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then no duty so imperative as the arrangement of a little dinner for Mr. Mostyn. "We will make it quite a family affair," said Mrs. Denning, "then we can go to the opera afterwards. Shall I call on Mr. Mostyn at the Holland House?" she asked anxiously.

"I will ask Bryce to call," said Dora. "Bryce will do anything to please me now, mother."

In this way, Bryce Denning's desires were all arranged for him, and that evening Dora made her request. Bryce heard it with a pronounced pout of his lips, but finally told Dora she was "irresistible," and as his time for pleasing her was nearly out, he would even call on the Englishman at her request.

"Mind!" he added, "I think he is as proud as Lucifer, and I may get nothing for my civility but the excuse of a previous engagement."

But Bryce Denning expected much more than this, and he got all that he expected. The young men had a common ground to meet on, and they quickly became as intimate as ever Frederick Mostyn permitted himself to be with a stranger. Bryce could hardly help catching enthusiasm from Mostyn on the subject of New York, and he was able to show his new acquaintance phases of life in the marvelous city which were of the greatest interest to the inquisitive Yorkshire squire--Chinese theaters and opium dives; German, Italian, Spanish, Jewish, French cities sheltering themselves within the great arms of the great American city; queer restaurants, where he could eat of the national dishes of every civilized country under the sun; places of amusement, legal and illegal, and the vast under side of the evident life--all the uncared for toiling of the thousands who work through the midnight hours. In these excursions the young men became in a way familiar, though neither of them ever told the other the real feelings of their hearts or the real aim of their lives.

The proposed dinner took place ten days after its suggestion. There was nothing remarkable in the function itself; all millionaires have the same delicacies and the same wines, and serve these things with precisely the same ceremonies. And, as a general thing, the company follow rigidly ordained laws of conversation. Stories about public people, remarks about the weather and the opera, are in order; but original ideas or decided opinions are unpardonable social errors. Yet even these commonplace events may contain some element that shall unexpectedly cut a life in two, and so change its aims and desires as to virtually create a new character. It was Frederick Mostyn who in this instance underwent this great personal change; a change totally unexpected and for which he was absolutely unprepared. For the people gathered in Mrs. Denning's drawing-room were mostly known to him, and the exceptions did not appear to possess any remarkable traits, except Basil Stanhope, who stood thoughtfully at a window, his pale, lofty beauty wearing an air of expectation. Mostyn decided that he was naturally impatient for the presence of his fiancee, whose delayed entrance he perceived was also annoying Ethel. Then there was a slight movement, a sudden silence, and Mostyn saw Stanhope's face flush and turn magically radiant. Mechanically he followed his movement and the next moment his eyes met Fate, and Love slipped in between. Dora was there, a fairy-like vision in pale amber draperies, softened with silk lace. Diamonds were in her wonderfully waved hair and round her fair white neck. They clasped her belt and adorned the instep of her little amber silk slippers. She held a yellow rose in her hand, and yellow rosebuds lay among the lace at her bosom, and Mostyn, stupefied by her undreamed-of loveliness, saw golden emanations from the clear pallor of her face. He felt for a moment or two as if he should certainly faint; only by a miracle of stubborn will did he drag his consciousness from that golden-tinted, sparkling haze of beauty which had smitten him like an enchantment. Then the girl was looking at him with her soft, dark, gazelle eyes; she was even speaking to him, but what she said, or what reply he made, he could never by any means remember. Miss Bayard was to be his companion, and with some effort and a few indistinct words he gave her his arm. She asked if he was ill, and when a shake of the head answered the query, she covered the few minutes of his disconcertion with her conversation. He looked at her gratefully and gathered his personality together. For Love had come to him like a two-edged sword, dividing the flesh and the spirit, and he longed to cry aloud and relieve the sweet torture of the possession.

Reaction, however, came quickly, and with it a wonderful access of all his powers. The sweet, strong wine of Love went to his brain like celestial nectar. All the witty, amusing things he had ever heard came trooping into his memory, and the dinner was long delayed by his fine humor, his pleasant anecdotes, and the laughing thoughts which others caught up and illustrated in their own way.

It was a feast full of good things, but its spirit was not able to bear transition. The company scattered quickly when it was over to the opera or theater or to the rest of a quiet evening at home, for at the end enthusiasm of any kind has a chilling effect on the feelings. None of the party understood this result, and yet all were, in their way, affected by the sudden fall of mental temperature. Mr. Denning went to his library and took out his private ledger, a penitential sort of reading which he relished after moods of any kind of enjoyment. Mrs. Denning selected Ethel Rawdon for her text of disillusion. She "thought Ethel had been a little jealous of Dora's dress," and Dora said, "It was one of her surprises, and Ethel thought she ought to know everything." "You are too obedient to Ethel," continued Mrs. Denning and Dora looked with a charming demureness at her lover, and said, "She had to be obedient to some one wiser than herself," and so slipped her hand into Basil's hand. And he understood the promise, and with a look of passionate affection raised the little jeweled pledge and kissed it.

