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reaction after the terrible excitement of the past few hours. Presently her old serving-woman came to her, still raging with choler at the outrage committed against her person by those two abominable rascallions.

With great volubility, she explained to her mistress that they had fallen on her unawares when first she had been sent downstairs by his lordshipโ โ€”whom may God punish!โ โ€”They had bound and gagged her, and then told her quite cheerfully that this was an act of friendship on their part, to save her from a worse fate and from the temptation of talking when she should remain silent.

She had been thrust into a dark angle of the mill-house, from whence she could see absolutely nothing, and where she had lain all this while, entirely helpless, hearing that awful din which had been going on outside, expecting to be murdered in cold blood at any moment, and tortured with fear as to what was happening to her mistress. Only a few moments ago, the two ruffians had reappeared, running helter-skelter down the steps and thence out through the door into the open. Fortunately, one of them, conscience-stricken no doubt, had thought, before fleeing, to release her from her bonds.

Maria was stupid, uncomprehending and garrulous; but she was loyal, and had a warm and ample bosom, whereon a tired and aching head could find a little rest.

Gilda, her body still shaken by hysterical sobs, her teeth chattering, her senses reeling with the horror of all that she had gone through, found some measure of comfort in the old womanโ€™s ministrations. A mugful of wine, left over from the midday meal, helped her to regain command over her nerves. Holding her young mistress in her arms, Maria, crooning like a mother over her baby, rocked the half-inert young form into some semblance of sleep.

II

And here Diogenes found her a couple of hours later, curled up like a tired child in the arms of the old woman.

He came up on tiptoe, carrying a lantern, for now it was quite dark. This he placed on the floor, and then, with infinite caution, he slid into Mariaโ€™s place and took the beloved form into his own strong arms.

She scarcely moved, just opened her eyes for a second or two, and then nestled closer against his shoulder, with a little sigh, half of weariness, but wholly of content.

She was just dead-tired after all she had gone through, and now she slept just like a baby in his arms; whilst he was as happy as it is possible for any human being to be, for she was safe and well, and nothing could part her from him now. He was satisfied to watch her as she slept, her dear face against his breast, her soft breath coming and going with perfect evenness through her parted lips.

Once he stooped and kissed her, and then she woke, put her arms around his neck, and both forgot for the time being that there was another world save that of Love.

Colophon

The First Sir Percy
was published in 1921 by
Baroness Orczy.

This ebook was produced for
Standard Ebooks
by
Vince Rice,
and is based on a transcription produced in 2006 by
Richard Scott and Colin Choat
for
Project Gutenberg Australia
and on digital scans available at
Google Books.

The cover page is adapted from
Portrait of a Man,
a painting completed in 1635 by
Frans Hals.
The cover and title pages feature the
League Spartan and Sorts Mill Goudy
typefaces created in 2014 and 2009 by
The League of Moveable Type.

The first edition of this ebook was released on
January 8, 2021, 5:32 p.m.
You can check for updates to this ebook, view its revision history, or download it for different ereading systems at
standardebooks.org/ebooks/baroness-orczy/the-first-sir-percy.

The volunteer-driven Standard Ebooks project relies on readers like you to submit typos, corrections, and other improvements. Anyone can contribute at standardebooks.org.

Uncopyright

May you do good and not evil.
May you find forgiveness for yourself and forgive others.
May you share freely, never taking more than you give.

Copyright pages exist to tell you canโ€™t do something. Unlike them, this Uncopyright page exists to tell you, among other things, that the writing and artwork in this ebook are believed to be in the U.S. public domain. The U.S. public domain represents our collective cultural heritage, and items in it are free for anyone in the U.S. to do almost anything at all with, without having to get permission. Public domain items are free of copyright restrictions.

Copyright laws are different around the world. If youโ€™re not located in the U.S., check with your local laws before using this ebook.

Non-authorship activities performed on public domain itemsโ โ€”so-called โ€œsweat of the browโ€ workโ โ€”donโ€™t create a new copyright. That means nobody can claim a new copyright on a public domain item for, among other things, work like digitization, markup, or typography. Regardless, to dispel any possible doubt on the copyright status of this ebook, Standard Ebooks L3C, its contributors, and the contributors to this ebook release this ebook under the terms in the CC0 1.0 Universal Public Domain Dedication, thus dedicating to the worldwide public domain all of the work theyโ€™ve done on this ebook, including but not limited to metadata, the titlepage, imprint, colophon, this Uncopyright, and any changes or enhancements to, or markup on, the original text and artwork. This dedication doesnโ€™t change the copyright status of the underlying works, which, though believed to already be in the U.S. public domain, may not yet be in the public domain of other countries. We make this dedication in the interest of enriching our global cultural heritage, to promote free and libre culture around the world, and to give back to the unrestricted culture that has given all of us so much.

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