Tono-Bungay by H. G. Wells (diy ebook reader txt) 📕
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Tono-Bungay, published in 1909, is a semi-autobiographical novel by H. G. Wells. Though it has some fantastical and absurdist elements, it is a realist novel rather than one of Well’s “scientific romances.”
The novel is written in the first person from the point of view of George Ponderevo, the son of the housekeeper at a large estate. He is made to feel his inferiority when he is banished after fighting with the son of one of the owner’s aristocratic relatives, and is sent to live with his own poor but religiously fervent relatives. He can’t abide or agree with their religious views and returns to his mother who sends him on to live with his Uncle, Edward Ponderevo, then a local pharmacist in a small town. Uncle Ponderevo, though, has grand plans, and eventually makes a fortune by selling a quack patent medicine he calls “Tono-Bungay.” George joins him in this endeavour and becomes rich himself, eventually turning his interests towards the new science of aeronautics. Meanwhile the Tono-Bungay scheme expands enormously and begins to topple towards its own destruction.
Throughout the novel, George comments cynically on England’s class system, the shabbiness of commerce, and the lies told in advertising. We also follow his unfortunate love life, his unwise marriage, his divorce, and his eventual reconnection with a woman he loved as a child.
Tono-Bungay met with a mixed reception on first release, but has since come to be considered as perhaps Wells’ finest realist novel, an assessment Wells himself shared.
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- Author: H. G. Wells
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“You never will,” she said compactly. “You never will.”
“Well,” I said, “we do what we can.”
The little lady lifted a small gloved hand and indicated a height of about four feet from the ground. “Thus far,” she said, “thus far—and no farther! No!”
She became emphatically pink. “No,” she said again quite conclusively, and coughed shortly. “Thank you,” she said to her ninth or tenth cake. Beatrice burst into cheerful laughter with her eye on me. I was lying on the turf, and this perhaps caused a slight confusion about the primordial curse in Lady Osprey’s mind.
“Upon his belly shall he go,” she said with quiet distinctness, “all the days of his life.”
After which we talked no more of aeronautics.
Beatrice sat bunched together in a chair and regarded me with exactly the same scrutiny, I thought, the same adventurous aggression, that I had faced long ago at the tea-table in my mother’s room. She was amazingly like that little Princess of my Bladesover memories, the wilful misbehaviours of her hair seemed the same—her voice; things one would have expected to be changed altogether. She formed her plans in the same quick way, and acted with the same irresponsible decision.
She stood up abruptly.
“What is there beyond the terrace?” she said, and found me promptly beside her.
I invented a view for her.
At the further corner from the cedar she perched herself up upon the parapet and achieved an air of comfort among the lichenous stones. “Now tell me,” she said, “all about yourself. Tell me about yourself; I know such duffers of men! They all do the same things. How did you get—here? All my men were here. They couldn’t have got here if they hadn’t been here always. They wouldn’t have thought it right. You’ve climbed.”
“If it’s climbing,” I said.
She went off at a tangent. “It’s—I don’t know if you’ll understand—interesting to meet you again. I’ve remembered you. I don’t know why, but I have. I’ve used you as a sort of lay figure—when I’ve told myself stories. But you’ve always been rather stiff and difficult in my stories—in ready-made clothes—a Labour Member or a Bradlaugh, or something like that. You’re not like that a bit. And yet you are!”
She looked at me. “Was it much of a fight? They make out it is. I don’t know why.”
“I was shot up here by an accident,” I said. “There was no fight at all. Except to keep honest, perhaps and I made no great figure in that. I and my uncle mixed a medicine and it blew us up. No merit in that! But you’ve been here all the time. Tell me what you have done first.”
“One thing we didn’t do.” She meditated for a moment.
“What?” said I.
“Produce a little half-brother for Bladesover. So it went to the Phillbrick gang. And they let it! And I and my stepmother—we let, too. And live in a little house.”
She nodded her head vaguely over her shoulder and turned to me again. “Well, suppose it was an accident. Here you are! Now you’re here, what are you going to do? You’re young. Is it to be Parliament? I heard some men the other day talking about you. Before I knew you were you. They said that was what you ought to do.” …
She put me through my intentions with a close and vital curiosity. It was just as she had tried to imagine me a soldier and place me years ago. She made me feel more planless and incidental than ever. “You want to make a flying-machine,” she pursued, “and when you fly? What then? Would it be for fighting?”
I told her something of my experimental work. She had never heard of the soaring aeroplane, and was excited by the thought, and keen to hear about it. She had thought all the work so far had been a mere projecting of impossible machines. For her Pilcher and Lilienthal had died in vain. She did not know such men had lived in the world.
“But that’s dangerous!” she said, with a note of discovery.
“Oh!—it’s dangerous.”
“Bee-atrice!” Lady Osprey called.
Beatrice dropped from the wall to her feet.
“Where do you do this soaring?”
“Beyond the high Barrows. East of Crest Hill and the wood.”
“Do you mind people coming to see?”
“Whenever you please. Only let me know—”
“I’ll take my chance some day. Some day soon.” She looked at me thoughtfully, smiled, and our talk was at an end.
IVAll my later work in aeronautics is associated in my memory with the quality of Beatrice, with her incidental presence, with things she said and did and things I thought of that had reference to her.
In the spring of that year I had got to a flying machine that lacked nothing but longitudinal stability. My model flew like a bird for fifty or a hundred yards or so, and then either dived and broke its nose or, what was commoner, reared up, slid back and smashed its propeller. The rhythm of the pitching puzzled me. I felt it must obey some laws not yet quite clearly stated. I became therefore a student of theory and literature for a time; I hit upon the string of considerations that led me to what is called Ponderevo’s Principle and my F.R.S., and I worked this out in three long papers. Meanwhile I made a lot of turntable and glider models and started in upon an idea of combining gasbags and gliders. Balloon work was new to me. I had made one or two ascents in the balloons of the Aero Club before I started my gasometer and the balloon shed and gave Cothope a couple of months with Sir Peter Rumchase. My uncle found part of the money for these developments; he was growing interested and competitive in this business because of Lord Boom’s prize and the amount of
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