Those Barren Leaves by Aldous Huxley (100 books to read txt) 📕
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Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister.
As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era.
His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy.
As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.
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- Author: Aldous Huxley
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For her part, Mrs. Chelifer was delighted to have found Grace. As Mr. Cardan had divined, she missed her cats and dogs, her poor children and traditional games. It was very reluctantly that she had at last given up the old Oxford house; very reluctantly, though the arguments that Francis had used to persuade her were unanswerable. It was too large for her, it was full of those medieval labour-creating devices of which Mr. Ruskin and his architectural followers were so fond, it cost more to keep up than she could afford; moreover, it was unhealthy, she was regularly ill there every winter; the doctors had been urging her for years past to get out of the Thames valley. Yes, the arguments were quite unanswerable; but it had been a long time before she had finally made up her mind to leave the place. Forty years of her life had been passed there; she was loth to part with all those memories. And then there were the dogs and the poor children, all her old friends and her charities. In the end, however, she had allowed herself to be persuaded. The house was sold; it was arranged that she should spend the winter in Rome.
“Now you’re free,” her son had said.
But Mrs. Chelifer rather mournfully shook her head. “I don’t know that I very much like being free,” she answered. “I shall be without occupation in Rome. I look forward to it almost with dread.”
Francis reassured her. “You’ll soon find something,” he said. “Don’t be afraid of that.”
“Shall I?” Mrs. Chelifer questioned doubtfully. They were walking together in the little garden at the back of the house; looking round her at the familiar grass plot and flower beds, she sighed.
But Francis was right; dogs, poor children or their equivalents are fortunately not rare. At the end of the first stage of her journey Mrs. Chelifer had found, in Grace Elver, a compensation for what she had abandoned at Oxford. Attending to poor Grace she was happy.
For the rest of the party Miss Elver’s arrival had no special or personal significance. For them she was just Mr. Cardan’s half-wit; that was all. Even Mary Thriplow, who might have been expected to take an interest in so genuine a specimen of the simple soul, paid little attention to her. The fact was that Grace was really too simple to be interesting. Simplicity is no virtue unless you are potentially complicated. Mrs. Chelifer, being with all her simplicity a woman of intelligence, threw light, Miss Thriplow felt, on her own case. Grace was simple only as a child or an imbecile is simple; her didactic value was therefore nil. Miss Thriplow remained faithful to Mrs. Chelifer.
XIIt was night. Half undressed, Irene was sitting on the edge of her bed stitching away at an unfinished garment of pale pink silk. Her head was bent over her work and her thick hair hung perpendicularly down on either side, making an angle with her tilted face. The light clung richly to her bare arms and shoulders, was reflected by the curved and glossy surfaces of her tight-drawn stockings. Her face was extremely grave; the tip of her tongue appeared between her teeth. It was a difficult job.
Round her, on the walls of the enormous room which had once been the bedchamber of the Cardinal Alderano Malaspina, fluttered an army of gesticulating shapes. Over the door sat God the Father, dressed in a blue crêpe de Chine tunic and enveloped in a mantle of red velvet, which fluttered in the divine afflatus as though it had been so much bunting. His right hand was extended; and in obedience to the gesture a squadron of angels went flying down one of the side walls towards the window. At a prie-Dieu in the far corner knelt Cardinal Malaspina, middle-aged, stout, with a barbiche and moustache, and looking altogether, Irene thought, like the current British idea of a French chef. The Archangel Michael, at the head of his troop of Principalities and Powers, was hovering in the air above him, and with an expression on his face of mingled condescension and respect—condescension, inasmuch as he was the plenipotentiary of the Padre Eterno, and respect, in view of the fact that His Eminence was a brother of the Prince of Massa Carrara—was poising above the prelate’s head the red symbolic hat that was to make him a Prince of the Church. On the opposite wall the Cardinal was represented doing battle with the powers of darkness. Dressed in scarlet robes he stood undaunted on the brink of the bottomless pit. Behind him was a carefully painted view of the Malaspina palace, with a group of retainers and handsome coaches in the middle distance and, immediately behind their Uncle, whom they gallantly supported by their prayers, the Cardinal’s nephews. From the pit came up legions of hideous devils who filled the air with the flapping of their wings. But the
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