Analyzing Character by Arthur Newcomb (best ereader for epub .txt) 📕

delivery wagon. I've tried grocery stores. I've tried doing collections. I began once as clerk in a bank. Immediately after leaving college, I started in as newspaper reporter. I've been a newsboy on railroad trains. I sold candies and peanuts in a fair ground. I have been night clerk in a hotel. I've been steward on a steamboat. I've been a shipping clerk in a publishing house, and I have been fired from every job I have ever had. True enough, I've hated them all, but, nevertheless; I have tried to do my best in them. Why I cannot succeed with any of them, I don't know, and yet I have a feeling that somehow, somewhere, sometime, I will find something to do that I will love, and that I can do well."

"Music," we said, "unquestionably music."

"Do you think I could?" he said wistfully. "Music has been my passion all my life long. It has been my one joy, my one solace in all my wanderings and all my failures. But I have always been afraid I would fail also in that, and, if I should, it would break my heart sure. But if you think I have the talent, then I shall give my whole time, my whole thought, my whole energy to music hereafter."

It was rather late in life for this young man to begin a musical career. While he had always been fond of music, he had been sent to college for a classical course by parents to whom a classical course meant everything that was desirable in an education. He had learned to play the piano, the violin, the guitar, the mandolin, and some other instruments, without education, because of his natural musical talent. He played them all as he had opportunity, for his own amusement, but, because of his ambition for commercial success, had never thought of music as a career. We wish we might tell you that this young man was now one of the foremost composers or conductors of his time. It would make an excellent story. Such, however, is not the case.

He devoted himself to securing a thorough musical education, supporting himself and paying his expenses in the mean-while by playing in churches, musicales, motion picture shows, and other places. He also received a few dollars nearly every week for playing the violin for dances and other functions in a semi-professional orchestra. Truly this was not "art for art's sake." Any critical musician could probably tell you that such use of his musical talent forever shut off any hopes of his becoming a true artist. On the other hand, it did fill his stomach and clothe him while he was securing a sufficient musical education to enable him to make a very fair living as teacher on various musical instruments and as a performer at popular concerts, recitals, etc. Best of all, he was happy in his work, felt himself growing in success and, while there were probably heights which he never could scale and to which he may have turned his longing eyes, he doubtless got a considerable amount of satisfaction out of the fact that he was no longer being kicked around from pillar to post in the commercial world.

VOCATIONS FOR THE IMPRACTICAL

Herbert Spencer felt that he was a complete and utter failure as a civil engineer, but he made a magnificent success as a scientist, essayist, and philosopher.

The number of great authors, scientists, philosophers, poets, actors, preachers, teachers, lecturers, and musicians who were ludicrously impractical is legion. Literature abounds in stories of their idiosyncrasies. These people deal with abstractions, ideas, with theories, and with emotions. They may be very successful in the spinning of theories, in the working out of clever ideas, and in their appeal to the emotions of their fellow-men. They may write poetry which is the product of genius; they may devise profound philosophy. This is their realm. Here is where they are supreme, and it is in this kind of work they find an expression for all of their talent.

Right here there is need for careful distinction. There is a great difference between the impractical man who has energy, courage, and persistence, and the impractical man who is lazy and cowardly. No matter what a man's natural talent may be, it takes hard work to be successful in such callings as art, music, the pulpit, the stage, the platform, and the pen. Inspiration may seem to have a great deal to do with success. But even in the writing of a poem inspiration is probably only about five per cent.; hard work constitutes the other ninety-five per cent. It is one thing to have vague, beautiful dreams, to be an admirer of beauty, to enjoy thrills in contemplation of beautiful thoughts or beautiful pictures. It is quite another thing to have the energy, the courage, and the dogged persistence necessary to create that which is beautiful.

NO EASY ROAD TO SUCCESS

We offer no golden key which unlocks the doors to success. Much as we regret to disappoint many aspiring young men and women, we must be truthful and admit that there is no magic way in which some wonderful, unguessed talent can be discovered within them and made to blossom forth in a night, as it were. Many people of this type come to us for consultation, evidently with the delectable delusion that we can point out to them some quick and easy way to fame and fortune. Again we must make emphatic by repetition the hard, uncompromising truth that laziness, cowardice, weakness, and vacilation are incompatible with true success. No matter what a man's other aptitudes may be, no matter how great his talent or his opportunities, we can suggest absolutely no vocation in which he can be successful unless he has the will to overcome these deficiencies in his character.

