Man and Wife by Wilkie Collins (e book reader pc .txt) 📕
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Man and Wife is the ninth novel by Wilkie Collins, and was published in serial form in 1870. Like many of his other novels it has a complex plot and tackles social issues, in this case the then-lax state of the marriage laws, particularly in Scotland and Ireland. As always, Collins deals carefully but frankly with human personal behavior. To avoid offending Victorian morals too greatly, much is implied rather than stated outright. Nevertheless, even dealing with such matters at all led to his novels being derided as “sensation fiction” by his critics. By today’s standards, of course, they wouldn’t even raise an eyebrow.
In Man and Wife, the main character Anne Silvester has fallen pregnant to a muscular and handsome, but boorish man, Geoffrey Delamayn, to whom she is not married. She is working as a governess at a house in Scotland. Anne arranges to meet Delamayn secretly at a garden party and angrily demands that he fulfill his promise to marry her, that very day. He very reluctantly agrees to a secret, private marriage, knowing that a public marriage would badly affect his inheritance prospects. How is the marriage to be arranged quickly but kept quiet? Anne has a plan based on her understanding of the looseness of the marriage laws in Scotland. Naturally, of course, things go badly wrong with this plan and many complexities arise.
Collins is deeply critical of the state of contemporary marriage laws, both in how loosely they were framed, and in how little power over their own lives they gave to women once they were married, even if married to a brutal man. He also uses this novel to denounce the worship of sporting heroes and the obsession with physical prowess rather than mental superiority as a primary indication of male virtue.
Though not as popular as his novels The Woman in White and The Moonstone, Man and Wife received a good critical reception when it was released and was a commercial success.
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- Author: Wilkie Collins
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“Nothing more,” he answered.
Geoffrey dug the point of his stick deep into the soft, sandy ground. He looked at the stick, then suddenly pulled it out of the ground and looked at Arnold. “Good afternoon!” he said, and went on his way again by himself.
Arnold followed, and stopped him. For a moment the two men looked at each other without a word passing on either side. Arnold spoke first.
“You’re out of humor, Geoffrey. What has upset you in this way? Have you and Miss Silvester missed each other?”
Geoffrey was silent.
“Have you seen her since she left Windygates?”
No reply.
“Do you know where Miss Silvester is now?”
Still no reply. Still the same mutely-insolent defiance of look and manner. Arnold’s dark color began to deepen.
“Why don’t you answer me?” he said.
“Because I have had enough of it.”
“Enough of what?”
“Enough of being worried about Miss Silvester. Miss Silvester’s my business—not yours.”
“Gently, Geoffrey! Don’t forget that I have been mixed up in that business—without seeking it myself.”
“There’s no fear of my forgetting. You have cast it in my teeth often enough.”
“Cast it in your teeth?”
“Yes! Am I never to hear the last of my obligation to you? The devil take the obligation! I’m sick of the sound of it.”
There was a spirit in Arnold—not easily brought to the surface, through the overlying simplicity and good-humor of his ordinary character—which, once roused, was a spirit not readily quelled. Geoffrey had roused it at last.
“When you come to your senses,” he said, “I’ll remember old times—and receive your apology. Till you do come to your senses, go your way by yourself. I have no more to say to you.”
Geoffrey set his teeth, and came one step nearer. Arnold’s eyes met his, with a look which steadily and firmly challenged him—though he was the stronger man of the two—to force the quarrel a step further, if he dared. The one human virtue which Geoffrey respected and understood was the virtue of courage. And there it was before him—the undeniable courage of the weaker man. The callous scoundrel was touched on the one tender place in his whole being. He turned, and went on his way in silence.
Left by himself, Arnold’s head dropped on his breast. The friend who had saved his life—the one friend he possessed, who was associated with his earliest and happiest remembrances of old days—had grossly insulted him: and had left him deliberately, without the slightest expression of regret. Arnold’s affectionate nature—simple, loyal, clinging where it once fastened—was wounded to the quick. Geoffrey’s fast-retreating figure, in the open view before him, became blurred and indistinct. He put his hand over his eyes, and hid, with a boyish shame, the hot tears that told of the heartache, and that honored the man who shed them.
He was still struggling with the emotion which had overpowered him, when something happened at the place where the roads met.
The four roads pointed as nearly as might be toward the four points of the compass. Arnold was now on the road to the eastward, having advanced in that direction to meet Geoffrey, between two and three hundred yards from the farmhouse inclosure before which he had kept his watch. The road to the westward, curving away behind the farm, led to the nearest market-town. The road to the south was the way to the station. And the road to the north led back to Windygates House.
While Geoffrey was still fifty yards from the turning which would take him back to Windygates—while the tears were still standing thickly in Arnold’s eyes—the gate of the farm inclosure opened. A light four-wheel chaise came out with a man driving, and a woman sitting by his side. The woman was Anne Silvester, and the man was the owner of the farm.
Instead of taking the way which led to the station, the chaise pursued the westward road to the market-town. Proceeding in this direction, the backs of the persons in the vehicle were necessarily turned on Geoffrey, advancing behind them from the eastward. He just carelessly noticed the shabby little chaise, and then turned off north on his way to Windygates.
By the time Arnold was composed enough to look round him, the chaise had taken the curve in the road which wound behind the farmhouse. He returned—faithful to the engagement which he had undertaken—to his post before the inclosure. The chaise was then a speck in the distance. In a minute more it was a speck out of sight.
So (to use Sir Patrick’s phrase) had the woman broken through difficulties which would have stopped a man. So, in her sore need, had Anne Silvester won the sympathy which had given her a place, by the farmer’s side, in the vehicle that took him on his own business to the market-town. And so, by a hair’s-breadth, did she escape the treble risk of discovery which threatened her—from Geoffrey, on his way back; from Arnold, at his post; and from the valet, on the watch for her appearance at the station.
The afternoon wore on. The servants at Windygates, airing themselves in the grounds—in the absence of their mistress and her guests—were disturbed, for the moment, by the unexpected return of one of “the gentlefolks.” Mr. Geoffrey Delamayn reappeared at the house alone; went straight to the smoking-room; and calling for another supply of the old ale, settled himself in an armchair with the newspaper, and began to smoke.
He soon tired of reading, and fell into thinking of what had happened during the latter part of his walk.
The prospect before him had more than realized the most sanguine anticipations that he could have formed of it. He had braced himself—after what had happened in the library—to face the outbreak of a serious scandal, on his return to the house. And here—when he came back—was nothing to face! Here were three people (Sir Patrick, Arnold, and Blanche) who must at least know that Anne was in some serious trouble keeping the secret as
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