By What Authority? by Robert Hugh Benson (sight word books TXT) 📕

over his velvet, and she, in her beauty, and oh! her face was so fair and delicate and her eyes so tender and joyous. And as her ladies looked at her, they sobbed piteously. 'Ne criez vous,' said she.

"Then she knelt down, and Mistress Mowbray bound her eyes. She smiled again under the handkerchief. 'Adieu,' she said, and then, 'Au revoir.'

"Then she said once more a Latin psalm, and then laid her head down, as on a pillow.

"'In manus tuas, Domine,' she said."

* * * *


Mary Corbet stopped, and leaned forward a little, putting her hand into her bosom; Anthony looked at her as she drew up a thin silk cord with a ruby ring attached to it.

"This was hers," she said simply, and held it out. Each of the Catholics took it and kissed it reverently, and Mary replaced it.

"When they lifted her," she added, "a little dog sprang out from her clothes and yelped. And at that the man near me, who had laughed as she came in, wept."

* * * *


Then the four sat silent in the firelight.


CHAPTER IV


STANFIELD PLACE

Life at Stanfield Place was wonderfully sweet to Anthony and Isabel after their exile abroad, for both of them had an intense love of England and of English ways. The very sight of fair-faced children, and the noise of their shrill familiar voices from the village street, the depths of the August woods round them, the English manners of living--all this was alive with a full deliberate joy to these two. Besides, there was the unfailing tenderness and gaiety of Mr. Buxton; and at first there was the pleasant company of Mary Corbet as well.

There was little or no anxiety resting on any of them. "God was served," as the celebration of mass was called, each morning in the little room where Anthony had made the exercises, and the three others were always present. It was seldom that the room was not filled to over-flowing on Sundays and holy-days with the household and the neighbouring Catholics.

Everything was, of course, perfection in the little chapel when it was furnished; as was all that Mr. Buxton possessed. There was a wonderful golden crucifix by an unknown artist, that he had picked up in his travels, that stood upon the altar, with the bird-types of the Saviour at each of the four ends; a pelican at the top, an eagle on the right supporting its young which were raising their wings for a flight, on the left a phoenix amid flames, and at the foot a hen gathering her chickens under her wings--all the birds had tiny emerald eyes; the figure on the cross was beautifully wrought, and had rubies in hands and feet and side. There were also two silver altar-candlesticks designed by Marrina for the Piccolomini chapel in the church of St. Francis in Siena; and two more, plainer, for the Elevation. The vestments were exquisite; those for high festivals were cloth of gold; and the other white ones were beautifully worked with seed pearls, and jewelled crosses on the stole and maniple. The other colours, too, were well represented, and were the work of a famous convent in the south of France. All the other articles, too, were of silver: the lavabo basin, the bell, the thurible, the boat and spoon, and the cruets. It was a joy to all the Catholics who came to see the worship of God carried on with such splendour, when in so many places even necessaries were scarcely forthcoming.

There was a little hiding-hole between the chapel and the priest's room, just of a size to hold the altar furniture and the priests in case of a sudden alarm; and there were several others in the house too, which Mr. Buxton had showed to Anthony with a good deal of satisfaction, on the morning after his arrival.

"I dared not show them to you the last time you were here," he said, "and there was no need; but now there must be no delay. I have lately made some more, too. Now here is one," he said, stopping before the great carved mantelpiece in the hall.

He looked round to see that no servant was in the room, and then, standing on a settee before the fire, touched something above, and a circular hole large enough for a man to clamber through appeared in the midst of the tracery.

"There," he said, "and you will find some cured ham and a candle, with a few dates within, should you ever have need to step up there--which, pray God, you may not."

"What is the secret?" asked Anthony, as the tracery swung back into place, and his host stepped down.

"Pull the third roebuck's ears in the coat of arms, or rather push them. It closes with a spring, and is provided with a bolt. But I do not recommend that refuge unless it is necessary. In winter it is too hot, for the chimney passes behind it; and in summer it is too oppressive, for there is not too much air."

At the end of the corridor that led in the direction of the little old rooms where Anthony had slept in his visit, Mr. Buxton stopped before the portrait of a kindly-looking old gentleman that hung on the wall.

