The sisters Olga, Masha, and Irina live with their brother Andrey in a provincial Russian town, and plan to return to Moscow, where they grew up, as soon as they’re able. Olga doesn’t want to continue working at the school where she’s a teacher and occasional headmaster; Masha is disillusioned in her marriage; Irina hopes to find her true love; and Andrey shows promise of becoming a professor. Also stationed in their town is a battery of soldiers that provide them with a social life. When Andrey falls in love with Natasha, their hopes for change are dashed, bit by bit.
First performed in 1901 at the Moscow Art Theatre, Three Sisters is considered one of Chekhov’s best plays. While critical reception at the time was mixed, the show was popular enough to become a part of the company’s repertoire, and is still commonly staged and adapted today.
where you don’t know anybody and where nobody knows you, and you don’t feel all the same that you’re a stranger. And here you know everybody and everybody knows you, and you’re a stranger … and a lonely stranger.
Ferapont
What? And the same contractor was telling—perhaps he was lying—that there was a cable stretching right across Moscow.
Andrey
What for?
Ferapont
I can’t tell. The contractor said so.
Andrey
Rubbish. He reads. Were you ever in Moscow?
Ferapont
After a pause. No. God did not lead me there. Pause. Shall I go?
Andrey
You may go. Goodbye. Ferapont goes. Goodbye. Reads. You can come tomorrow and fetch these documents. … Go along. … Pause. He’s gone. A ring. Yes, yes. … Stretches himself and slowly goes into his own room.
Behind the scene the nurse is singing a lullaby to the child. Masha and Vershinin come in. While they talk, a maidservant lights candles and a lamp.
Masha
I don’t know. Pause. I don’t know. Of course, habit counts for a great deal. After father’s death, for instance, it took us a long time to get used to the absence of orderlies. But, apart from habit, it seems to me in all fairness that, however it may be in other towns, the best and most-educated people are army men.
Vershinin
I’m thirsty. I should like some tea.
Masha
Glancing at her watch. They’ll bring some soon. I was given in marriage when I was eighteen, and I was afraid of my husband because he was a teacher and I’d only just left school. He then seemed to me frightfully wise and learned and important. And now, unfortunately, that has changed.
Vershinin
Yes … yes.
Masha
I don’t speak of my husband, I’ve grown used to him, but civilians in general are so often coarse, impolite, uneducated. Their rudeness offends me, it angers me. I suffer when I see that a man isn’t quite sufficiently refined, or delicate, or polite. I simply suffer agonies when I happen to be among schoolmasters, my husband’s colleagues.
Vershinin
Yes. … It seems to me that civilians and army men are equally interesting, in this town, at any rate. It’s all the same! If you listen to a member of the local intelligentsia, whether to civilian or military, he will tell you that he’s sick of his wife, sick of his house, sick of his estate, sick of his horses. … We Russians are extremely gifted in the direction of thinking on an exalted plane, but, tell me, why do we aim so low in real life? Why?
Masha
Why?
Vershinin
Why is a Russian sick of his children, sick of his wife? And why are his wife and children sick of him?
Masha
You’re a little downhearted today.
Vershinin
Perhaps I am. I haven’t had any dinner, I’ve had nothing since the morning. My daughter is a little unwell, and when my girls are ill, I get very anxious and my conscience tortures me because they have such a mother. Oh, if you had seen her today! What a trivial personality! We began quarrelling at seven in the morning and at nine I slammed the door and went out. Pause. I never speak of her, it’s strange that I bear my complaints to you alone. Kisses her hand. Don’t be angry with me. I haven’t anybody but you, nobody at all. … Pause.
Masha
What a noise in the oven. Just before father’s death there was a noise in the pipe, just like that.
Vershinin
Are you superstitious?
Masha
Yes.
Vershinin
That’s strange. Kisses her hand. You are a splendid, wonderful woman. Splendid, wonderful! It is dark here, but I see your sparkling eyes.
Masha
Sits on another chair. There is more light here.
Vershinin
I love you, love you, love you … I love your eyes, your movements, I dream of them. … Splendid, wonderful woman!
Masha
Laughing. When you talk to me like that, I laugh; I don’t know why, for I’m afraid. Don’t repeat it, please. … In an undertone. No, go on, it’s all the same to me. … Covers her face with her hands. Somebody’s coming, let’s talk about something else.
Irina and Tuzenbach come in through the dining-room.
Tuzenbach
My surname is really triple. I am called Baron Tuzenbach-Krone-Altschauer, but I am Russian and Orthodox, the same as you. There is very little German left in me, unless perhaps it is the patience and the obstinacy with which I bore you. I see you home every night.
Irina
How tired I am!
Tuzenbach
And I’ll come to the telegraph office to see you home every day for ten or twenty years, until you drive me away. He sees Masha and Vershinin; joyfully. Is that you? How do you do.
Irina
Well, I am home at last. To Masha. A lady came today to telegraph to her brother in Saratov that her son died today, and she couldn’t remember the address anyhow. So she sent the telegram without an address, just to Saratov. She was crying. And for some reason or other I was rude to her. “I’ve no time,” I said. It was so stupid. Are the entertainers coming tonight?
Masha
Yes.
Irina
Sitting down in an armchair. I want a rest. I am tired.
Tuzenbach
Smiling. When you come home from your work you seem so young, and so unfortunate. … Pause.
Irina
I am tired. No, I don’t like the telegraph office, I don’t like it.
Masha
You’ve grown thinner. … Whistles a little. And you look younger, and your face has become like a boy’s.
Tuzenbach
That’s the way she does her hair.
Irina
I must find another job, this one won’t do for me. What I wanted, what I hoped to get, just that is lacking here. Labour without poetry, without ideas. … A knock on the floor. The doctor is knocking. To Tuzenbach. Will you knock, dear. I can’t … I’m tired. … Tuzenbach knocks. He’ll come in a minute. Something ought to be done. Yesterday
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