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into his.

“Don’t be angry with me, Michael, because I have wanted so dreadfully to be great friends with you and tell you all my secrets. I want to tell you what I think about when I’m playing; and, Michael, you oughtn’t to be angry with me, because you were simply just made to be told secrets. That’s why I played so well last night. I was telling you a secret all the time.”

“Do you know what it is, Stella?” said Michael, with a certain awe in his voice. “I believe our father is in an asylum, and I believe you and I are both mad⁠—not raving mad, of course⁠—but slightly mad.”

“All geniuses are,” said Stella earnestly.

“But we aren’t geniuses.”

“I am,” murmured Stella in a strangely quiet little voice that sounded in Michael’s ears like the song of a furtive melodious bird.

“Are you?” he whispered, half frightened by this assertion, delivered under huge overarching trees in the burning silence of the forest. “Who told you so?”

“I told myself so. And when I tell myself something very solemnly, I can’t be anything but myself, and I must be speaking the truth.”

“But even if you’re a genius⁠—and I suppose you might be⁠—I’m not a genius. I’m clever, but I’m not a genius.”

“No, but you’re the nearest person to being me, and if you’re not a genius, I think you can understand. Oh, Michael,” Stella cried, clasping his arm to her heart, “you do understand, because you never laughed when I told you I was a genius. I’ve told lots of girlfriends, and they laugh and say I’m conceited.”

“Well, you are,” said Michael, feeling bound not to lose the opportunity of impressing Stella with disapproval as well as comprehension.

“I know I am. But I must be to go on being myself. Oh, you darling brother, you do understand me. I’ve longed for someone to understand me. Mother’s only proud of me.”

“I’m not at all proud of you,” said Michael crushingly.

“I don’t want you to be. If you were proud of me, you’d think I belonged to you, and I don’t ever want to belong to anybody.”

“I shouldn’t think you ever would,” said Michael encouragingly, as they paced the sensuous mossy path in a rapture of avowals. “I should think you’d frighten anybody except me. But why do you fall in love, then?”

“Oh, because I want to make people die with despair.”

“Great Scott, you are an unearthly kid.”

“Oh, I’m glad I’m unearthly,” said Stella. “I’d like to be a sort of Undine. I think I am. I don’t think I’ve got a soul, because when I play I go rushing out into the darkness to look for my soul, and the better I play the nearer I get.”

Michael stopped beneath an oak-tree and surveyed this extraordinary sister of his.

“Well, I always thought I was a mystic, but, good Lord, you’re fifty times as much of a mystic as I am,” he exclaimed with depressed conviction.

Suddenly Stella gave a loud scream.

“What on earth are you yelling at?” said Michael.

“Oh, Michael, look⁠—a most enormous animal. Oh, look, oh, let me get up a tree. Oh, help me up. Push me up this tree.”

“It’s a wild-boar,” declared Michael in a tone of astonished interest.

Stella screamed louder than ever and clung to Michael, sobbing. The boar, however, went on its way, routing among the herbage.

“Well, you may be a genius,” said Michael, “but you’re an awful little funk.”

“But I was frightened.”

“Wild-boars aren’t dangerous except when they’re being hunted,” Michael asserted positively.

Stella soon became calm under the influence of her brother’s equanimity. Arm-in-arm they sauntered back towards Compiègne, and so for a month of serene weather they sauntered every day, and every day Michael pondered more and more deeply the mystery of woman. He was sorry to say goodbye to Stella when she went back to Germany, and longed for the breathless hour of her first concert, wishful that all his life he might stand between her and the world, the blundering wild-boar of a world.

XI Action and Reaction

Almost before the confusion of a new term had subsided, Michael put his name down to play football again, and it was something in the nature of an occasion when in the first sweltering Middle-side game he scored six tries. Already his contemporaries had forgotten that he was once a fleet and promising three-quarter, so that his resurrection was regarded as an authentic apparition, startling in its unexpectedness. Michael was the only person not much surprised when he was invited by Abercrombie to play as substitute for one of the Seniors absent from a Big-side trial. Yet even Michael was surprised when in the opening match between Classics and Moderns he read his name on the notice-board as sixteenth man; and when, through the continued illness of the first choice, he actually found himself walking on to the field between the black lines of spectators, he was greatly content. Yet the finest thrill of all came when in the line-out he found himself on the left wing with Alan, with Alan not very unlike the old Alan even now in the coveted Tyrian vest of the Classical First Fifteen.

Into that game Michael poured all he felt of savage detestation for everything that the Modern side stood for. Not an opponent was collared that did not in his falling agony take on the likeness of Percy Garrod; not a Modern halfback was hurled into touch who was not in Michael’s imagination insolent with damnably destructive theories of life. It was exhilarating, it was superb, it was ineffable, the joy of seeing Alan hand off a Modern bounder and swing the ball out low to him crouching vigilant upon the left. It was intoxicating, it was divine to catch the ball, and with zigzag leap and plunge to tear wildly on towards the Modern goal, to hear the Classical lower boys shriek their high-voiced thrilling exhortations, to hear the maledictions of the enemy ricochetting from a force of speed that

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