"Now there is an upright old man you would say; and indeed he was, for he was my own uncle, and made a godly end of it last year. But now see what a liar I have made of him!"

Mr. Buxton put his hand behind the frame, and the whole picture opened like a door showing a space within where three or four could stand. Anthony stepped inside and his friend followed him, and after showing him some clothes hanging against the wall closed the picture after them, leaving them in the dark.

"Now see what a sharp-eyed old fellow he is too," whispered his host. Anthony looked where he was guided, and perceived two pinholes through which he could see the whole length of the corridor.

"Through the centre of each eye," whispered his friend. "Is he not shrewd and secret? And now turn this way."

Anthony turned round and saw the opposite wall slowly opening; and in a moment more he stepped out and found himself in the lobby outside the little room where he had made the exercises six years ago. He heard a door close softly as he looked about him in astonishment, and on turning round saw only an innocent-looking set of shelves with a couple of books and a little pile of paper and packet of quills upon them.

"There," said Mr. Buxton, "who would suspect Tacitus his history and Juvenal his satires of guarding the passage of a Christian ecclesiastic fleeing for his life?"

Then he showed him the secret, how one shelf had to be drawn out steadily, and the nail in another pressed simultaneously, and how then the entire set of shelves swung open.

Then they went back and he showed him the spring behind the frame of the picture.

"You see the advantage of this," he went on: "on the one side you may flee upstairs, a treasonable skulking cassocked jack-priest with the lords and the commons and the Queen's Majesty barking at your heels; and on the other side you may saunter down the gallery without your beard and in a murrey doublet, a friend of Mr. Buxton's, taking the air and wondering what the devil all the clamouring be about."

Then he took him downstairs again and showed him finally the escape of which he was most proud--the entrance, designed in the cellar-staircase, to an underground passage from the cellars, which led, he told him, across to the garden-house beyond the lime-avenue.

"That is the pride of my heart," he said, "and maybe will be useful some day; though I pray not. Ah! her Grace and her honest Council are right. We Papists are a crafty and deceitful folk, Father Anthony."

* * * *


The four grew very intimate during those few weeks; they had many memories and associations in common on which to build up friendship, and the aid of a common faith and a common peril with which to cement it. The gracious beauty of the house and the life at Stanfield, too, gilded it all with a very charming romance. They were all astonished at the easy intimacy with which they behaved, one to another.

Mary Corbet was obliged to return to her duties at Court at the beginning of September; and she had something of an ache at her heart as the time drew on; for she had fallen once more seriously in love with Isabel. She said a word of it to Mr. Buxton. They were walking in the lime-avenue together after dinner on the last day of Mary's visit.

"You have a good chaplain," she said; "what an honest lad he is! and how serious and recollected! Please God he at least may escape their claws!"

"It is often so," said Mr. Buxton, "with those wholesome out-of-door boys; they grow up into such simple men of God."

"And Isabel!" said Mary, rustling round upon him as she walked. "What a great dame she is become! I used to lie on her bed and kick my heels and laugh at her; but now I would like to say my prayers to her. She is somewhat like our Lady herself, so grave and serious, and yet so warm and tender."

Mr. Buxton nodded sharply.

"I felt sure you would feel it," he said.

"Ah! but I knew her when she was just a child; so simple that I loved to startle her. But now--but now--those two ladies have done wonders with her. She has all the splendour of Mary Maxwell, and all the softness of Margaret."

"Yes," said the other meditatively; "the two ladies have done it--or, the grace of God."

Mary looked at him sideways and her lips twitched a little.

"Yes--or the grace of God, as you say."

The two laughed into each other's eyes, for they understood one another well. Presently Mary went on:

"When you and I fence together at table, she does not turn frigid like so many holy folk--or peevish and bewildered like stupid folk--but she just looks at us, and laughs far down in those deep grey eyes of hers. Oh! I love her!" ended Mary.

They walked in silence a minute or two.

"And I think I do," said Mr. Buxton softly.

"Eh?" exclaimed Mary, "you do what?" She had quite forgotten her last sentence.

"It is no matter," he said yet more softly; and would say no