Sister Carrie by Theodore Dreiser (best book clubs .TXT) 📕
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Caroline Meeber, known as Sister Carrie to her family, moves to Chicago at the tender age of eighteen to try to make something of herself. Living with her sister and brother-in-law, she quickly finds that life, and work, are hard in the big city. She soon takes up with a traveling salesman she met on the train into town. Months later her eye is turned by one of the salesman’s acquaintances, George Hurstwood, and vice-versa. A series of events lead Carrie and Hurstwood to New York City, where both struggle to live out the aspirations that brought them there.
Theodore Dreiser was one of the earliest naturalist writers, but he wrote Sister Carrie while the United States was still very Victorian in its morals. The book therefore caused a stir from the beginning: Carrie Meeber was clearly, even in the disguised language of the time, a sexually active, unmarried female, who wasn’t made to suffer for her indiscretion to the extent considered necessary at the time. Dreiser’s depiction of rough language merely added to the controversy. The first printing sold only 456 copies in two years; it was to be another five years before Dreiser could convince another publisher to carry the book. Today it’s considered a classic and one of the “greatest of all American urban novels.”
The text of Sister Carrie was unchanged until 1981, when the University of Pennsylvania Press published a new version with 36,000 words restored. The edition was not without controversy: the cuts were originally made before the first printing at the suggestion of Dreiser’s wife, or his friend Arthur Henry, and Dreiser had approved all of them. Although the new Pennsylvania Edition, as it is called, made a good case for restoring the changes, it is the 1907 text that remains the most widely available today, and it is that text in this edition.
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- Author: Theodore Dreiser
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Once seated, there began that exhibition of showy, wasteful, and unwholesome gastronomy as practised by wealthy Americans, which is the wonder and astonishment of true culture and dignity the world over. The large bill of fare held an array of dishes sufficient to feed an army, sidelined with prices which made reasonable expenditure a ridiculous impossibility—an order of soup at fifty cents or a dollar, with a dozen kinds to choose from; oysters in forty styles and at sixty cents the half-dozen; entrées, fish, and meats at prices which would house one over night in an average hotel. One dollar fifty and two dollars seemed to be the most common figures upon this most tastefully printed bill of fare.
Carrie noticed this, and in scanning it the price of spring chicken carried her back to that other bill of fare and far different occasion when, for the first time, she sat with Drouet in a good restaurant in Chicago. It was only momentary—a sad note as out of an old song—and then it was gone. But in that flash was seen the other Carrie—poor, hungry, drifting at her wits’ ends, and all Chicago a cold and closed world, from which she only wandered because she could not find work.
On the walls were designs in colour, square spots of robin’s-egg blue, set in ornate frames of gilt, whose corners were elaborate mouldings of fruit and flowers, with fat cupids hovering in angelic comfort. On the ceilings were coloured traceries with more gilt, leading to a centre where spread a cluster of lights—incandescent globes mingled with glittering prisms and stucco tendrils of gilt. The floor was of a reddish hue, waxed and polished, and in every direction were mirrors—tall, brilliant, bevel-edged mirrors—reflecting and re-reflecting forms, faces, and candelabra a score and a hundred times.
The tables were not so remarkable in themselves, and yet the imprint of Sherry upon the napery, the name of Tiffany upon the silverware, the name of Haviland upon the china, and over all the glow of the small, red-shaded candelabra and the reflected tints of the walls on garments and faces, made them seem remarkable. Each waiter added an air of exclusiveness and elegance by the manner in which he bowed, scraped, touched, and trifled with things. The exclusively personal attention which he devoted to each one, standing half bent, ear to one side, elbows akimbo, saying: “Soup—green turtle, yes. One portion, yes. Oysters—certainly—half-dozen—yes. Asparagus. Olives—yes.”
It would be the same with each one, only Vance essayed to order for all, inviting counsel and suggestions. Carrie studied the company with open eyes. So this was high life in New York. It was so that the rich spent their days and evenings. Her poor little mind could not rise above applying each scene to all society. Every fine lady must be in the crowd on Broadway in the afternoon, in the theatre at the matinee, in the coaches and dining-halls at night. It must be glow and shine everywhere, with coaches waiting, and footmen attending, and she was out of it all. In two long years she had never even been in such a place as this.
Vance was in his element here, as Hurstwood would have been in former days. He ordered freely of soup, oysters, roast meats, and side dishes, and had several bottles of wine brought, which were set down beside the table in a wicker basket.
Ames was looking away rather abstractedly at the crowd and showed an interesting profile to Carrie. His forehead was high, his nose rather large and strong, his chin moderately pleasing. He had a good, wide, well-shaped mouth, and his dark-brown hair was parted slightly on one side. He seemed to have the least touch of boyishness to Carrie, and yet he was a man full grown.
“Do you know,” he said, turning back to Carrie, after his reflection, “I sometimes think it is a shame for people to spend so much money this way.”
Carrie looked at him a moment with the faintest touch of surprise at his seriousness. He seemed to be thinking about something over which she had never pondered.
“Do you?” she answered, interestedly.
“Yes,” he said, “they pay so much more than these things are worth. They put on so much show.”
“I don’t know why people shouldn’t spend when they have it,” said Mrs. Vance.
“It doesn’t do any harm,” said Vance, who was still studying the bill of fare, though he had ordered.
Ames was looking away again, and Carrie was again looking at his forehead. To her he seemed to be thinking about strange things. As he studied the crowd his eye was mild.
“Look at that woman’s dress over there,” he said, again turning to Carrie, and nodding in a direction.
“Where?” said Carrie, following his eyes.
“Over there in the corner—way over. Do you see that brooch?”
“Isn’t it large?” said Carrie.
“One of the largest clusters of jewels I have ever seen,” said Ames.
“It is, isn’t it?” said Carrie. She felt as if she would like to be agreeable to this young man, and also there came with it, or perhaps preceded it, the slightest shade of a feeling that he was better educated than she was—that his mind was better. He seemed to look it, and the saving grace in Carrie was that she could understand that people could be wiser. She had seen a number of people in her life who reminded her of what she had vaguely come to think of as scholars. This strong young man beside her, with his clear, natural look, seemed to get a hold of things which she did not quite understand, but approved of. It was fine to be so, as a man, she thought.
The conversation changed
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