Perhaps no one was more affected by this chill, critical after-hour than Miss Bayard and Ethel. Mostyn accompanied them home, but he was depressed, and his courtesy had the air of an obligation. He said he had a sudden headache, and was not sorry when the ladies bid him "good night" on the threshold. Indeed, he felt that he must have refused any invitation to lengthen out the hours with them or anybody. He wanted one thing, and he wanted that with all his soul--solitude, that he might fill it with images of Dora, and with passionate promises that either by fair means or by foul, by right or by wrong, he would win the bewitching woman for his wife.


CHAPTER IV

"WHAT do you think of the evening, Aunt Ruth?" Ethel was in her aunt's room, comfortably wrapped in a pink kimono, when she asked this question.

"What do you think of it, Ethel?"

"I am not sure."

"The dinner was well served."

"Yes. Who was the little dark man you talked with, aunt?"

"He was a Mr. Marriot, a banker, and a friend of Bryce Denning's. He is a fresh addition to society, I think. He had the word 'gold' always on his lips; and he believes in it as good men believe in God. The general conversation annoyed him; he could not understand men being entertained by it."

"They were, though, for once Jamie Sayer forgot to talk about his pictures."

"Is that the name of your escort?"

"Yes."

"And is he an artist?"

"A second-rate one. He is painting Dora's picture, and is a great favorite of Mrs. Denning's."

"A strange, wild-looking man. When I saw him first he was lying, dislocated, over his ottoman rather than sitting on it."

"Oh, that is a part of his affectations. He is really a childish, self-conscious creature, with a very decided dash of vulgarity. He only tries to look strange and wild, and he would be delighted if he knew you had thought him so."

"I was glad to see Claudine Jeffrys. How slim and graceful she is! And, pray, who is that Miss Ullman?"

"A very rich woman. She has Bryce under consideration. Many other men have been in the same position, for she is sure they all want her money and not her. Perhaps she is right. I saw you talking to her, aunt."

"For a short time. I did not enjoy her company. She is so mercilessly realistic, she takes all the color out of life. Everything about her, even her speech, is sharp-lined as the edge of a knife. She could make Bryce's life very miserable."

"Perhaps it might turn out the other way. Bryce Denning has capacities in the same line. How far apart, how far above every man there, stood Basil Stanhope!"

"He is strikingly handsome and graceful, and I am sure that his luminous serenity does not arise from apathy. I should say he was a man of very strong and tender feelings."

"And he gives all the strength and tenderness of his feelings to Dora. Men are strange creatures."

"Who directed Dora's dress this evening?"

"Herself or her maid. I had nothing to do with it. The effect was stunning."

"Fred thought so. In fact, Fred Hostyn----"

"Fell in love with her."

"Exactly. 'Fell,' that is the word--fell prostrate. Usually the lover of to-day walks very timidly and carefully into the condition, step by step, and calculating every step before he takes it. Fred plunged headlong into the whirling vortex. I am very sorry. It is a catastrophe."

"I never witnessed the accident before. I have heard of men getting wounds and falls, and developing new faculties in consequence, but we saw the phenomenon take place this evening."

"Love, if it be love, is known in a moment. Man who never saw the sun before would know it was the sun. In Fred's case it was an instantaneous, impetuous passion, flaming up at the sight of such unexpected beauty--a passion that will probably fade as rapidly as it rose."

"Fred is not that kind of a man, aunt. He does not like every one and everything, but whoever or whatever he does like becomes a lasting part of his life. Even the old chairs and tables at Mostyn are held as sacred objects by him, though I have no doubt an American girl would trundle them off to the garret. It is the same with the people. He actually regards the Rawdons as belonging in some way to the Mostyns; and I do not believe he has ever been in love before."

"Nonsense!"

"He was so surprised by the attack. If it had been the tenth or twentieth time he would have taken it more philosophically; besides, if he had ever loved any woman, he would have gone on loving her, and we should have known all about her perfections by this time."

"Dora is nearly a married woman, and Mostyn knows it."

"Nearly may make all the difference. When Dora is married he will be compelled to accept the inevitable and make the best of it."

"When Dora is married he will idealize her, and assure himself that her marriage is the tragedy of both their lives."

"Dora will give him no reason to suppose such a thing. I am sure she
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