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early sensations, we should find that each was a little spiritual universe like Dante's, with its internal hell, purgatory, and heaven. Cut off, as those experiences were, from all vistas and from sympathy with things remote, they would contain a closed circle of interests, a flying glimpse of eternity. So an infant living in his mystical limbo, without trailing in a literal sense any clouds of glory from elsewhere, might well repeat on a diminutive scale the beatific vision, insomuch as the only function of which he was conscious at all might be perfectly fulfilled by him and felt in its ideal import. Sucking and blinking are ridiculous processes, perhaps, but they may bring a thrill and satisfaction no less ideal than do the lark's inexhaustible palpitations. Narrow scope and low representative value are not defects in a consciousness having a narrow physical basis and comparatively simple conditions.
Spirit crossed by instrumentalities.

The spirit's foe in man has not been simplicity, but sophistication. His instincts, in becoming many, became confused, and in growing permanent, grew feeble and subject to arrest and deviation. Nature, we may say, threw the brute form back into her cauldron, to smelt its substance again before pouring it into a rational mould. The docility which instinct, in its feebleness, acquired in the new creature was to be reason's opportunity, but before the larger harmony could be established a sorry chaos was bound to reign in the mind. Every peeping impulse would drop its dark hint and hide its head in confusion, while some pedantic and unjust law would be passed in its absence and without its vote. Secondary activities, which should always be representative, would establish themselves without being really such. Means would be pursued as if they were ends, and ends, under the illusion that they were forces, would be expected to further some activity, itself without justification. So pedantry might be substituted for wisdom, tyranny for government, superstition for morals, rhetoric for art.

This sophistication is what renders the pursuit of reason so perplexing and prolonged a problem. Half-formed adjustments in the brain and in the body politic are represented in consciousness by what are called passions, prejudices, motives, animosities. None of these felt ebullitions in the least understands its own causes, effects, or relations, but is hatched, so to speak, on the wing and flutters along in the direction of its momentary preference until it lapses, it knows not why, or is crossed and overwhelmed by some contrary power. Thus the vital elements, which in their comparative isolation in the lower animals might have yielded simple little dramas, each with its obvious ideal, its achievement, and its quietus, when mixed in the barbarous human will make a boisterous medley. For they are linked enough together to feel a strain, but not knit enough to form a harmony. In this way the unity of apperception seems to light up at first nothing but disunion. The first dawn of that rational principle which involves immortality breaks upon a discovery of death. The consequence is that ideality seems to man something supernatural and almost impossible. He finds himself at his awakening so confused that he puts chaos at the origin of the world. But only order can beget a world or evoke a sensation. Chaos is something secondary, composed of conflicting organisations interfering with one another. It is compounded like a common noise out of jumbled vibrations, each of which has its period and would in itself be musical. The problem is to arrange these sounds, naturally so tuneful, into concerted music. So long as total discord endures human life remains spasmodic and irresolute; it can find no ideal and admit no total representation of nature. Only when the disordered impulses and perceptions settle down into a trained instinct, a steady, vital response and adequate preparation for the world, do clear ideas and successful purposes arise in the mind. The Life of Reason, with all the arts, then begins its career.

The forces at play in this drama are, first, the primary impulses and functions represented by elementary values; second, the thin network of signals and responses by which those functions are woven into a total organ, represented by discursive thought and all secondary mental figments, and, third, the equilibrium and total power of that new organism in action represented by the ideal. Spirituality, which might have resided in the elementary values, sensuous or passionate, before the relational process supervened, can now exist only in the ultimate activity to which these processes are instrumental. Obstacles to spirituality in human life may accordingly take the form of an arrest either at the elementary valuesβ€”an entanglement in sense and passionβ€”or at the instrumental processesβ€”an entanglement in what in religious parlance is called "the world."

One foe of the spirit is worldliness.

Worldly minds bristle with conventional morality (though in private they may nurse a vice or two to appease wayward nature), and they are rational in everything except first principles. They consider the voluptuary a weak fool, disgraced and disreputable; and if they notice the spiritual man at allβ€”for he is easily ignoredβ€”they regard him as a useless and visionary fellow. Civilisation has to work algebraically with symbols for known and unknown quantities which only in the end resume their concrete values, so that the journeymen and vulgar middlemen of the world know only conventional goods. They are lost in instrumentalities and are themselves only instruments in the Life of Reason. Wealth, station, fame, success of some notorious and outward sort, make their standard of happiness. Their chosen virtues are industry, good sense, probity, conventional piety, and whatever else has acknowledged utility and seemliness.

The case for and against pleasure.

In its strictures on pleasure and reverie this Philistia is perfectly right. Sensuous living (and I do not mean debauchery alone, but the palpitations of any poet without art or any mystic without discipline) is not only inconsequential and shallow, but dangerous to honour and to sincere happiness. When life remains lost in sense or reverts to it entirely, humanity itself is atrophied. And humanity is tormented and spoilt when, as more often happens, a man disbelieving in reason and out of humour with his world, abandons his soul to loose whimseys and passions that play a quarrelsome game there, like so many ill-bred children. Nevertheless, compared with the worldling's mental mechanism and rhetoric, the sensualist's soul is a well of wisdom. He lives naturally on an animal level and attains a kind of good. He has free and concrete pursuits, though they be momentary, and he has sincere satisfactions. He is less often corrupt than primitive, and even when corrupt he finds some justification for his captious existence. He harvests pleasures as he goes which intrinsically, as we have seen, may have the depth and ideality which nature breathes in all her oracles. His experience, for that reason, though disastrous is interesting and has some human pathos; it is easier to make a saint out of a libertine than out of a prig. True, the libertine is pursued, like the animals, by unforeseen tortures, decay, and abandonment, and he is vowed to a total death; but in these respects the worldly man has hardly an advantage. The Babels he piles up may indeed survive his person, but they are themselves vain and without issue, while his brief life has been meantime spent in slavery and his mind cramped with cant and foolish ambitions. The voluptuary is like some roving creature, browsing on nettles and living by chance; the worldling is like a beast of burden, now ill-used and over-worked, now fatted, stalled, and richly caparisoned. Γ†sop might well have described their relative happiness in a fable about the wild ass and the mule.

Upshot of worldly wisdom.

Thus, even if the voluptuary is sometimes a poet and the worldling often an honest man, they both lack reason so entirely that reflection revolts equally against the life of both. Vanity, vanity, is their common epitaph. Now, at the soul's christening and initiation into the Life of Reason, the first vow must always be to "renounce the pomps and vanities of this wicked world." A person to whom this means nothing is one to whom, in the end, nothing has meaning. He has not conceived a highest good, no ultimate goal is within his horizon, and it has never occurred to him to ask what he is living for. With all his pompous soberness, the worldly man is fundamentally frivolous; with all his maxims and cant estimations he is radically inane. He conforms to religion without suspecting what religion means, not being in the least open to such an inquiry. He judges art like a parrot, without having ever stopped to evoke an image. He preaches about service and duty without any recognition of natural demands or any standard of betterment. His moral life is one vast anacoluthon in which the final term is left out that might have given sense to the whole, one vast ellipsis in which custom seems to bridge the chasm left between ideas. He denies the values of sense because they tempt to truancies from mechanical activity; the values of reason he necessarily ignores because they lie beyond his scope. He adheres to conventional maxims and material quantitative standards; his production is therefore, as far as he himself is concerned, an essential waste and his activity an essential tedium. If at least, like the sensualist, he enjoyed the process and expressed his fancy in his life, there would be something gained; and this sort of gain, though over-looked in the worldling's maxims, all of which have a categorical tone, is really what often lends his life some propriety and spirit. Business and war and any customary task may come to form, so to speak, an organ whose natural function will be just that operation, and the most abstract and secondary activity, like that of adding figures or reading advertisements, may in this way become the one function proper to some soul. There are Nibelungen dwelling by choice underground and happy pedants in the upper air.

Facts are not wanting for these pillars of society to take solace in, if they wish to defend their philosophy. The time will come, astronomers say, when life will be extinct upon this weary planet. All the delights of sense and imagination will be over. It is these that will have turned out to be vain. But the masses of matter which the worldlings have transformed with their machinery, and carried from one place to another, will remain to bear witness of them. The collocation of atoms will never be what it would have been if their feet had less continually beaten the earth. They may have the proud happiness of knowing that, when nothing that the spirit values endures, the earth may still sometimes, because of them, cast a slightly different shadow across the moon's craters.

Two supposed escapes from vanity:

There is no more critical moment in the life of a man and a nation than that in which they are first conscience-stricken and convicted of vanity. Failure, exhaustion, confusion of aims, or whatever else it be that causes a revulsion, brings them before a serious dilemma. Has the vanity of life hitherto been essential or incidental? Are we to look for a new ambition, free from all the illusions of natural impulse, or are we rather to renounce all will indiscriminately and fall back upon conformity and consummate indifference? As this question is answered in one way or the other, two different types of unworldly religion arise.

fanaticism.

The first, which heralds a new and unimpeachable special hope, a highest duty finally recognised and driving out all lesser motives and satisfactions from the soul, refers vanity to perversity, to error, to a sort of original misunderstanding of our own nature which has led us, in pursuing our worldly interests, to pursue in truth our own destruction. The

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