Short Fiction by Edgar Allan Poe (good books for 7th graders .TXT) 📕
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Edgar Allan Poe is one of the primary figures of American nineteenth-century literature. His writing was heavily influenced by Romanticism ideals of emotion and feeling, and although mostly known for his Gothic-tinged horror, his tales jump between many different genres, including science-fiction, satire, humor, mystery, and even early detective fiction.
Poe mostly wrote short stories and poems, published in magazines and periodicals like the Southern Literary Messenger and Graham’s Magazine, although he also turned his hand to essays and novels (including The Narrative of Arthur Gordon Pym of Nantucket). He was one of the first American writers to pursue writing as a career, but was better received in France than in his native country. He struggled to make ends meet and resorted to work as a literary critic. His reputation suffered a further blow after his unfortunately early death in 1849 at the age of 40, when a rival not only wrote an extremely unflattering obituary, but bought the rights to his work and published a compilation with a hit piece for an introduction. This undeserved reputation took many decades to fade, but didn’t hinder praise from other notable authors including Arthur Conan Doyle and H. P. Lovecraft.
Collected here are all of Poe’s short fiction stories, in order of their original magazine publication. Notable stories include “The Gold-Bug,” “The Black Cat,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Pit and the Pendulum,” “The Murders in the Rue Morgue,” and many more.
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- Author: Edgar Allan Poe
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Residing as he did in the country, we never met Mr. Poe in hours of leisure; but he frequently called on us afterward at our place of business, and we met him often in the street—invariably the same sad mannered, winning and refined gentleman, such as we had always known him. It was by rumor only, up to the day of his death, that we knew of any other development of manner or character. We heard, from one who knew him well (what should be stated in all mention of his lamentable irregularities), that, with a single glass of wine, his whole nature was reversed, the demon became uppermost, and, though none of the usual signs of intoxication were visible, his will was palpably insane. Possessing his reasoning faculties in excited activity, at such times, and seeking his acquaintances with his wonted look and memory, he easily seemed personating only another phase of his natural character, and was accused, accordingly, of insulting arrogance and bad-heartedness. In this reversed character, we repeat, it was never our chance to see him. We know it from hearsay, and we mention it in connection with this sad infirmity of physical constitution; which puts it upon very nearly the ground of a temporary and almost irresponsible insanity.
The arrogance, vanity, and depravity of heart, of which Mr. Poe was generally accused, seem to us referable altogether to this reversed phase of his character. Under that degree of intoxication which only acted upon him by demonizing his sense of truth and right, he doubtless said and did much that was wholly irreconcilable with his better nature; but, when himself, and as we knew him only, his modesty and unaffected humility, as to his own deservings, were a constant charm to his character. His letters, of which the constant application for autographs has taken from us, we are sorry to confess, the greater portion, exhibited this quality very strongly. In one of the carelessly written notes of which we chance still to retain possession, for instance, he speaks of “The Raven”—that extraordinary poem which electrified the world of imaginative readers, and has become the type of a school of poetry of its own—and, in evident earnest, attributes its success to the few words of commendation with which we had prefaced it in this paper. It will throw light on his sane character to give a literal copy of the note:
“Fordham, April 20, 1849.
“My dear Willis—The poem which I enclose, and which I am so vain as to hope you will like, in some respects, has been just published in a paper for which sheer necessity compels me to write, now and then. It pays well as times go-but unquestionably it ought to pay ten prices; for whatever I send it I feel I am consigning to the tomb of the Capulets. The verses accompanying this, may I beg you to take out of the tomb, and bring them to light in the Home Journal? If you can oblige me so far as to copy them, I do not think it will be necessary to say ‘From the ⸻,’ that would be too bad; and, perhaps, ‘From a late ⸻ paper,’ would do.
“I have not forgotten how a ‘good word in season’ from you made ‘The Raven,’ and made ‘Ulalume’ (which by-the-way, people have done me the honor of attributing to you), therefore, I would ask you (if I dared) to say something of these lines if they please you.
“Truly yours ever,
“Edgar A. Poe.”
In double proof of his earnest disposition to do the best for himself, and of the trustful and grateful nature which has been denied him, we give another of the only three of his notes which we chance to retain:
“Fordham, January 22, 1848.
“My dear Mr. Willis—I am about to make an effort at reestablishing myself in the literary world, and feel that I may depend upon your aid.
“My general aim is to start a Magazine, to be called The Stylus, but it would be useless to me, even when established, if not entirely out of the control of a publisher. I mean, therefore, to get up a journal which shall be my own at all points. With this end in view, I must get a list of, at least, five hundred subscribers to begin with; nearly two hundred I have already. I propose, however, to go South and West, among my personal and literary friends—old college and West Point acquaintances—and see what I can do. In order to get the means of taking the first step, I propose to lecture at the Society Library, on Thursday, the 3rd of February, and, that there may be no cause of squabbling, my subject shall not be literary at all. I have chosen a broad text: ‘The Universe.’
“Having thus given you the facts of the case, I leave all the rest to the suggestions of your own tact and generosity. Gratefully, most gratefully,
“Your friend always,
“Edgar A. Poe.”
Brief and chance-taken as these letters are, we think they sufficiently prove the existence of the very qualities denied to Mr. Poe—humility, willingness to persevere, belief in another’s friendship,
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