Anna Karenina by Leo Tolstoy (feel good books TXT) 📕
Description
Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack that’s appeared in her brother’s marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg.
Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoy’s second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and it’s widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin.
This edition compiles into a single volume the 1901 English translation by Constance Garnett.
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- Author: Leo Tolstoy
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Anna, who had flushed a little the instant her son came in, noticing that Seryozha was uncomfortable, got up hurriedly, took Alexey Alexandrovitch’s hand from her son’s shoulder, and kissing the boy, led him out onto the terrace, and quickly came back.
“It’s time to start, though,” said she, glancing at her watch. “How is it Betsy doesn’t come? …”
“Yes,” said Alexey Alexandrovitch, and getting up, he folded his hands and cracked his fingers. “I’ve come to bring you some money, too, for nightingales, we know, can’t live on fairy tales,” he said. “You want it, I expect?”
“No, I don’t … yes, I do,” she said, not looking at him, and crimsoning to the roots of her hair. “But you’ll come back here after the races, I suppose?”
“Oh, yes!” answered Alexey Alexandrovitch. “And here’s the glory of Peterhof, Princess Tverskaya,” he added, looking out of the window at the elegant English carriage with the tiny seats placed extremely high. “What elegance! Charming! Well, let us be starting too, then.”
Princess Tverskaya did not get out of her carriage, but her groom, in high boots, a cape, and black hat, darted out at the entrance.
“I’m going; goodbye!” said Anna, and kissing her son, she went up to Alexey Alexandrovitch and held out her hand to him. “It was ever so nice of you to come.”
Alexey Alexandrovitch kissed her hand.
“Well, au revoir, then! You’ll come back for some tea; that’s delightful!” she said, and went out, gay and radiant. But as soon as she no longer saw him, she was aware of the spot on her hand that his lips had touched, and she shuddered with repulsion.
XXVIIIWhen Alexey Alexandrovitch reached the racecourse, Anna was already sitting in the pavilion beside Betsy, in that pavilion where all the highest society had gathered. She caught sight of her husband in the distance. Two men, her husband and her lover, were the two centers of her existence, and unaided by her external senses she was aware of their nearness. She was aware of her husband approaching a long way off, and she could not help following him in the surging crowd in the midst of which he was moving. She watched his progress towards the pavilion, saw him now responding condescendingly to an ingratiating bow, now exchanging friendly, nonchalant greetings with his equals, now assiduously trying to catch the eye of some great one of this world, and taking off his big round hat that squeezed the tips of his ears. All these ways of his she knew, and all were hateful to her. “Nothing but ambition, nothing but the desire to get on, that’s all there is in his soul,” she thought; “as for these lofty ideals, love of culture, religion, they are only so many tools for getting on.”
From his glances towards the ladies’ pavilion (he was staring straight at her, but did not distinguish his wife in the sea of muslin, ribbons, feathers, parasols and flowers) she saw that he was looking for her, but she purposely avoided noticing him.
“Alexey Alexandrovitch!” Princess Betsy called to him; “I’m sure you don’t see your wife: here she is.”
He smiled his chilly smile.
“There’s so much splendor here that one’s eyes are dazzled,” he said, and he went into the pavilion. He smiled to his wife as a man should smile on meeting his wife after only just parting from her, and greeted the princess and other acquaintances, giving to each what was due—that is to say, jesting with the ladies and dealing out friendly greetings among the men. Below, near the pavilion, was standing an adjutant-general of whom Alexey Alexandrovitch had a high opinion, noted for his intelligence and culture. Alexey Alexandrovitch entered into conversation with him.
There was an interval between the races, and so nothing hindered conversation. The adjutant-general expressed his disapproval of races. Alexey Alexandrovitch replied defending them. Anna heard his high, measured tones, not losing one word, and every word struck her as false, and stabbed her ears with pain.
When the three-mile steeplechase was beginning, she bent forward and gazed with fixed eyes at Vronsky as he went up to his horse and mounted, and at the same time she heard that loathsome, never-ceasing voice of her husband. She was in an agony of terror for Vronsky, but a still greater agony was the never-ceasing, as it seemed to her, stream of her husband’s shrill voice with its familiar intonations.
“I’m a wicked woman, a lost woman,” she thought; “but I don’t like lying, I can’t endure falsehood, while as for him (her husband) it’s the breath of his life—falsehood. He knows all about it, he sees it all; what does he care if he can talk so calmly? If he were to kill me, if he were to kill Vronsky, I might respect him. No, all he wants is falsehood and propriety,” Anna said to herself, not considering exactly what it was she wanted of her husband, and how she would have liked to see him behave. She did not understand either that Alexey Alexandrovitch’s peculiar loquacity that day, so exasperating to her, was merely the expression of his inward distress and uneasiness. As a child that has been hurt skips about, putting all his muscles into movement to drown the pain, in the same way Alexey Alexandrovitch needed mental exercise to drown the thoughts of his wife that in her presence and in Vronsky’s, and with the continual iteration of his name, would force themselves on his attention. And it was as natural for him to talk
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