Pharos, The Egyptian by Guy Boothby (8 ebook reader .TXT) π
Excerpt from the book:
Read free book Β«Pharos, The Egyptian by Guy Boothby (8 ebook reader .TXT) πΒ» - read online or download for free at americanlibrarybooks.com
Download in Format:
- Author: Guy Boothby
Read book online Β«Pharos, The Egyptian by Guy Boothby (8 ebook reader .TXT) πΒ». Author - Guy Boothby
been looking forward to all my life. In that case I would take a long holiday, and, instead of spending the next winter in England, would start for Egypt in the autumn, taking in Italy _en route_, make my way up the Nile, and be home again, all being well, in the spring, or, at latest, during the early days of summer.
Ever since I first became an exhibitor at Burlington House, I have made it a rule to studiously avoid visiting the gallery after varnishing day. My reasons would interest no one, but they were sufficiently strong to induce me to adhere to them. This year, however, I was led into doing so in a quite unintentional fashion, and as that exception vitally concerns this narrative, I must narrate in detail the circumstances that led up to it.
On a certain Friday early in June, I was sitting in my studio, after lunch, wondering what I should do with myself during the afternoon, when a knock sounded at the door, and a moment later, after I had invited whoever stood outside to enter, my old friend, George Merridew, his wife, son, and three daughters, trooped into the room. They were plainly up from the country, and, as usual, were doing the sights at express speed. George Merridew, as you know, stands six feet in his stockings, and is broad in proportion. His face is red, his eyes blue, and he carries with him wherever he goes the air of a prosperous country squire, which he certainly is. Like many other big men, he is unconscious of his strength, and when he shakes hands with you, you have reason to remember the fact for five minutes afterward. His wife is small, and, as some folks declare, looks younger than her eldest daughter, who is a tennis champion, a golfer, and boasts a supreme contempt for Royal Academicians and, for that matter, for artists generally. The son is at Oxford, a nice enough young fellow with limpid blue eyes, who, to his father's disgust, takes no sort of interest in fox-hunting, racing, football, or any other sport, and has openly asserted his intention of entering the Church in the near future. There are two other girls, Gwendoline and Ethel--the latter, by the way, promises to be a second edition of her mother--who, at present, are in the advanced schoolroom stage, dine with their parents, except on state occasions, and play duets together on the piano with a conscientious regard for time and fingering that gives their father no small amount of pleasure, but with other people rather detracts from the beauty of the performance.
"Thank goodness we have got you at last!" cried Merridew, as he rushed forward and gripped my hand with a cordiality that made me suffer in silent agony for minutes afterward. "But, my dear fellow, what on earth induces you to live in a place that's so difficult to find? We have been all round the neighbourhood, here, there, and everywhere, making inquiries, and shouldn't have found you now had it not been for an intelligent butcher-boy, who put us on the right scent and enabled us to run you to earth at last."
"Such is fame, you see," I answered with a smile. "One should be humble when one reflects that the knowledge of one's address is confined to a butcher-boy.--How do you do, Mrs. Merridew? I am sorry you should have had so much difficulty in discovering my poor abode."
I shook hands with the rest of the family, and when I had done so, waited to be informed as to the reason of their visit.
"Now, look here," said the squire, as he spoke producing an enormous gold repeater from his pocket, which by sheer force of habit he held in his hand, though he never once looked at it, during the time he was speaking. "I'll tell you what we're going to do. In the first place you're to take us to the Academy to see your picture, which every one is talking about, and at the same time to act as showman and tell us who's who. After that you'll dine with us at the Langham, and go to the theatre afterward. No, no, it's not a bit of use you're pretending you've got another engagement. We don't come up to town very often, but when we do we enjoy ourselves, and--why, man alive! just consider--I haven't seen you since last autumn, and if you think I am going to let you escape now, you're very much mistaken. Such a thing is not to be thought of--is it, mother?"
Thus appealed to, Mrs. Merridew was kind enough to say that she hoped I would comply with her husband's wishes. The daughters murmured something, which I have no doubt was intended to be a complimentary expression of their feelings, while the son commenced a remark, failed to make himself intelligible, and then lapsed into silence again.
Thus hemmed in, it remained for me to invent a valid excuse, or to fall in with their plans. I effected a compromise, informed them that I should be much pleased to accompany them to the Academy, but that it was quite impossible I should dine with them afterward, or even visit the theatre in their company, having, as was quite true, already accepted an invitation for that evening. Five minutes later the matter was settled, and we were making our way toward Piccadilly and Burlington House.
