Short Fiction by O. Henry (librera reader txt) π
Description
William Sydney Porter, known to readers as O. Henry, was a true raconteur. As a draftsman, a bank teller, a newspaper writer, a fugitive from justice in Central America, and a writer living in New York City, he told stories at each stop and about each stop. His stories are known for their vivid characters who come to life, and sometimes death, in only a few pages. But the most famous characteristic of O. Henryβs stories are the famous βtwistβ endings, where the outcome comes as a surprise both to the characters and the readers. O. Henryβs work was widely recognized and lauded, so much so that a few years after his death an award was founded in his name to recognize the best American short story (now stories) of the year.
This collection gathers all of his available short stories that are in the U.S. public domain. They were published in various popular magazines of the time, as well as in the Houston Post, where they were not attributed to him until many years after his death.
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- Author: O. Henry
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This Negro stood by a carriage so old that Ham himself might have started a hack line with it after he left the ark with the two animals hitched to it. As I approached he threw open the door, drew out a feather duster, waved it without using it, and said in deep, rumbling tones:
βStep right in, suh; ainβt a speck of dust in itβ βjusβ got back from a funeral, suh.β
I inferred that on such gala occasions carriages were given an extra cleaning. I looked up and down the street and perceived that there was little choice among the vehicles for hire that lined the curb. I looked in my memorandum book for the address of Azalea Adair.
βI want to go to 861 Jessamine Street,β I said, and was about to step into the hack. But for an instant the thick, long, gorilla-like arm of the old Negro barred me. On his massive and saturnine face a look of sudden suspicion and enmity flashed for a moment. Then, with quickly returning conviction, he asked blandishingly: βWhat are you gwine there for, boss?β
βWhat is it to you?β I asked, a little sharply.
βNothinβ, suh, jusβ nothinβ. Only itβs a lonesome kind of part of town and few folks ever has business out there. Step right in. The seats is cleanβ βjesβ got back from a funeral, suh.β
A mile and a half it must have been to our journeyβs end. I could hear nothing but the fearful rattle of the ancient hack over the uneven brick paving; I could smell nothing but the drizzle, now further flavored with coal smoke and something like a mixture of tar and oleander blossoms. All I could see through the streaming windows were two rows of dim houses.
The city has an area of 10 square miles; 181 miles of streets, of which 137 miles are paved; a system of waterworks that cost $2,000,000, with 77 miles of mains.
Eight-sixty-one Jessamine Street was a decayed mansion. Thirty yards back from the street it stood, outmerged in a splendid grove of trees and untrimmed shrubbery. A row of box bushes overflowed and almost hid the paling fence from sight; the gate was kept closed by a rope noose that encircled the gate post and the first paling of the gate. But when you got inside you saw that 861 was a shell, a shadow, a ghost of former grandeur and excellence. But in the story, I have not yet got inside.
When the hack had ceased from rattling and the weary quadrupeds came to a rest I handed my jehu his fifty cents with an additional quarter, feeling a glow of conscious generosity, as I did so. He refused it.
βItβs two dollars, suh,β he said.
βHowβs that?β I asked. βI plainly heard you call out at the hotel: βFifty cents to any part of the town.βββ
βItβs two dollars, suh,β he repeated obstinately. βItβs a long ways from the hotel.β
βIt is within the city limits and well within them.β I argued. βDonβt think that you have picked up a greenhorn Yankee. Do you see those hills over there?β I went on, pointing toward the east (I could not see them, myself, for the drizzle); βwell, I was born and raised on their other side. You old fool nigger, canβt you tell people from other people when you see βem?β
The grim face of King Cettiwayo softened. βIs you from the South, suh? I reckon it was them shoes of yourn fooled me. They is somethinβ sharp in the toes for a Southern genβlβman to wear.β
βThen the charge is fifty cents, I suppose?β said I inexorably.
His former expression, a mingling of cupidity and hostility, returned, remained ten seconds, and vanished.
βBoss,β he said, βfifty cents is right; but I needs two dollars, suh; Iβm obleeged to have two dollars. I ainβt demandinβ it now, suh; after I know whar youβs from; Iβm jusβ sayinβ that I has to have two dollars tonight, and business is mighty poβ.β
Peace and confidence settled upon his heavy features. He had been luckier than he had hoped. Instead of having picked up a greenhorn, ignorant of rates, he had come upon an inheritance.
βYou confounded old rascal,β I said, reaching down to my pocket, βyou ought to be turned over to the police.β
For the first time I saw him smile. He knew; he knew. He knew.
I gave him two one-dollar bills. As I handed them over I noticed that one of them had seen parlous times. Its upper right-hand corner was missing, and it had been torn through the middle, but joined again. A strip of blue tissue paper, pasted over the split, preserved its negotiability.
Enough of the African bandit for the present: I left him happy, lifted the rope and opened a creaky gate.
The house, as I said, was a shell. A paint brush had not touched it in twenty years. I could not see why a strong wind should not have bowled it over like a house of cards until I looked again at the trees that hugged it closeβ βthe trees that saw the battle of Nashville and still drew their protecting branches around it against storm and enemy and cold.
Azalea Adair, fifty years old, white-haired, a descendant of the cavaliers, as thin and frail as the house she lived in, robed in the cheapest and cleanest dress I ever saw, with an air as simple as a queenβs, received me.
The reception room seemed a mile square, because
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