Martin Pippin in the Apple Orchard by Eleanor Farjeon (best new books to read txt) π
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- Author: Eleanor Farjeon
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"A king's!" flashed Rosalind. And even as she spoke the jeering throng parted to let one by that elbowed his way among them; and a second time she saw the Red Hunter come to halt and fix her before all the people. Now this time, she vowed silently, you may gaze till night fall and day rise again, Red Man, if you think to lower my eyes in the presence of these! So she stood and looked him in the face like a queen, all her spirit nerving her, and the people knew it to be battle between them. Harding's great arms were folded across his breast, and on his countenance was no expressiveness at all; but a strange light grew and brightened in his eyes, till little by little all else was blurred and hazy in the girl's sight, and blue fire seemed to lap her from her tawny hair to her bare feet. Then she knew nothing except that she must look away or burn. And her eyes fell. Harding walked past her as he had done before, and not till he was out of hearing did the bystanders begin their cruelty.
"A king's blood for the lady that droops to a common smith!" cried they.
"She shall swing his hammer for a scepter!" cried they.
" Shall sit on's anvil for a throne!" cried they.
" Shall queen it in a leathern apron o' Sundays!" cried they.
Rosalind fled amid their howls of laughter. She hated them all, and far beyond them all she hated him who had lowered her head in their sight.
It was after this that the Proud Rosalind--
(But here, without even trouble to finish his sentence, Martin Pippin suddenly thrust with his foot at the seat of the swing, nearly dislodging Jane with the action; who screamed and clutched first at the ropes, and next at the branches as she went up, and last of all at Martin as she came down. She clutched him so piteously that in pure pity he clutched her, and lifting her bodily out of her peril set her on his knee.
Martin: (with great concern): Are you better, Mistress Jane?
Jane: Where are your manners, Master Pippin?
Martin: My mother mislaid them before I was born. But are you better now?
Jane: I am not sure. I was very much upset.
Martin: So was I.
Jane: It was all your doing.
Martin: I could have sworn it was half yours.
Jane: Who disturbed the swing, pray?
Martin: Every effect proceeds from its cause. The swing was disturbed because I was disturbed.
Jane: Every cause once had its effect. What effected your disturbance, Master Pippin?
Martin: Yours, Mistress Jane.
Jane: Mine?
Martin: Confess that you were disturbed.
Jane: Yes, and with good cause.
Martin: I can't doubt it. Yet that was the mischief. I could find no logical cause for your disturbance. And an illogical world proceeds from confusion to chaos. For want of a little logic my foot and your swing passed out of control.
Jane: The logic had only to be asked for, and it would have been forthcoming.
Martin: Is it too late to ask?
Jane: It is never too late to be reasonable. But why am I sitting on-- Why am I sitting here?
Martin: For the best of reasons. You are sitting where you are sitting because the swing is so disturbed. Please teach me to be reasonable, dear Mistress Jane. Why were you disturbed?
Jane: Very well. I was naturally greatly disturbed to learn that your heroine hated your hero. Because it is your errand to relate love-stories; and I cannot see the connection between love and hate. Could two things more antagonistic conclude in union?
Martin: Yes.
Jane: What?
Martin: A button and buttonhole. For one is something and the other nothing, and what in the very nature of things could be more antagonistic than these?
So saying, he tore a button from his shirt and put it into her hand. "Don't drop it," said Martin,"because I haven't another; and besides, every button-hole prefers its own button. Yet I will never ask you to re-unite them until my tale proves to your satisfaction that out of antagonisms unions can spring."
"Very well," said Jane; and she took out of her pocket a neat little housewife and put the button carefully inside it. Then she said, "The swing is quite still now."
"But are you sure you feel better?" said Martin.
"Yes, thank you," said Jane.)
It was after this (said Martin) that the Proud Rosalind became known by her title. It was fastened on her in derision, and when she heard it she set her lips and thought: "What they speak in mockery shall be the truth." And the more men sought to shame her, the prouder she bore herself. She ceased all commerce with them from this time. So for five years she lived in great loneliness and want.
But gradually she came to know that even this existence of friendless want was not to be life, but a continual struggle-with- death. For she had no resources, and was put to bitter shifts if she would live. Hunger nosed at her door, and she had need of her pride to clothe her. For the more she went wan and naked, the more men mocked her to see her hold herself so high; and out of their hearts she shut that charity which she would never have endured of them. If she had gone kneeling to their doors with pitiful hands, saying, "I starve, not having wherewithal to eat; I perish, not having wherewithal to cover me"--they would perhaps have fed and clothed her, aglow with self-content. But they were not prompt with the charity which warms the object only and not the donor; and she on her part tried to appear as though she needed nothing at their hands.
One evening when the woods were in full leaf, and summer on the edge of its zenith, Proud Rosalind walked among the trees seeking green herbs for soup. She had wandered far afield, because there were no woods near the castle, standing on its
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