In the light of all that has happened since, I can only regard my behaviour on that occasion with a contemptuous sort of pity. The minutest details connected with that afternoon's amusement are as clearly photographed upon my brain as if they had occurred but yesterday. If I close my eyes for a moment, I can see, just as I saw it then, the hawkers selling catalogues in the busy street outside, the great courtyard with the lines of waiting carriages, the fashionable crowd ascending and descending the stairs, and inside the rooms that surging mass of well-dressed humanity so characteristic of London and the season. When we had fought our way to the vestibule, I was for doing the round of the rooms in the orthodox fashion. This, however, it appeared, was by no means to George Merridew's taste. He received my suggestion with appropriate scorn.
"Come, come, old fellow," he replied, "we're first going to see your picture. It was that which brought us here; and, as soon as I have told you what I think of it, the rest of the daubs may go hang as far as I am concerned."
Now, it is an indisputable fact that, whatever Nature may, or may not, have done for me, she has at least endowed me with an extremely sensitive disposition. My feelings, therefore, may be imagined when I tell you that my old friend spoke in a voice that was quite audible above the polite murmur of the crowd, and which must have penetrated to the farthest end of the room. Not content with that, he saluted me with a sounding smack on the back, bidding me, at the same time, consign my modesty to the winds, for everybody knew--by everybody, I presume he meant his neighbours in the country--that I was the rising man of the day, and would inevitably be elected President before I died. To avert this flood of idiotic compliment, and feeling myself growing hot from head to foot, I took him by the arm and conducted him hastily through the room toward that portion of the building where my picture was displayed.
Whether the work was good, bad, or indifferent, the public at least paid me the compliment of bestowing their attention upon it, and their behaviour on this occasion was no exception to the rule. I hope I shall not be considered more conceited than my fellows; at the risk of it, however, I must confess to a feeling of pride as I glanced, first at the crowd wedged in before the rail, and then at the party by my side. George Merridew's face alone was worth the trouble and time I had spent upon the canvas. His eyes were opened to their fullest extent: his lips were also parted, but no sound came from them. Even the face of my formidable friend, the tennis champion, betrayed a measure of interest that, in the light of her previous behaviour, was more than flattering. For some moments we stood together on the outskirts of the throng. Then those who were directly in front moved away, and my friends immediately stepped into the gap and took their places. As there was no reason why I should follow their example, I remained outside, watching the faces and noting the different effects the picture produced upon them.
I had not been alone more than a few seconds, however, before I became sensible of a curious sensation. It was accompanied by a lowering of the pulse that was quite perceptible, followed by an extraordinary feeling of nausea. I battled against it in vain. The room and its occupants began to swim before me. I tottered, and at length, being unable any longer to support myself, sat down on the seat behind me. When I looked up again I could scarcely credit the evidence of my senses. Approaching me from the crowd, leaning upon his stick, just as I remembered him on the previous occasion, and dressed in the same extraordinary fashion, was the old man whose personality had given me such a shock at the foot of Cleopatra's Needle. His face was as thin and as wrinkled as I had seen it then, and I also noticed that he wore the same indescribable look of cruelty and cunning that I remembered so well. One thing was quite plain, however profoundly I may have been affected by my proximity to this singular being: I was not the only one who came within the sphere of his influence. Indeed, it was strange to notice the manner in which the polite crowd drew away from him, and the different expressions upon their faces as they stepped aside in order to give him room to pass. Had he been a snake, they could scarcely have shown a more unanimous desire to withdraw from his neighbourhood. On this occasion he was evidently not alone. I gathered this from the fact that, as soon as he had emerged from the crowd, he paused as if to wait for a companion. A moment later a woman come to his side--a woman who carried herself like a daughter of the gods; the most beautiful creature, I can safely assert, that I have ever seen either in this or any other country. If her companion's height was below the average, hers was at least several inches above it. But it was neither her stature, the exquisite symmetry of her figure, the beauty of her face, the luxuriance of her hair, nor the elegance of her attire that fascinated me. It was the expression I saw in her dark, lustrous eyes.
It is essential to my profession that I should be continually studying the human face, attempting to obtain from it some clew as to the character of the owner, and learning to read in it the workings of the mind within. And what I read in this woman's face was a sorrow that nothing could assuage, a hopelessness that was not limited to this earth, but was fast passing into the Eternal.
