Night and Day by Virginia Woolf (love story novels in english .txt) 📕
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Although known for her later experiments with style and structure, Virginia Woolf set out in her early novels to master the traditional form. Her second novel, Night and Day, presents itself as a seemingly conventional marriage plot, complete with love triangles, broken engagements, and unrequited affections. Beneath these conventional trappings, however, the book’s deeper concerns are resolutely subversive. The main characters—a quartet of friends and would-be lovers—come together, pull apart, and struggle to reconcile socially-prescribed norms of love and marriage with their own beliefs and ambitions.
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- Author: Virginia Woolf
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Mary walked to the nearest station and reached home in an incredibly short space of time, just so much, indeed, as was needed for the intelligent understanding of the news of the world as the Westminster Gazette reported it. Within a few minutes of opening her door, she was in trim for a hard evening’s work. She unlocked a drawer and took out a manuscript, which consisted of a very few pages, entitled, in a forcible hand, “Some Aspects of the Democratic State.” The aspects dwindled out in a cries-cross of blotted lines in the very middle of a sentence, and suggested that the author had been interrupted, or convinced of the futility of proceeding, with her pen in the air. … Oh, yes, Ralph had come in at that point. She scored that sheet very effectively, and, choosing a fresh one, began at a great rate with a generalization upon the structure of human society, which was a good deal bolder than her custom. Ralph had told her once that she couldn’t write English, which accounted for those frequent blots and insertions; but she put all that behind her, and drove ahead with such words as came her way, until she had accomplished half a page of generalization and might legitimately draw breath. Directly her hand stopped her brain stopped too, and she began to listen. A paperboy shouted down the street; an omnibus ceased and lurched on again with the heave of duty once more shouldered; the dullness of the sounds suggested that a fog had risen since her return, if, indeed, a fog has power to deaden sound, of which fact, she could not be sure at the present moment. It was the sort of fact Ralph Denham knew. At any rate, it was no concern of hers, and she was about to dip a pen when her ear was caught by the sound of a step upon the stone staircase. She followed it past Mr. Chippen’s chambers; past Mr. Gibson’s; past Mr. Turner’s; after which it became her sound. A postman, a washerwoman, a circular, a bill—she presented herself with each of these perfectly natural possibilities; but, to her surprise, her mind rejected each one of them impatiently, even apprehensively. The step became slow, as it was apt to do at the end of the steep climb, and Mary, listening for the regular sound, was filled with an intolerable nervousness. Leaning against the table, she felt the knock of her heart push her body perceptibly backwards and forwards—a state of nerves astonishing and reprehensible in a stable woman. Grotesque fancies took shape. Alone, at the top of the house, an unknown person approaching nearer and nearer—how could she escape? There was no way of escape. She did not even know whether that oblong mark on the ceiling was a trap-door to the roof or not. And if she got on to the roof—well, there was a drop of sixty feet or so on to the pavement. But she sat perfectly still, and when the knock sounded, she got up directly and opened the door without hesitation. She saw a tall figure outside, with something ominous to her eyes in the look of it.
“What do you want?” she said, not recognizing the face in the fitful light of the staircase.
“Mary? I’m Katharine Hilbery!”
Mary’s self-possession returned almost excessively, and her welcome was decidedly cold, as if she must recoup herself for this ridiculous waste of emotion. She moved her green-shaded lamp to another table, and covered “Some Aspects of the Democratic State” with a sheet of blotting-paper.
“Why can’t they leave me alone?” she thought bitterly, connecting Katharine and Ralph in a conspiracy to take from her even this hour of solitary study, even this poor little defence against the world. And, as she smoothed down the sheet of blotting-paper over the manuscript, she braced herself to resist Katharine, whose presence struck her, not merely by its force, as usual, but as something in the nature of a menace.
“You’re working?” said Katharine, with hesitation, perceiving that she was not welcome.
“Nothing that matters,” Mary replied, drawing forward the best of the chairs and poking the fire.
“I didn’t know you had to work after you had left the office,” said Katharine, in a tone which gave the impression that she was thinking of something else, as was, indeed, the case.
She had been paying calls with her mother, and in between the calls Mrs. Hilbery had rushed into shops and bought pillowcases and blotting-books on no perceptible method for the furnishing of Katharine’s house. Katharine had a sense of impedimenta accumulating on all sides of her. She had left her at length, and had come on to keep an engagement to dine with Rodney at his rooms. But she did not mean to get to him before seven o’clock, and so had plenty of time to walk all the way from Bond Street to the Temple if she wished it. The flow of faces streaming on either side of her had hypnotized her into a mood of profound despondency, to which her expectation of an evening alone with Rodney contributed. They were very good friends again, better friends, they both said, than ever before. So far as she was concerned this was true. There were many more things in him than she had guessed until emotion brought them forth—strength, affection, sympathy. And she thought of them and looked at the faces passing, and thought how much alike they were, and how distant, nobody feeling anything as she felt nothing, and distance, she thought, lay inevitably between the closest, and their intimacy was the worst presence of all. For, “Oh dear,” she thought, looking into a tobacconist’s window, “I don’t care for any of them, and I don’t care for William, and people say this is the thing that matters most, and I can’t see what they mean by it.”
She looked desperately at the smooth-bowled pipes, and wondered—should
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