Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βIn the store,β said Mrs. Rβ βΈΊ, βnear the bench where my husband works is a large table, the cover of which hangs to the floor. If I could get under that I could hear every word that was said.β
Mr. Keeling took a big bunch of skeleton keys from his pocket and in a few minutes found one that opened the door into the jewelry store. The gas was burning from one jet turned very low.
The lady stepped into the store and said: βI will bolt this door from the inside, and I want you to follow my husband and that woman. See if they are at supper, and if they are, when they start back, you must come back to this room and let me know by tapping thrice on the door. After I listen to their conversation long enough I will unbolt the door, and we will confront the guilty pair together. I may need you to protect me, for I do not know what they might attempt to do to me.β
The detective made his way softly out and followed the jeweler and the woman. He soon discovered that they had taken a private room in a little out of the way restaurant and had ordered supper. He lingered about until they came out and then hurried back to the store, and entering the back room, tapped three times on the door.
In a few minutes the jeweler entered with the woman and the detective saw the light shine more brightly through a crack in the door. He could hear the man and woman conversing familiarly and constantly, but could not distinguish their words. He slipped around again to the street, and looking through the window, could see Mr. Rβ βΈΊ working away at his jewelerβs bench, while the black-haired woman sat close to his side and talked.
βIβll give them a little time,β thought Mr. Keeling, and he strolled down the street.
The policeman was standing on the corner.
The detective told him that Mrs. Rβ βΈΊ was concealed in the store, and that the scheme was working nicely.
βIβll drop back behind now,β said Mr. Keeling, βso as to be ready when the lady springs her trap.β
The policeman walked back with him, and took a look through the window.
βThey seem to have made up all right,β said he. βWhereβs the other woman gotten to?β
βWhy, there she is sitting by him,β said the detective.
βIβm talking about the girl Rβ βΈΊ had out to supper.β
βSo am I,β said the detective.
βYou seem to be mixed up,β said the policeman. βDo you know that lady with Rβ βΈΊ?β
βThatβs the woman he was out with.β
βThatβs Rβ βΈΊβs wife,β said the policeman. βIβve known her for fifteen years.β
βThen, whoβ β?β gasped the detective, βLord Aβmighty, then whoβs under the table?β
Mr. Keeling began to kick at the door of the store. Mr. Rβ βΈΊ came forward and opened it. The policeman and the detective entered. βLook under that table, quick,β yelled the detective.
The policeman raised the cover and dragged out a blade dress, a black veil and a womanβs wig of black hair.
βIs this lady your w-w-wife?β asked Mr. Keeling excitedly, pointing out the dark-eyed young woman, who was regarding them in great surprise.
βCertainly,β said the jeweler. βNow what the thunder are you looking under my tables and kicking down my door for, if you please?β
βLook in your show cases,β said the policeman, who began to size up the situation.
The diamond rings and watches that were missing amounted to $800, and the next day the detective settled the bill.
Explanations were made to the jeweler that night, and an hour later Mr. Keeling sat in his office busily engaged in looking over his albums of crookβs photos.
At last he found one, and he stopped turning over the leaves and tore his hair. Under the picture of a smooth-faced young man, with delicate features was the following description:
βJames H. Miggles, alias Slick Simon, alias The Weeping Widow, alias Bunco Kate, alias Jimmy the Sneak, General confidence man and burglar. Works generally in female disguises. Very plausible and dangerous. Wanted in Kansas City, Oshkosh, New Orleans and Milwaukee.β
This is why Mr. Thomas Keeling did not continue his detective business in Houston.
Sufficient ProvocationβHe hit me fust.β
βHe gimme de probumcation, judge.β
βNebber touched dat nigger tell he up en hit me wid er cheer.β
They were two Houston negroes, and they were up before the recorder for fighting.
βWhat did you strike this man with a chair for?β asked the recorder.
βI wuz playinβ de French hahp, judge, to de ball ob de Sebem βMancipated Sons ob de Lebem Virgins, en Sam Hobson he wuz playinβ de guitar fur de niggers to dance by. Dis here coon what I hit thinks he kin play de French hahp, too, but he kaint.β
βDatβs a lie, I kin playβ ββ
βKeep still,β said the recorder sternly. βGo on with your statement.β
βI wuz playinβ en up comes dis here coon what I hit. He am powβful jealous ob my playinβ en he wuz mad βcoz de floβ committee selected me to puhfahm. While I wuz playinβ dis obstrepelous coon came right close up to me en he say: βWatermillions be gittinβ ripe now in nudder montβ. I keeps on playinβ. He says: βSposinβ you had a great big ripe watermillion, wid red meat en black seeds.β I keeps on playinβ. He says: βYou take him en bus him open on a rock, en you scoop up a big hanβful ob de heart, en you look all rounβ en nobody come.β I keeps on playin. He says: βYou cram de heart in yoβ mouf, en crunch down on hit, en de juice hit run down yoβ ahm en hit run down yoβ chin to yoβ neck, en de sweetness run down youβ thβoat.β Den my mouf water so it fill dat French hahp plum full, en de music stop, en de floβ committee look arounβ. Den I up wit a chair
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