Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt by Gaston Maspero (i have read the book txt) 📕

or rather crimson, flesh-tints are also to be seen at El Kab, and in the famous speos at Beit el Wally, both tempo Nineteenth Dynasty.--A.B.E.

[42] The classic Syene, from all time the southernmost portion of Egypt proper. The Sixth Dynasty is called the Elephantine, from the island immediately facing Syene which was the traditional seat of the Dynasty, and on which the temples stood. The tombs of Elephantine were discovered by General Sir F. Grenfell, K.C.B., in 1885, in the neighbouring cliffs of the Libyan Desert: see foot- note p. 149.--A.B.E.

[43] For an explanation of the nature of the Double, see Chapter III., pp. 111-112, 121 et seq.

[44] Known as the "Scribe accroupi," literally the "Squatting Scribe"; but in English, squatting, as applied to Egyptian art, is taken to mean the attitude of sitting with the knees nearly touching the chin. --A.B.E.

[45] "The Sheikh of the Village." This statue was best known in England as the "Wooden Man of Bûlak."--A.B.E.

[46] The Greek Chephren.

[47] I venture to think that the heads of Rahotep and Nefert, engraved from a brilliant photograph in A Thousand Miles up the Nile, give a truer and more spirited idea of the originals than the present illustrations,--A.B.E.

[48] That is, the Eighteenth, Nineteenth, and Twentieth Dynasties. --A.B.E.

[49] According to the measurements given by Mr. Petrie, who discovered the remains of the Tanite colossus, it must have stood ninety feet high without, and one hundred and twenty feet high with, its pedestal. See Tanis, Part I., by W.M.F. Petrie, published by the Egypt Exploration Fund, 1885.--A.B.E.

[50] Ameniritis, daughter of an Ethiopian king named Kashta, was the sister and successor of her brother Shabaka, and wife of Piankhi II., Twenty-fifth Dynasty. The statue is in alabaster.--A.B.E.

[51] A Memphite scribe of the Thirtieth Dynasty.--A.B.E.

[52] In Egyptian Ta-ûrt, or "the Great;" also called Apet. This goddess is always represented as a hippopotamus walking. She carries in each hand the emblem of protection, called "Sa." The statuette of the illustration is in green serpentine.--A.B.E.

[53] Sebakh, signifying "salt," or "saltpetre," is the general term for that saline dust which accumulates wherever there are mounds of brick or limestone ruins. This dust is much valued as a manure, or "top-dressing," and is so constantly dug out and carried away by the natives, that the mounds of ancient towns and villages are rapidly undergoing destruction in all parts of Egypt.--A.B.E.

[54] For an example of Graeco-Egyptian portrait painting, tempo Hadrian, see p. 291.

[55] Works on scarabaei are the Palin collection, published in 1828; Mr. Loftie's charming Essay of Scarabs, which is in fact a catalogue of his own specimens, admirably illustrated from drawings by Mr. W.M.F. Petrie; and Mr. Petrie's Historical Scarabs, published 1889.--A.B.E.

[56] These twin vases are still made at Asûan. I bought a small specimen there in 1874.-- A.B.E.

[57] The sepulchral vases commonly called "canopic" were four in number, and contained the embalmed viscera of the mummy. The lids of these vases were fashioned to represent the heads of the four genii of Amenti, Hapi, Tûatmûtf, Kebhsennef, and Amset; i.e, the Ape-head, the Jackal-head, the Hawk- head, and the human head.--A.B.E.

[58] The remains of this shrine, together with many hundreds of beautiful glass hieroglyphs, figures, emblems, etc., for inlaying, besides moulds and other items of the glassworker's stock, were discovered by Mr. F. Ll. Griffith at Tell Gemayemi, about equidistant from the mounds of Tanis and Daphnae (Sân and Defenneh) in March 1886. For a fuller account see Mr. Griffith's report, "The Antiquities of Tell el Yahudîyeh," in Seventh Memoir of the Egypt Exploration Fund. --A.B.E.

[59] Some of these beautiful rods were also found at Tell Gemayemi by Mr. F. Ll. Griffith, and in such sound condition that it was possible to cut them in thin slices, for distribution among various museums.--A.B.E.

[60] That is, of the kind known as the "false murrhine."--A.B.E.

[61] The yellows and browns are frequently altered greens.--A.B.E.

[62] One of the Eleventh Dynasty kings.

[63] There is a fine specimen at the Louvre, and another in the museum at Leydeu.--A.B.E.

[64] For an account of every stage and detail in the glass and glaze manufactures of Tell el Amarna, see W.M.F. Petrie's Tell el Amarna.

[65] Klaft, i.e., a headdress of folded linen. The beautiful little head here referred to is in the Gizeh Museum, and is a portrait of the Pharaoh Necho.--A.B.E.

[66] Apries, in Egyptian "Uahabra," the biblical "Hophra;" Amasis, Ahmes II.; both of the Twenty-sixth Dynasty.--A.B.E.

[67] Some specimens of these tiles may be seen in the Egyptian department at the British Museum.--A.B.E.

