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of the house stands a column, sixty-eight feet high, bearing on the top a colossal statue of Sir Edward Coke, by Rosa. The woods of the park shut out the view of West-End House, Gray's occasional residence, but the space is open from the mansion across the park, so as to take in the view both of the church and of a monument erected by the late Mr. Penn to Gray. Alighting from the carriage at a lodge, we enter the park just at the monument. This is composed of fine freestone, and consists of a large sarcophagus, supported on a square pedestal, with inscriptions on each side. Three of them are selected from the Ode on Eton College and the Elegy. They are: Hard by yon wood, now smiling as in scorn,
    Muttering his wayward fancies he would rove;
Now drooping, woeful-wan, like one forlorn,
    Or craz'd with care, or cross'd in hopeless love.

One morn I miss'd him on the custom'd hill,
    Along the heath, and near his fav'rite tree;
Another came; nor yet beside the rill,
    Nor up the lawn, nor at the wood was he.

The second is from the Ode:

Ye distant spires! ye antique towers!
    That crown the watery glade,
Where grateful Science still adores
    Her Henry's holy shade;
And ye, that from the stately brow
Of Windsor's heights th' expanse below
    Of grove, of lawn, of mead survey,
Whose turf, whose shade, whose flowers among
Wanders the hoary Thames along
    His silver-winding way.

Ah, happy hills! ah, pleasing shade!
    Ah, fields belov'd in vain!
Where once my careless childhood stray'd,
    A stranger yet to pain!
I feel the gales that from ye blow,
A momentary bliss bestow.

The third is again from the Elegy:

Beneath those rugged elms, that yew-tree's shade,
    Where heaves the turf in many a mouldering heap,
Each in his narrow cell forever laid,
    The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
    The swallow twittering from the straw-built shed,
The cock's shrill clarion or the echoing horn,
    No more shall rouse them from their lowly bed.

The fourth bears this inscription:

This Monument, in honour of
THOMAS GRAY,
Was erected A.D. 1799,
Among the scenery
Celebrated by that great Lyric and Elegiac Poet.
He died in 1771,
And lies unnoted in the adjoining Church-yard,
Under the Tomb-stone on which he piously
And pathetically recorded the interment
Of his Aunt and lamented Mother.

This monument is in a neatly kept garden-like enclosure, with a winding walk approaching from the shade of the neighbouring trees. To the right, across the park, at some little distance, backed by fine trees, stands the rural little church and churchyard where Gray wrote his Elegy, and where he lies. As you walk on to this, the mansion closes the distant view between the woods with fine effect. The church has often been engraved, and is therefore tolerably familiar to the general reader. It consists of two barn-like structures, with tall roofs, set side by side, and the tower and finely tapered spire rising above them at the northwest corner. The church is thickly hung with ivy, where

  "The moping owl may to the moon complain
Of such as, wandering near her secret bower,
    Molest her ancient, solitary reign."

The structure is as simple and old-fashioned, both without and within, as any village church can well be. No village, however, is to be seen. Stoke consists chiefly of scattered houses, and this is now in the midst of the park. In the churchyard,

"Beneath those rugged elms, that yew-tree's shade,
      Where heaves the turf in many a mouldering heap,
  Each in his narrow cell forever laid,
      The rude forefathers of the hamlet sleep."

All this is quite literal; and the tomb of the poet himself, near the southeast window, completes the impression of the scene. It is a plain brick altar tomb, covered with a blue slate slab, and, besides his own ashes, contains those of his mother and aunt. On the slab are inscribed the following lines by Gray himself: "In the vault beneath are deposited, in hope of a joyful resurrection, the remains of Mary Antrobus. She died unmarried, Nov. 5, 1749, aged sixty-six. In the same pious confidence, beside her friend and sister, here sleep the remains of Dorothy Gray, widow; the careful, tender mother of many children, ONE of whom alone had the misfortune to survive her. She died, March 11, 1753, aged LXXII."

No testimony of the interment of Gray in the same tomb was inscribed anywhere till Mr. Penn, in 1799, erected the monument already mentioned, and placed a small slab in the wall, under the window, opposite to the tomb itself, recording the fact of Gray's burial there. The whole scene is well worthy of a summer day's stroll, especially for such as, pent in the metropolis, know how to enjoy the quiet freshness of the country and the associations of poetry and the past.

GRAY'S MONUMENT, STOKE PARK GRAY'S MONUMENT, STOKE PARK.






ELEGY WRITTEN IN A COUNTRY CHURCHYARD.





The lowing herd wind slowly




ELEGY WRITTEN IN A COUNTRY CHURCHYARD.


