Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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βWell, sir, after I had got out of the business, I got a mighty grouch on. I used to go round town licking private citizens and all kinds of unprofessionals just to please myself. Iβd lick cops in dark streets and car-conductors and cabdrivers and draymen whenever I could start a row with βem. It didnβt make any difference how big they were, or how much science they had, I got away with βem. If Iβd only just have had the confidence in the ring that I had beating up the best men outside of it, Iβd be wearing black pearls and heliotrope silk socks today.
βOne evening I was walking along near the Bowery, thinking about things, when along comes a slumming-party. About six or seven they was, all in swallowtails, and these silk hats that donβt shine. One of the gang kind of shoves me off the sidewalk. I hadnβt had a scrap in three days, and I just says, βDelight-ed!β and hits him back of the ear.
βWell, we had it. That Johnnie put up as decent a little fight as youβd want to see in the moving pictures. It was on a side street, and no cops around. The other guy had a lot of science, but it only took me about six minutes to lay him out.
βSome of the swallowtails dragged him up against some steps and began to fan him. Another one of βem comes over to me and says:
βββYoung man, do you know what youβve done?β
βββOh, beat it,β says I. βIβve done nothing but a little punching-bag work. Take Freddy back to Yale and tell him to quit studying sociology on the wrong side of the sidewalk.β
βββMy good fellow,β says he, βI donβt know who you are, but Iβd like to. Youβve knocked out Reddy Burns, the champion middleweight of the world! He came to New York yesterday, to try to get a match on with Jim Jeffries. If youβ ββ
βBut when I come out of my faint I was laying on the floor in a drugstore saturated with aromatic spirits of ammonia. If Iβd known that was Reddy Burns, Iβd have got down in the gutter and crawled past him instead of handing him one like I did. Why, if Iβd ever been in a ring and seen him climbing over the ropes, Iβd have been all to the sal-volatile.
βSo thatβs what imagination does,β concluded Mack. βAnd, as I said, your case and mine is simultaneous. Youβll never win out. You canβt go up against the professionals. I tell you, itβs a park bench for yours in this romance business.β
Mack, the pessimist, laughed harshly.
βIβm afraid I donβt see the parallel,β I said, coldly. βI have only a very slight acquaintance with the prize-ring.β
The derelict touched my sleeve with his forefinger, for emphasis, as he explained his parable.
βEvery man,β said he, with some dignity, βhas got his lamps on something that looks good to him. With you, itβs this dame that youβre afraid to say your say to. With me, it was to win out in the ring. Well, youβll lose just like I did.β
βWhy do you think I shall lose?β I asked warmly.
βββCause,β said he, βyouβre afraid to go in the ring. You dassenβt stand up before a professional. Your case and mine is just the same. Youβre a amateur; and that means that youβd better keep outside of the ropes.β
βWell, I must be going,β I said, rising and looking with elaborate care at my watch.
When I was twenty feet away the park-bencher called to me.
βMuch obliged for the dollar,β he said. βAnd for the dime. But youβll never get βer. Youβre in the amateur class.β
βServes you right,β I said to myself, βfor hobnobbing with a tramp. His impudence!β
But, as I walked, his words seemed to repeat themselves over and over again in my brain. I think I even grew angry at the man.
βIβll show him!β I finally said, aloud. βIβll show him that I can fight Reddy Burns, tooβ βeven knowing who he is.β
I hurried to a telephone-booth and rang up the Telfair residence.
A soft, sweet voice answered. Didnβt I know that voice? My hand holding the receiver shook.
βIs that you?β said I, employing the foolish words that form the vocabulary of every talker through the telephone.
βYes, this is I,β came back the answer in the low, clear-cut tones that are an inheritance of the Telfairs. βWho is it, please?β
βItβs me,β said I, less ungrammatically than egotistically. βItβs me, and Iβve got a few things that I want to say to you right now and immediately and straight to the point.β
βDear me,β said the voice. βOh, itβs you, Mr. Arden!β
I wondered if any accent on the first word was intended; Mildred was fine at saying things that you had to study out afterward.
βYes,β said I. βI hope so. And now to come down to brass tacks.β I thought that rather a vernacularism, if there is such a word, as soon as I had said it; but I didnβt stop to apologize. βYou know, of course, that I love you, and that I have been in that idiotic state for a long time. I donβt want any more foolishness about itβ βthat is, I mean I want an answer from you right now. Will you marry me or not? Hold the wire, please. Keep out, Central. Hello, hello! Will you, or will you not?β
That was just the uppercut for Reddy Burnsβ chin. The answer came back:
βWhy, Phil, dear, of course I will! I didnβt know that youβ βthat is, you never saidβ βoh, come up to the house, pleaseβ βI canβt say what I want to over the phone. You are so importunate. But please come up to the house, wonβt you?β
Would I?
I rang the bell of the Telfair house violently. Some sort of a human came to the door and shooed me into the drawing-room.
βOh, well,β said I to myself, looking at the ceiling, βanyone can learn from anyone. That was
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