Winter Evening Tales by Amelia Edith Huddleston Barr (best big ereader .TXT) 📕

men almost as much as they do Sallie.

As for Sallie, you would scarcely know her. She is no longer cross with care and quarrelsome with hunger. I always did believe that prosperity was good for the human soul, and Sallie Morrison proves the theory. She has grown sweet tempered in its sunshine, is gentle and forbearing to her children, loving and grateful to her father-in-law, and her husband's heart trusts in her.

Therefore let all those fortunate ones who are in prosperity give cheerfully to those who ask of them. It will bring a ten-fold blessing on what remains, and the piece of silver sent out on its pleasant errand may happily touch the hand that shall bring the giver good fortune through all the years of life.



TOM DUFFAN'S DAUGHTER.

Tom Duffan's cabinet-pictures are charming bits of painting; but you would cease to wonder how he caught such delicate home touches if you saw the room he painted in; for Tom has a habit of turning his wife's parlor into a studio, and both parlor and pictures are the better for the habit.

One bright morning in the winter of 1872 he had got his easel into a comfortable light between the blazing fire and the window, and was busily painting. His cheery little wife--pretty enough in spite of her thirty-seven years--was reading the interesting items in the morning papers to him, and between them he sung softly to himself the favorite tenor song of his favorite opera. But the singing always stopped when the reading began; and so politics and personals, murders and music, dramas and divorces kept continually interrupting the musical despair of "Ah! che la morte ognora."

But even a morning paper is not universally interesting, and in the very middle of an elaborate criticism on tragedy and Edwin Booth, the parlor door partially opened, and a lovelier picture than ever Tom Duffan painted stood in the aperture--a piquant, brown-eyed girl, in a morning gown of scarlet opera flannel, and a perfect cloud of wavy black hair falling around her.

"Mamma, if anything on earth can interest you that is not in a newspaper, I should like to know whether crimps or curls are most becoming with my new seal-skin set."

"Ask papa."

"If I was a picture, of course papa would know; but seeing I am only a poor live girl, it does not interest him."

"Because, Kitty, you never will dress artistically."

"Because, papa, I must dress fashionably. It is not my fault if artists don't know the fashions. Can't I have mamma for about half an hour?"

"When she has finished this criticism of Edwin Booth. Come in, Kitty; it will do you good to hear it."

"Thank you, no, papa; I am going to Booth's myself to-night, and I prefer to do my own criticism." Then Kitty disappeared, Mrs. Duffan skipped a good deal of criticism, and Tom got back to his "Ah! che la morte ognora" much quicker than the column of printed matter warranted.

"Well, Kitty child, what do you want?"

"See here."

"Tickets for Booth's?"

"Parquette seats, middle aisle; I know them. Jack always does get just about the same numbers."

"Jack? You don't mean to say that Jack Warner sent them?"

Kitty nodded and laughed in a way that implied half a dozen different things.

"But I thought that you had positively refused him, Kitty?"

"Of course I did mamma--I told him in the nicest kind of way that we must only be dear friends, and so on."

"Then why did he send these tickets?"

"Why do moths fly round a candle? It is my opinion both moths and men enjoy burning."

"Well, Kitty, I don't pretend to understand this new-fashioned way of being 'off' and 'on' with a lover at the same time. Did you take me from papa simply to tell me this?"

"No; I thought perhaps you might like to devote a few moments to papa's daughter. Papa has no hair to crimp and no braids to make. Here are all the hair-pins ready, mamma, and I will tell you about Sarah Cooper's engagement and the ridiculous new dress she is getting."

It is to be supposed the bribe proved attractive enough, for Mrs. Duffan took in hand the long tresses, and Kitty rattled away about wedding dresses and traveling suits and bridal gifts with as much interest as if they were the genuine news of life, and newspaper intelligence a kind of grown-up fairy lore.

But anyone who saw the hair taken out of crimps would have said it was worth the trouble of putting it in; and the face was worth the hair, and the hair was worth the exquisite hat and the rich seal-skins and the tantalizing effects of glancing silk and beautiful colors. