The View From Different Windows by Judy Colella (best classic books to read TXT) π
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- Author: Judy Colella
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If you can,
What hand it was that guided me that day,
That enticed me into the place
Where he was.
βAn evening together?β he asked.
βI do not know you,β I replied.
βYet. What do you say?β He smiled.
So tell me then, if you will,
If you can,
At whose bidding I responded to his enquiry with,
βYes.β
AGAIN?
A prince must be handsome,
A dream-prince more so.
My dream-prince, well, beyond description.
But he β he is almostβ¦
Ugly.
βMay I see you again?β
Oh, too soft a heart, that again says,
βYes.β
THE PERFECT NUMBER SEVEN
There is a purpose for everything,
A time, a season,
A reason.
So eight full seasons pass;
Eight centuries making history in my mind,
In my heart,
Because on the journey over the emotionβs peaks and valleys,
I have once again discovered love.
Eight million new awakenings to love
In all its forms.
Eight.
Is it coincidence that perfection was missed
By just one?
LOSS
I love to laugh in a wild array of adverbs β
Loudly, deeply, sensuously, childishly.
Only he could evoke this variety,
He who I once thought ugly,
He whose beauty I no longer dare think upon.
I still laugh, you know.
Like an empty house laughs.
Tell me a joke, make me smile
For a while.
My smile, my laugh,
Can be like cool, peaceful sunshine.
But kindly forgive the flame-hot downpour
Scalding the inner walls.
STEPS TOWARD THE DARKNESS
βDo not be silent, my love!β
But silence persists
Until the stubborn self-deprecation is broken
By reason.
And love.
Not ever meaning to do so
I make him feel unworthy.
But love is stronger,
Longerβ¦
So thought I.
THE EDGE OF THE CLIFF
He likes his coffee light with no sugar:
I provide that sweetness instead
By being there, he said.
When he was here with me.
When.
Such a melancholy word, βwhen.β
His idiosyncrasies match mine in number,
And I know them all β almost.
If I could forget, if I should forget,
I would.
LEMMINGS
Have you noticed how unwelcome memories
Are most painful
When remembered alone,
When they are not mutual;
When there is no one there
With whom to share?
Yet while I am alone in thought,
I am not alone in sorrow.
This peculiar brand of agony
Has a multitude of slaves
Like me.
And like him.
LIFE AT THE BASE OF THE CLIFF
My grief has two parts:
Half is mine,
Half is his,
Combined in one heavy heart.
I am told that everything has a double.
So he, too, must carry this double-sided hurt,
Compounding mine, which increases his,
And so on.
Like two mirrors facing one another,
Reflecting endless depths,
Infinite hallways that are too lonely
For my mind to venture too far along
For too long.
I need someoneβs hand to hold.
His handβ¦
But no! No! I must rip the thought of his touch
Out of my bruised mind
By the roots!
~ ~ ~ ~
Ah, yes. I can breathe again now.
Oh, weeding is such a horrid business!
MISERABLE COMFORT
Would you be kind to me?
Then speak not.
You may, all unknowing, use a phrase,
An expression or tone of voice
That conjures up a remembrance
Of my love.
Would you be helpful?
Then do not invite me anywhere.
You may, all unwitting, take me to a place
Where he and I once sat
And laughed
And planned
And kissed.
Would you show consideration?
Then allow me to read nothing β
My tear-drowned eyes may see
A word,
A quote,
An account of someone engaged in something
That we, my love and I,
Once did together, too.
Would you protect me from further hurt?
Then let me not think.
I might think
Of him.
REALITY
And so he is gone.
I feel the way a tree must feel
When all her leaves have died
And fallen at her feet.
The last time he left, I knew why.
We said goodbye and kissed quickly
But tenderly.
This time, he left too soon after
Too brief a return.
He left this time without saying why,
Without a kiss.
Without a word.
Without me.
My dreams of necessity must somehow be
Locked away,
My feelings held in abeyance.
And when I do some simple thing
Like painting my nails,
Washing my hair,
It is only for the me-half
Of the whole me.
He is the other half.
Perhaps he thinks he is doing me a favor.
I want no favors of that kind.
I want him.
ACCEPTANCE
When a word is used too often,
It loses meaning and sounds odd.
βClosureβ is such a word,
And I want none of it.
Meaningless and odd is what my life
Had itself become,
With the repetitious on-off-on-off
Of a relationship that kept bruising itself.
So now, instead, I have acceptance.
I accept what has happened as part of
The great Why.
That I have a purpose, I doubt not.
What that purpose is, I know not.
But none of it, I believe, involves him.
He has a purpose of his own
That doesnβt involve me.
So be it.
I can accept this and move forward.
The big strings have been cut by sorrow,
By mistakes that cannot be unmade.
All that remains is a thread or two
To remind me that even the greatest sadness
Has to have once lived in light as something joyful
For there to be contrast enough with the dark thing
It has become.
Why? Simple β
No contrast, no meaning.
And what is now my sadness in the form of a memory
Most certainly had, has, and always will have
Meaning.
I am at last and again
Moving with the flow of lifeβs crazy traffic.
And for the moment, I need no one
In the passenger seat.
ImprintPublication Date: 06-05-2012
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