Having once freed herself from the crowd, who, you may be sure, turned and stared after her as if she were some rare and beautiful animal, she took her place at her companion's side, and they passed along the room together, finally disappearing through the archway at the farther
Ever since I first became an exhibitor at Burlington House, I have made it a rule to studiously avoid visiting the gallery after varnishing day. My reasons would interest no one, but they were sufficiently strong to induce me to adhere to them. This year, however, I was led into doing so in a quite unintentional fashion, and as that exception vitally concerns this narrative, I must narrate in detail the circumstances that led up to it.
On a certain Friday early in June, I was sitting in my studio, after lunch, wondering what I should do with myself during the afternoon, when a knock sounded at the door, and a moment later, after I had invited whoever stood outside to enter, my old friend, George Merridew, his wife, son, and three daughters, trooped into the room. They were plainly up from the country, and, as usual, were doing the sights at express speed. George Merridew, as you know, stands six feet in his stockings, and is broad in proportion. His face is red, his eyes blue, and he carries with him wherever he goes the air of a prosperous country squire, which he certainly is. Like many other big men, he is unconscious of his strength, and when he shakes hands with you, you have reason to remember the fact for five minutes afterward. His wife is small, and, as some folks declare, looks younger than her eldest daughter, who is a tennis champion, a golfer, and boasts a supreme contempt for Royal Academicians and, for that matter, for artists generally. The son is at Oxford, a nice enough young fellow with limpid blue eyes, who, to his father's disgust, takes no sort of interest in fox-hunting, racing, football, or any other sport, and has openly asserted his intention of entering the Church in the near future. There are two other girls, Gwendoline and Ethel--the latter, by the way, promises to be a second edition of her mother--who, at present, are in the advanced schoolroom stage, dine with their parents, except on state occasions, and play duets together on the piano with a conscientious regard for time and fingering that gives their father no small amount of pleasure, but with other people rather detracts from the beauty of the performance.
"Thank goodness we have got you at last!" cried Merridew, as he rushed forward and gripped my hand with a cordiality that made me suffer in silent agony for minutes afterward. "But, my dear fellow, what on earth induces you to live in a place that's so difficult to find? We have been all round the neighbourhood, here, there, and everywhere, making inquiries, and shouldn't have found you now had it not been for an intelligent butcher-boy, who put us on the right scent and enabled us to run you to earth at last."
"Such is fame, you see," I answered with a smile. "One should be humble when one reflects that the knowledge of one's address is confined to a butcher-boy.--How do you do, Mrs. Merridew? I am sorry you should have had so much difficulty in discovering my poor abode."
I shook hands with the rest of the family, and when I had done so, waited to be informed as to the reason of their visit.
"Now, look here," said the squire, as he spoke producing an enormous gold repeater from his pocket, which by sheer force of habit he held in his hand, though he never once looked at it, during the time he was speaking. "I'll tell you what we're going to do. In the first place you're to take us to the Academy to see your picture, which every one is talking about, and at the same time to act as showman and tell us who's who. After that you'll dine with us at the Langham, and go to the theatre afterward. No, no, it's not a bit of use you're pretending you've got another engagement. We don't come up to town very often, but when we do we enjoy ourselves, and--why, man alive! just consider--I haven't seen you since last autumn, and if you think I am going to let you escape now, you're very much mistaken. Such a thing is not to be thought of--is it, mother?"
Thus appealed to, Mrs. Merridew was kind enough to say that she hoped I would comply with her husband's wishes. The daughters murmured something, which I have no doubt was intended to be a complimentary expression of their feelings, while the son commenced a remark, failed to make himself intelligible, and then lapsed into silence again.
Thus hemmed in, it remained for me to invent a valid excuse, or to fall in with their plans. I effected a compromise, informed them that I should be much pleased to accompany them to the Academy, but that it was quite impossible I should dine with them afterward, or even visit the theatre in their company, having, as was quite true, already accepted an invitation for that evening. Five minutes later the matter was settled, and we were making our way toward Piccadilly and Burlington House.