[68] We have a considerable number of specimens of these borderings, cartouches, and painted tiles representing foreign prisoners, in the British Museum; but the finest examples of the latter are in the Ambras Collection, Vienna. For a highly interesting and scholarly description of the remains found at Tell el Yahûdeh in 1870, see Professor Hayter Lewis's paper in vol. iii. of the Transactions of the Biblical Archaeological Society.--A.B.E.

[69] The Tat amulet was the emblem of stability.--A.B.E.

[70] That is, the Eighteenth and Nineteenth Dynasties.

[71] There is a fine specimen of one of these sledges in the Leyden Museum, and the Florentine Museum contains a celebrated Egyptian war-chariot in fine preservation.-- A.B.E.

[72] See the coloured frontispiece to Thebes; its Tombs and their Tenants, by A.H. Rhind. 1862.--A.B.E.

[73] Since the publication of this work in the original French, a very splendid specimen of a royal Egyptian chair of state, the property of Jesse Haworth, Esq., was placed on view at the Manchester Jubilee Exhibition. It is made of dark wood, apparently rosewood; the legs being shaped like bull's legs, having silver hoofs, and a solid gold cobra snake twining round each leg. The arm- pieces are of lightwood with cobra snakes carved upon the flat in low relief, each snake covered with hundreds of small silver annulets, to represent the markings of the reptile. This chair, dated by a fragment of a royal cartouche, belonged to Queen Hatshepsût, of the Eighteenth Dynasty. It is now in the British Museum.--A.B.E.

[74] In this cut, as well as in the next, the loom is represented as if upright; but it is supposed to be extended on the ground.--A.B.E.

[75] For a chromolithographic reproduction of this work as a whole, with drawings of the separate parts, facsimiles of the inscriptions, etc., see The Funeral Tent of an Egyptian Queen, by H. Villiers Stuart.--A.B.E.

[76] An unusually fine specimen of carpet, or tapestry work from Ekhmîm, representing Cupids rowing in papyrus skiffs, landscapes, etc., has recently been presented to the British Museum by the Rev. G.J. Chester. The tapestry found at Ekhmîm is, however, mostly of the Christian period, and this specimen probably dates from about A.D. 700 or A.D. 600.--A.B.E.

[77] From the inscription upon the obelisk of Hatshepsût which is still erect at Karnak. For a translation in full see Records of the Past, vol. xii., p. 131, et seqq.--A.B.E.

[78] Mr. Petrie suggests that this curious central object may be a royal umbrella with flaps of ox-hide and tiger-skin.--A.B.E.

[79] That is, lentil- shaped, or a double convex.--A.B.E.

INDEX. Aahhotep, 157, 323-330. Aahhotep II., 288-289. Aalû, fields of, 163-164, 167. Abacus, 52-54, 58, 61, 116. Abi, 273. Abû Roash, 113, 134. Abû Simbel (See TEMPLES, etc.). Abûsîr, 114, 131, 134, 138, 140. Abydos (See FORTRESSES, TEMPLES, TOMBS, etc.). Acacia, 203, 274. Adze, of iron, 283, 304. Affi (See TOMB). Agate, 247. Ahmes I., 267, 307, 317, 323, 324, 325, 326, 327, 328, 329. Ahmes II., 269 and note. (See AMASIS). Ahmesnefertari, 288-289. Ahnas el Medineh, 259. Aï, 15, 155, 158. Aimadûa (See TOMB). Akhonûti, 16. Alabaster, 6, 42, 47, 65, 128, 141, 166, 169, 180, 252, 253-254. Albumen, 203. Alexander, his tomb, 242. Alexander II., colossus of, 241. Alexandria, 52, 241, 243, 303. Alumina, 260. Amasis, 269 and note, 302 (See AHMES II. II.). Amber, 247. Ambras Collection, in Vienna, 272 (note). Amen (See GODS). Amen Ra (See GODS). Amenemhat II., 76, 322. Amenemhat III., 76, 143, 228 (See MOERIS). Amenhotep I., 157, 229, 287. Amenhotep II., 53. Amenhotep III., 67, 69, 76, 77, 80, 103, 147, 158, 179, 226, 229, 230, 266, 275, 312, 318. (See MEMNON). Ameni (See TOMB). Ameni Entef Amenemhat, 107. Ameniritis, 235 and note. Amethyst, 246, 250. Amphorae, 35, 36, 127, 264. Ampullae, 269. Amset, genius, 258 (note). Amulets, materials and forms of, 100, 167, 246-250, 259, 265, 286. Ancient Empire,-- art of (See BAS-RELIEF, SCULPTURE, and STATUE). domestic architecture of, 19. fortress of, 27. tombs of (See MASTABAS and PYRAMIDS). Andro-sphinx, 89, 228-229. Angareb, or Nubian bed, 281, 292. Anhûr (See GODS). Ankh, 286, 288. Ankhnesraneferab, sarcophagus of, 165 (note). Anklets, 321. Anna (See TOMB). Antelopes, 176, 299, 326. Antimony, 254, 267 (See KOHL). Antonines, 244, 245. Antoninus Pius, his chapel at Philae, 100. Anubis (See GODS). Anvil, 313. Apapi, the serpent, 164. Ape,