         The curfew tolls the knell of parting day,
    The lowing herd wind slowly o'er the lea,
The plowman homeward plods his weary way,
    And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
    And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
    And drowsy tinklings lull the distant folds:




5 Now fades the glimmering landscape   Save that, from yonder ivy-mantled tower,
    The moping owl does to the moon complain
Of such as, wandering near her secret bower,
    Molest her ancient solitary reign.
10 Beneath those rugged elms   Beneath those rugged elms, that yew-tree's shade,
    Where heaves the turf in many a mouldering heap,
Each in his narrow cell forever laid,
    The rude forefathers of the hamlet sleep.

15 The cock's shrill clarion   The breezy call of incense-breathing morn,
    The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
    No more shall rouse them from their lowly bed.


20 Or climb his knees   For them no more the blazing hearth shall burn,
    Or busy housewife ply her evening care;
No children run to lisp their sire's return,
    Or climb his knees the envied kiss to share.   Beneath their sturdy stroke   Oft did the harvest to their sickle yield,
    Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
    How bow'd the woods beneath their sturdy stroke! 25 The harvest   Let not Ambition mock their useful toil,
    Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
    The short and simple annals of the poor.

The boast of heraldry, the pomp of power,
    And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
    The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
    If Memory o'er their tomb no trophies raise;
Where, through the long-drawn aisle and fretted vault,
    The pealing anthem swells the note of praise.

Can storied urn or animated bust
    Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust?
    Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
    Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
    Or wak'd to ecstasy the living lyre:

But Knowledge to their eyes her ample page,
    Rich with the spoils of time, did ne'er unroll;
Chill Penury repress'd their noble rage,
    And froze the genial current of the soul.
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40






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50 Shepherd scene   Full many a gem of purest ray serene
    The dark unfathom'd caves of ocean bear;
Full many a flower is born to blush unseen,
    And waste its sweetness on the desert air.

Some village Hampden, that with dauntless breast
    The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
    Some Cromwell, guiltless of his country's blood.

55





60 Churchyard gate   Th' applause of listening senates to command,
    The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
    And read their history in a nation's eyes,

Their lot forbade: nor circumscrib'd alone
    Their growing virtues, but their crimes confin'd;
Forbade to wade through slaughter to a throne,
    And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide,
    To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
    With incense kindled at the Muse's flame.




65





70 Angels   Far from the madding crowd's ignoble strife,
    Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
    They kept the noiseless tenor of their way.

Yet even these bones from insult to protect,
    Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
    Implores the passing tribute of a sigh.

75





80 The passing tribute of a sigh   Their name, their years, spelt by th' unletter'd Muse,
    The place of fame and elegy supply;
And many a holy text around she strews,
    That teach the rustic moralist to die.   Gathering of angels   For who, to dumb forgetfulness a prey,
    This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
    Nor cast one longing lingering look behind?

On some fond breast the parting soul relies,
    Some pious drops the closing eye requires;
Even from the tomb the voice of Nature cries,
    Even in our ashes live their wonted fires. 85





90 On some fond breast the parting soul relies   For thee, who, mindful of th' unhonour'd dead,
    Dost in these lines their artless tale relate,
If chance, by lonely contemplation led,
    Some kindred spirit shall inquire thy fate,

95 To meet the sun upon the upland lawn   Haply some hoary-headed swain may say,
    "Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away,
    To meet the sun upon the upland lawn.


100 His listless length at noontide would he stretch   "There at the foot of yonder nodding beech,
    That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
    And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,
    Muttering his wayward fancies he would rove;
Now drooping, woeful-wan, like one forlorn,
    Or craz'd with care, or cross'd in hopeless love.

"One morn I miss'd him on the custom'd hill,
    Along the heath, and near his favourite tree;
Another came; nor yet beside the rill,
    Nor up the lawn, nor at the wood was he;

"The next, with dirges due in sad array,
    Slow through the church-way path we saw him borne.
Approach and read (for thou canst read) the lay
    Grav'd on the stone beneath yon aged thorn."




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110





115 Slow through the church-way path we saw him borne  
THE EPITAPH.
Here rests his head upon the lap of Earth
    A youth, to Fortune and to Fame unknown;
Fair Science frown'd not on his humble birth,
    And Melancholy mark'd him for her own.

Large was his bounty, and his soul sincere,
    Heaven did a recompense as largely send;
He gave to Misery all he had, a tear;
    He gain'd from Heaven ('twas all he wish'd) a friend.

No farther seek his merits to disclose,
    Or draw his frailties from their dread abode,
(There they alike in trembling hope repose)
    The bosom of his Father and his God.




120






125 Here rests his head






MISCELLANEOUS POEMS.





O'ercanopies the glade




ON THE SPRING.


           Lo! where the rosy-bosom'd Hours,
    Fair Venus' train, appear,
Disclose the long-expecting flowers,
    And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo's note,
    The untaught harmony of spring;
While, whispering pleasure as they fly,
Cool Zephyrs thro' the clear blue sky
    Their gather'd fragrance fling.

Where'er the oak's thick branches stretch
    A broader browner shade,
Where'er the rude and moss-grown beech
    O'ercanopies the glade,
Beside some water's
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