Many a man is deluded into the fond supposition that he is not successful because he does not fit into the vocation where he finds himself. The truth is that he probably is in as desirable a vocation as could possibly be found for him. The reason he is not successful is because he has failed to develop the fundamental qualities of industry, courage, and persistence.

HOW TO BECOME MORE PRACTICAL

When the impractical man learns his limitations he is all too likely to go to extremes in depreciating his own business ability. Many such people are seemingly proud of their deficiencies in business sense. "I am no business man. You attend to it, I'll trust you," they say. While a lack of natural business ability may not be a man's fault, it is nothing to be proud of. You may not be born with keen, financial sense, but that is no reason why you may not develop more and more of it and make yourself a better business man. As a matter of fact, every man is in business—he has something to sell which he wishes the rest of the world to buy from him. He has himself, at least, to support, and more than likely he has others dependent upon him. He has no right, therefore, to neglect business affairs and to permit others to impose upon him and to steal from him and from those dependent upon him the proper reward for his labor.

Even the youth who is poor in mathematics can learn something about geometry, algebra, and trigonometry; even he who "has no head for language" can learn to speak a foreign tongue and even to read Latin or Greek. It is not easy for either one of them and perhaps the one can never become a great mathematician nor the other a great linguist, but both can learn something, both can improve their grasp of the difficult subject. There are probably few readers of these pages who have not in their school days overcome just such handicaps in some particular subject of study.

In a similar way those who are impractical and have little business sense can improve in this respect and they ought to. Such people ought to study practical affairs, ought to give their attention to financial matters. In fact, one of the best ways to increase financial judgment is to form the intimate acquaintance of some one who has a keen sense of financial values. If such a person can be persuaded to talk about what he knows, the impractical man will do well to take a keen interest in what he says, to qualify himself to understand it, and, if possible, to get the point of view from which a good business man approaches his problems and studies his affairs. Actual practice is, of course, necessary for development, and the impractical man ought to take an interest in his affairs and ought to do his best to handle them. Naturally, he needs to seek competent counsel in regard to them, but he should pay some attention to the counsel given, try to learn something from it, watch results of every course of action and in every possible way study to make himself more practical and less theoretical and abstract in his attitude toward life in general and toward business affairs in particular.

Not long ago we attended a meeting of two and three hundred of the most prominent authors, poets, and playwrights in America. We were not at all surprised to note that nearly every one of those who had made a financial success of his art was a man of the practical, commercial type who had developed his business sense along with his artistic or literary talent.

A PAUPER, HE DREAMED OF MILLIONS

Some years ago we formed the acquaintance of a delightful man who is so typical of a certain class of the impractical that his story is instructive. When we first formed the acquaintance of this gentleman he was about thirty years of age, rather handsome in appearance, with great blue eyes, very fine silky blonde hair, and a clear, pink, and white complexion. His head, somewhat narrow just above the ears, indicated a mild, easy-going, gentle disposition. The large, rounded dome just above temples was typical of the irrepressible optimist. His forehead, very full and bulging just below the hair line, showed him to be of the thoughtful, meditative, drearily type, while flatness and narrowness at the brows told as plainly as print of the utter impracticability of his roseate dreams.

True to his exquisite blonde coloring, this man was eager, buoyant, irrepressible, impatient of monotony, routine, and detail—social and friendly. True to his fine texture, he shrank from hardship, was sensitive, refined, beauty loving and luxury loving. Because of his mild disposition and optimism and also because of his love of approval, he was suave, affable, courteous, agreeable. He made acquaintances easily and had many of the elements of popularity.

Because he was ambitious to occupy a position of prominence and distinction, because he wished to gratify his luxurious and elegant tastes, and because in his irrepressible optimism it seemed so absurdly easy to do, he was eager to make a large fortune. Lacking the aggressiveness, energy, willingness to undergo hardship and to work hard and long, patiently enduring the hours and days of drudgery over details that could not be neglected, he dreamed of making millions by successful speculation.

LOOKING FOR A SHORT CUT TO WEALTH

It is easy to see why a man of this type, with his futile dreams of easy conquests in the field of finance, should have scorned the slow and painful process of acquiring an education. Yet the tragedy of his life was that his only hope of usefulness in the world was through the careful cultivation and development of his really fine intellect. It is also easy to see why such a man would lack the patience to learn a trade even if he had had the manual skill to carry on any trade successfully—which he had not. For