In a Glass Darkly by J. Sheridan Le Fanu (10 best novels of all time TXT) 📕

however, that prying eyes might read a meaning in this midnight gazing, and possibly the Count himself might, in his jealous mood, surmise a signal in this unwonted light in the stair-window of the Dragon Volant.

On opening my room door, with a little start, I met an extremely old woman with the longest face I ever saw; she had what used to be termed, a high-cauld-cap, on, the white border of which contrasted with her brown and yellow skin, and made her wrinkled face more ugly. She raised her curved shoulders, and looked up in my face, with eyes unnaturally black and bright.

“I have lighted a little wood, Monsieur, because the night is chill.”

I thanked her, but she did not go. She stood with her candle in her tremulous fingers.

“Excuse an old woman. Monsieur,” she said; “but what on earth can a young English milord, with all Paris at his feet, find to amuse him in the Dragon Volant?”

Had I been at the age of fairy tales, and in daily intercourse with the delightful Countess d’Aulnois, I should have seen in this withered apparition, the genius loci, the malignant fairy, at the stamp of whose foot, the ill-fated tenants of this very room had, from time to time, vanished. I was past that, however; but the old woman’s dark eyes were fixed on mine, with a steady meaning that plainly told me that my secret was known. I was embarrassed and alarmed; I never thought of asking her what business that was of hers.

“These old eyes saw you in the park of the château tonight.”

“I!” I began, with all the scornful surprise I could affect.

“It avails nothing, Monsieur; I know why you stay here; and I tell you to begone. Leave this house tomorrow morning, and never come again.”

She lifted her disengaged hand, as she looked at me with intense horror in her eyes.

“There is nothing on earth⁠—I don’t know what you mean,” I answered; “and why should you care about me?”

“I don’t care about you, Monsieur⁠—I care about the honour of an ancient family, whom I served in their happier days, when to be noble, was to be honoured. But my words are thrown away, Monsieur; you are insolent. I will keep my secret, and you, yours; that is all. You will soon find it hard enough to divulge it.”

The old woman went slowly from the room and shut the door, before I had made up my mind to say anything. I was standing where she had left me, nearly five minutes later. The jealousy of Monsieur the Count, I assumed, appears to this old creature about the most terrible thing in creation. Whatever contempt I might entertain for the dangers which this old lady so darkly intimated, it was by no means pleasant, you may suppose, that a secret so dangerous should be so much as suspected by a stranger, and that stranger a partisan of the Count de St. Alyre.

Ought I not, at all risks, to apprize the Countess, who had trusted me so generously, or, as she said herself, so madly, of the fact that our secret was, at least, suspected by another? But was there not greater danger in attempting to communicate? What did the beldame mean by saying, “Keep your secret, and I’ll keep mine?”

I had a thousand distracting questions before me. My progress seemed like a journey through the Spessart, where at every step some new goblin or monster starts from the ground or steps from behind a tree.

Peremptorily I dismissed these harassing and frightful doubts. I secured my door, sat myself down at my table, and with a candle at each side, placed before me the piece of vellum which contained the drawings and notes on which I was to rely for full instructions as to how to use the key.

When I had studied this for awhile, I made my investigation. The angle of the room at the right side of the window was cut off by an oblique turn in the wainscot. I examined this carefully, and, on pressure, a small bit of the frame of the woodwork slid aside, and disclosed a keyhole. On removing my finger, it shot back to its place again, with a spring. So far I had interpreted my instructions successfully. A similar search, next the door, and directly under this, was rewarded by a like discovery. The small end of the key fitted this, as it had the upper keyhole; and now, with two or three hard jerks at the key, a door in the panel opened, showing a strip of the bare wall, and a narrow, arched doorway, piercing the thickness of the wall; and within which I saw a screw-staircase of stone.

Candle in hand I stepped in. I do not know whether the quality of air, long undisturbed, is peculiar; to me it has always seemed so, and the damp smell of the old masonry hung in this atmosphere. My candle faintly lighted the bare stone wall that enclosed the stair, the foot of which I could not see. Down I went, and a few turns brought me to the stone floor. Here was another door, of the simple, old, oak kind, deep sunk in the thickness of the wall. The large end of the key fitted this. The lock was stiff; I set the candle down upon the stair, and applied both hands; it turned with difficulty, and as it revolved, uttered a shriek that alarmed me for my secret.

For some minutes I did not move. In a little time, however, I took courage, and opened the door. The night-air floating in, puffed out the candle. There was a thicket of holly and underwood, as dense as a jungle, close about the door. I should have been in pitch-darkness, were it not that through the topmost leaves, there twinkled, here and there, a glimmer of moonshine.

Softly, lest anyone should have opened his window, at the sound of the rusty bolt, I