Roughing It by Mark Twain (large screen ebook reader .txt) 📕

chapter, pausing, from time to time, to impress the effect. Then he talked an earnest, persuasive sermon to him, and ended by repeating the question:

“Did you kill the nigger?”

No reply⁠—other than a malignant scowl. The captain now read the first and second chapters of Genesis, with deep feeling⁠—paused a moment, closed the book reverently, and said with a perceptible savor of satisfaction:

“There. Four chapters. There’s few that would have took the pains with you that I have.”

Then he swung up the condemned, and made the rope fast; stood by and timed him half an hour with his watch, and then delivered the body to the court. A little after, as he stood contemplating the motionless figure, a doubt came into his face; evidently he felt a twinge of conscience⁠—a misgiving⁠—and he said with a sigh:

“Well, p’raps I ought to burnt him, maybe. But I was trying to do for the best.”

When the history of this affair reached California (it was in the “early days”) it made a deal of talk, but did not diminish the captain’s popularity in any degree. It increased it, indeed. California had a population then that “inflicted” justice after a fashion that was simplicity and primitiveness itself, and could therefore admire appreciatively when the same fashion was followed elsewhere.

LI

Vice flourished luxuriantly during the heyday of our “flush times.” The saloons were overburdened with custom; so were the police courts, the gambling dens, the brothels and the jails⁠—unfailing signs of high prosperity in a mining region⁠—in any region for that matter. Is it not so? A crowded police court docket is the surest of all signs that trade is brisk and money plenty. Still, there is one other sign; it comes last, but when it does come it establishes beyond cavil that the “flush times” are at the flood. This is the birth of the “literary” paper. The Weekly Occidental, “devoted to literature,” made its appearance in Virginia. All the literary people were engaged to write for it. Mr. F. was to edit it. He was a felicitous skirmisher with a pen, and a man who could say happy things in a crisp, neat way. Once, while editor of the Union, he had disposed of a labored, incoherent, two-column attack made upon him by a contemporary, with a single line, which, at first glance, seemed to contain a solemn and tremendous compliment⁠—viz.: “The logic of our adversary resembles the peace of God,”⁠—and left it to the reader’s memory and afterthought to invest the remark with another and “more different” meaning by supplying for himself and at his own leisure the rest of the Scripture⁠—“in that it passeth understanding.” He once said of a little, half-starved, wayside community that had no subsistence except what they could get by preying upon chance passengers who stopped over with them a day when traveling by the overland stage, that in their Church service they had altered the Lord’s Prayer to read: “Give us this day our daily stranger!”

We expected great things of the Occidental. Of course it could not get along without an original novel, and so we made arrangements to hurl into the work the full strength of the company. Mrs. F. was an able romancist of the ineffable school⁠—I know no other name to apply to a school whose heroes are all dainty and all perfect. She wrote the opening chapter, and introduced a lovely blonde simpleton who talked nothing but pearls and poetry and who was virtuous to the verge of eccentricity. She also introduced a young French Duke of aggravated refinement, in love with the blonde. Mr. F. followed next week, with a brilliant lawyer who set about getting the Duke’s estates into trouble, and a sparkling young lady of high society who fell to fascinating the Duke and impairing the appetite of the blonde. Mr. D., a dark and bloody editor of one of the dailies, followed Mr. F., the third week, introducing a mysterious Roscicrucian who transmuted metals, held consultations with the devil in a cave at dead of night, and cast the horoscope of the several heroes and heroines in such a way as to provide plenty of trouble for their future careers and breed a solemn and awful public interest in the novel. He also introduced a cloaked and masked melodramatic miscreant, put him on a salary and set him on the midnight track of the Duke with a poisoned dagger. He also created an Irish coachman with a rich brogue and placed him in the service of the society-young-lady with an ulterior mission to carry billet-doux to the Duke.

About this time there arrived in Virginia a dissolute stranger with a literary turn of mind⁠—rather seedy he was, but very quiet and unassuming; almost diffident, indeed. He was so gentle, and his manners were so pleasing and kindly, whether he was sober or intoxicated, that he made friends of all who came in contact with him. He applied for literary work, offered conclusive evidence that he wielded an easy and practiced pen, and so Mr. F. engaged him at once to help write the novel. His chapter was to follow Mr. D.’s, and mine was to come next. Now what does this fellow do but go off and get drunk and then proceed to his quarters and set to work with his imagination in a state of chaos, and that chaos in a condition of extravagant activity. The result may be guessed. He scanned the chapters of his predecessors, found plenty of heroes and heroines already created, and was satisfied with them; he decided to introduce no more; with all the confidence that whisky inspires and all the easy complacency it gives to its servant, he then launched himself lovingly into his work: he married the coachman to the society-young-lady for the sake of the scandal; married the Duke to the blonde’s stepmother, for the sake of the sensation; stopped the desperado’s salary; created