Bleak House by Charles Dickens (best ebook reader for laptop .txt) 📕
Description
Bleak House, completed by Dickens in 1853, tells several interlocking story-lines and features a host of colorful characters. Though very difficult to summarise, the novel centers around the decades-long legal case of Jarndyce and Jarndyce, involving the fair distribution of assets of a valuable estate. The case is mired in the legal quagmire of the Court of Chancery, whose byzantine and sluggish workings Dickens spares no effort to expose and condemn. Dickens also exposes the miserable condition of the poor, living in squalid, pestilential circumstances.
The novel’s heroine is Esther Summerson, whose parentage is unclear and who has been brought up by a cold and strict godmother, who tells her only: “Your mother, Esther, is your disgrace, and you were hers.” On the death of her godmother, she is given an education through the unexpected intervention of a Mr. Jarndyce of Bleak House, whom she has never met. When she comes of age, she is appointed as a companion to Ada, one of two young people who are “wards of Chancery,” whose fates depend on the outcome of the legal struggle and who are taken into guardianship by Mr. Jarndyce. The other ward Richard, despite Mr. Jarndyce’s frequent warnings, eventually goes astray by pinning all his hopes on a successful outcome of Jarndyce and Jarndyce.
We are also introduced to Sir Leicester and Lady Dedlock, and to their cunning and suspicious lawyer, Mr. Tulkinghorn. He uncovers evidence that Lady Dedlock is not all she seems and determines to remorselessly pursue every lead to expose her secrets.
The novel has a curious construction in that the first-person narrative of Esther, written in the past tense, is interleaved with many chapters written from the omniscient viewpoint and in the present tense.
Several prominent critics such as G. K. Chesterton consider Bleak House to be Dickens’ finest novel, and it is often ranked among the best English-language novels of all time.
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- Author: Charles Dickens
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“I’m fly,” says Jo. “But fen larks, you know. Stow hooking it!”
“What does the horrible creature mean?” exclaims the servant, recoiling from him.
“Stow cutting away, you know!” says Jo.
“I don’t understand you. Go on before! I will give you more money than you ever had in your life.”
Jo screws up his mouth into a whistle, gives his ragged head a rub, takes his broom under his arm, and leads the way, passing deftly with his bare feet over the hard stones and through the mud and mire.
Cook’s Court. Jo stops. A pause.
“Who lives here?”
“Him wot give him his writing and give me half a bull,” says Jo in a whisper without looking over his shoulder.
“Go on to the next.”
Krook’s house. Jo stops again. A longer pause.
“Who lives here?”
“He lived here,” Jo answers as before.
After a silence he is asked, “In which room?”
“In the back room up there. You can see the winder from this corner. Up there! That’s where I see him stritched out. This is the public-ouse where I was took to.”
“Go on to the next!”
It is a longer walk to the next, but Jo, relieved of his first suspicions, sticks to the forms imposed upon him and does not look round. By many devious ways, reeking with offence of many kinds, they come to the little tunnel of a court, and to the gas-lamp (lighted now), and to the iron gate.
“He was put there,” says Jo, holding to the bars and looking in.
“Where? Oh, what a scene of horror!”
“There!” says Jo, pointing. “Over yinder. Among them piles of bones, and close to that there kitchin winder! They put him wery nigh the top. They was obliged to stamp upon it to git it in. I could unkiver it for you with my broom if the gate was open. That’s why they locks it, I s’pose,” giving it a shake. “It’s always locked. Look at the rat!” cries Jo, excited. “Hi! Look! There he goes! Ho! Into the ground!”
The servant shrinks into a corner, into a corner of that hideous archway, with its deadly stains contaminating her dress; and putting out her two hands and passionately telling him to keep away from her, for he is loathsome to her, so remains for some moments. Jo stands staring and is still staring when she recovers herself.
“Is this place of abomination consecrated ground?”
“I don’t know nothink of consequential ground,” says Jo, still staring.
“Is it blessed?”
“Which?” says Jo, in the last degree amazed.
“Is it blessed?”
“I’m blest if I know,” says Jo, staring more than ever; “but I shouldn’t think it warn’t. Blest?” repeats Jo, something troubled in his mind. “It an’t done it much good if it is. Blest? I should think it was t’othered myself. But I don’t know nothink!”
The servant takes as little heed of what he says as she seems to take of what she has said herself. She draws off her glove to get some money from her purse. Jo silently notices how white and small her hand is and what a jolly servant she must be to wear such sparkling rings.
She drops a piece of money in his hand without touching it, and shuddering as their hands approach. “Now,” she adds, “show me the spot again!”
Jo thrusts the handle of his broom between the bars of the gate, and with his utmost power of elaboration, points it out. At length, looking aside to see if he has made himself intelligible, he finds that he is alone.
His first proceeding is to hold the piece of money to the gaslight and to be overpowered at finding that it is yellow—gold. His next is to give it a one-sided bite at the edge as a test of its quality. His next, to put it in his mouth for safety and to sweep the step and passage with great care. His job done, he sets off for Tom-all-Alone’s, stopping in the light of innumerable gas-lamps to produce the piece of gold and give it another one-sided bite as a reassurance of its being genuine.
The Mercury in powder is in no want of society tonight, for my Lady goes to a grand dinner and three or four balls. Sir Leicester is fidgety down at Chesney Wold, with no better company than the gout; he complains to Mrs. Rouncewell that the rain makes such a monotonous pattering on the terrace that he can’t read the paper even by the fireside in his own snug dressing-room.
“Sir Leicester would have done better to try the other side of the house, my dear,” says Mrs. Rouncewell to Rosa. “His dressing-room is on my Lady’s side. And in all these years I never heard the step upon the Ghost’s Walk more distinct than it is tonight!”
XVII Esther’s NarrativeRichard very often came to see us while we remained in London (though he soon failed in his letter-writing), and with his quick abilities, his good spirits, his good temper, his gaiety and freshness, was always delightful. But though I liked him more and more the better I knew him, I still felt more and more how much it was to be regretted that he had been educated in no habits of application and concentration. The system which had addressed him in exactly the same manner as it had addressed hundreds of other boys, all varying in character and capacity, had enabled him to dash through his tasks, always with fair credit and often with distinction, but in a fitful, dazzling way that had confirmed his reliance on those very qualities in himself which it had been most desirable to direct and train. They were good qualities, without which no high place can be meritoriously won, but like fire and water, though excellent servants, they were very bad masters. If they had been under Richard’s direction, they would have been his friends; but Richard being under their direction, they became his enemies.
I write down these opinions not because I believe that this or any
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