The Marble Faun, vol 2 by Nathaniel Hawthorne (feel good fiction books .TXT) 📕

looked festive for the occasion, whatever sad or guilty secret it might hide within. Every window, moreover, was alive with the faces of women, rosy girls, and children, all kindled into brisk and mirthful expression, by the incidents in the street below. In the balconies that projected along the palace fronts stood groups of ladies, some beautiful, all richly dressed, scattering forth their laughter, shrill, yet sweet, and the musical babble of their voices, to thicken into an airy tumult over the heads of common mortals.

All these innumerable eyes looked down into the street, the whole capacity of which was thronged with festal figures, in such fantastic variety that it had taken centuries to contrive them; and through the midst of the mad, merry stream of human life rolled slowly onward a never-ending procession of all the vehicles in Rome, from the ducal carriage, with the powdered coachman high in front, and the three golden lackeys clinging in the rear, down to the rustic cart drawn by its single donkey. Among this various crowd, at windows and in balconies, in cart, cab, barouche, or gorgeous equipage, or bustling to and fro afoot, there was a sympathy of nonsense; a true and genial brotherhood and sisterhood, based on the honest purpose—and a wise one, too—of being foolish, all together. The sport of mankind, like its deepest earnest, is a battle; so these festive people fought one another with an ammunition of sugar plums and flowers.

Not that they were veritable sugar plums, however, but something that resembled them only as the apples of Sodom look like better fruit. They were concocted mostly of lime, with a grain of oat, or some other worthless kernel, in the midst. Besides the hailstorm of confetti, the combatants threw handfuls of flour or lime into the air, where it hung like smoke over a battlefield, or, descending, whitened a black coat or priestly robe, and made the curly locks of youth irreverently hoary.

At the same time with this acrid contest of quicklime, which caused much effusion of tears from suffering eyes, a gentler warfare of flowers was carried on, principally between knights and ladies. Originally, no doubt, when this pretty custom was first instituted, it may have had a sincere and modest import. Each youth and damsel, gathering bouquets of field flowers, or the sweetest and fairest that grew in their own gardens, all fresh and virgin blossoms, flung them with true aim at the one, or few, whom they regarded with a sentiment of shy partiality at least, if not with love. Often, the lover in the Corso may thus have received from his bright mistress, in her father’s princely balcony, the first sweet intimation that his passionate glances had not struck against a heart of marble. What more appropriate mode of suggesting her tender secret could a maiden find than by the soft hit of a rosebud against a young man’s cheek?

This was the pastime and the earnest of a more innocent and homelier age. Nowadays the nosegays are gathered and tied up by sordid hands, chiefly of the most ordinary flowers, and are sold along the Corso, at mean price, yet more than such Venal things are worth. Buying a basketful, you find them miserably wilted, as if they had flown hither and thither through two or three carnival days already; muddy, too, having been fished up from the pavement, where a hundred feet have trampled on them. You may see throngs of men and boys who thrust themselves beneath the horses’ hoofs to gather up bouquets that were aimed amiss from balcony and carriage; these they sell again, and yet once more, and ten times over, defiled as they all are with the wicked filth of Rome.

Such are the flowery favors—the fragrant bunches of sentiment—that fly between cavalier and dame, and back again, from one end of the Corso to the other. Perhaps they may symbolize, more aptly than was intended, the poor, battered, wilted hearts of those who fling them; hearts which—crumpled and crushed by former possessors, and stained with various mishap—have been passed from hand to hand along the muddy street-way of life, instead of being treasured in one faithful bosom.

These venal and polluted flowers, therefore, and those deceptive bonbons, are types of the small reality that still subsists in the observance of the Carnival. Yet the government seemed to imagine that there might be excitement enough,—wild mirth, perchance, following its antics beyond law, and frisking from frolic into earnest,—to render it expedient to guard the Corso with an imposing show of military power. Besides the ordinary force of gendarmes, a strong patrol of papal dragoons, in steel helmets and white cloaks, were stationed at all the street corners. Detachments of French infantry stood by their stacked muskets in the Piazza del Popolo, at one extremity of the course, and before the palace of the Austrian embassy, at the other, and by the column of Antoninus, midway between. Had that chained tiger-cat, the Roman populace, shown only so much as the tip of his claws, the sabres would have been flashing and the bullets whistling, in right earnest, among the combatants who now pelted one another with mock sugar plums and wilted flowers.

But, to do the Roman people justice, they were restrained by a better safeguard than the sabre or the bayonet; it was their own gentle courtesy, which imparted a sort of sacredness to the hereditary festival. At first sight of a spectacle so fantastic and extravagant, a cool observer might have imagined the whole town gone mad; but, in the end, he would see that all this apparently unbounded license is kept strictly within a limit of its own; he would admire a people who can so freely let loose their mirthful propensities, while muzzling those fiercer ones that tend to mischief. Everybody seemed lawless; nobody was rude. If any reveller overstepped the mark, it was sure to be no Roman, but an Englishman or an American; and even the rougher play of this Gothic race was still softened by the insensible influence of a moral atmosphere more delicate, in some respects, than we breathe at home. Not that, after all, we like the fine Italian spirit better than our own; popular rudeness is sometimes the symptom of rude moral health. But, where a Carnival is in question, it would probably pass off more decorously, as well as more airily and delightfully, in Rome, than in any Anglo-Saxon city.

When Kenyon emerged from a side lane into the Corso, the mirth was at its height. Out of the seclusion of his own feelings, he looked forth at the tapestried and damask-curtained palaces, the slow-moving double line of carriages, and the motley maskers that swarmed on foot, as if he were gazing through the iron lattice of a prison window. So remote from the scene were his sympathies, that it affected him like a thin dream, through the dim, extravagant material of which he could discern more substantial objects, while too much under its control to start forth broad awake. Just at that moment, too, there came another spectacle, making its way right through the masquerading throng.

It was, first and foremost, a full band of martial music, reverberating, in that narrow and confined though stately avenue, between the walls of the lofty palaces, and roaring upward to the sky with melody so powerful that it almost grew to discord. Next came a body of cavalry and mounted gendarmes, with great display of military pomp. They were escorting a long train of equipages, each and all of which shone as gorgeously as Cinderella’s coach, with paint and gilding. Like that, too, they were provided with coachmen of mighty breadth, and enormously tall footmen, in immense powdered wigs, and all the splendor of gold-laced, three cornered hats, and embroidered silk coats and breeches. By the old-fashioned magnificence of this procession, it might worthily have included his Holiness in person, with a suite of attendant Cardinals, if those sacred dignitaries would kindly have lent their aid to heighten the frolic of the Carnival. But, for all its show of a martial escort, and its antique splendor of costume, it was but a train of the municipal authorities of Rome,—illusive shadows, every one, and among them a phantom, styled the Roman Senator,—proceeding to the Capitol.

The riotous interchange of nosegays and confetti was partially suspended, while the procession passed. One well-directed shot, however,—it was a double handful of powdered lime, flung by an impious New Englander,—hit the coachman of the Roman Senator full in the face, and hurt his dignity amazingly. It appeared to be his opinion that the Republic was again crumbling into ruin, and that the dust of it now filled his nostrils; though, in fact, it would hardly be distinguished from the official powder with which he was already plentifully bestrewn.

While the sculptor, with his dreamy eyes, was taking idle note of this trifling circumstance, two figures passed before him, hand in hand. The countenance of each was covered with an impenetrable black mask; but one seemed a peasant of the Campagna; the other, a contadina in her holiday costume.