In the light of all that has happened since, I can only regard my behaviour on that occasion with a contemptuous sort of pity. The minutest details connected with that afternoon's amusement are as clearly photographed upon my brain as if they had occurred but yesterday. If I close my eyes for a moment, I can see, just as I saw it then, the hawkers selling catalogues in the busy street outside, the great courtyard with the lines of waiting carriages, the fashionable crowd ascending and descending the stairs, and inside the rooms that surging mass of well-dressed humanity so characteristic of London and the season. When we had fought our way to the vestibule, I was for doing the round of the rooms in the orthodox fashion. This, however, it appeared, was by no means to George Merridew's taste. He received my suggestion with appropriate scorn.
"Come, come, old fellow," he replied, "we're first going to see your picture. It was that which brought us here; and, as soon as I have told you what I think of it, the rest of the daubs may go hang as far as I am concerned."
Now, it is an indisputable fact that, whatever Nature may, or may not, have done for me, she has at least endowed me with an extremely sensitive disposition. My feelings, therefore, may be imagined when I tell you that my old friend spoke in a voice that was quite audible above the polite murmur of the crowd, and which must have penetrated to the farthest end of the room. Not content with that, he saluted me with a sounding smack on the back, bidding me, at the same time, consign my modesty to the winds, for everybody knew--by everybody, I presume he meant his neighbours in the country--that I was the rising man of the day, and would inevitably be elected President before I died. To avert this flood of idiotic compliment, and feeling myself growing hot from head to foot, I took him by the arm and conducted him hastily through the room toward that portion of the building where my picture was displayed.
Whether the work was good, bad, or indifferent, the public at least paid me the compliment of bestowing their attention upon it, and their behaviour on this occasion was no exception to the rule. I hope I shall not be considered more conceited than my fellows; at the risk of it, however, I must confess to a feeling of pride as I glanced, first at the crowd wedged in before the rail, and then at the party by my side. George Merridew's face alone was worth the trouble and time I had spent upon the canvas. His eyes were opened to their fullest extent: his lips were also parted, but no sound came from them. Even the face of my formidable friend, the tennis champion, betrayed a measure of interest that, in the light of her previous behaviour, was more than flattering. For some moments we stood together on the outskirts of the throng. Then those who were directly in front moved away, and my friends immediately stepped into the gap and took their places. As there was no reason why I should follow their example, I remained outside, watching the faces and noting the different effects the picture produced upon them.
I had not been alone more than a few seconds, however, before I became sensible of a curious sensation. It was accompanied by a lowering of the pulse that was quite perceptible, followed by an extraordinary feeling of nausea. I battled against it in vain. The room and its occupants began to swim before me. I tottered, and at length, being unable any longer to support myself, sat down on the seat behind me. When I looked up again I could scarcely credit the evidence of my senses. Approaching me from the crowd, leaning upon his stick, just as I remembered him on the previous occasion, and dressed in the same extraordinary fashion, was the old man whose personality had given me such a shock at the foot of Cleopatra's Needle. His face was as thin and as wrinkled as I had seen it then, and I also noticed that he wore the same indescribable look of cruelty and cunning that I remembered so well. One thing was quite plain, however profoundly I may have been affected by my proximity to this singular being: I was not the only one who came within the sphere of his influence. Indeed, it was strange to notice the manner in which the polite crowd drew away from him, and the different expressions upon their faces as they stepped aside in order to give him room to pass. Had he been a snake, they could scarcely have shown a more unanimous desire to withdraw from his neighbourhood. On this occasion he was evidently not alone. I gathered this from the fact that, as soon as he had emerged from the crowd, he paused as if to wait for a companion. A moment later a woman come to his side--a woman who carried herself like a daughter of the gods; the most beautiful creature, I can safely assert, that I have ever seen either in this or any other country. If her companion's height was below the average, hers was at least several inches above it. But it was neither her stature, the exquisite symmetry of her figure, the beauty of her face, the luxuriance of her hair, nor the elegance of her attire that fascinated me. It was the expression I saw in her dark, lustrous eyes.
It is essential to my profession that I should be continually studying the human face, attempting to obtain from it some clew as to the character of the owner, and learning to read in it the workings of the mind within. And what I read in this woman's face was a sorrow that nothing could assuage, a hopelessness that was not limited to this earth, but was fast passing into the Eternal.
Having once freed herself from the crowd, who, you may be sure, turned and stared after her as if she were some rare and beautiful animal, she took her place at her companion's side, and they passed along the room together, finally disappearing through the archway at the farther
Free e-book: Β«Pharos, The Egyptian by Guy Boothby (8 ebook reader .TXT) πΒ» - read online now on website american library books (americanlibrarybooks.com)
Similar e-books:
Comments (0)