise, raise. Its rays burned up the world, consumed the hearts of men and angels: the rays from the rose that was her wilful heart.
Your eyes have set manโs heart ablaze
And you have had your will of him.
Are you not weary of ardent ways?
And then? The rhythm died away, ceased, began again to move and beat. And then? Smoke, incense ascending from the altar of the world.
Above the flame the smoke of praise
Goes up from ocean rim to rim
Tell no more of enchanted days.
Smoke went up from the whole earth, from the vapoury oceans, smoke of her praise. The earth was like a swinging swaying censer, a ball of incense, an ellipsoidal ball. The rhythm died out at once; the cry of his heart was broken. His lips began to murmur the first verses over and over; then went on stumbling through half verses, stammering and baffled; then stopped. The heartโs cry was broken.
The veiled windless hour had passed and behind the panes of the naked window the morning light was gathering. A bell beat faintly very far away. A bird twittered; two birds, three. The bell and the bird ceased; and the dull white light spread itself east and west, covering the world, covering the roselight in his heart.
Fearing to lose all, he raised himself suddenly on his elbow to look for paper and pencil. There was neither on the table; only the soup plate he had eaten the rice from for supper and the candlestick with its tendrils of tallow and its paper socket, singed by the last flame. He stretched his arm wearily towards the foot of the bed, groping with his hand in the pockets of the coat that hung there. His fingers found a pencil and then a cigarette packet. He lay back and, tearing open the packet, placed the last cigarette on the window ledge and began to write out the stanzas of
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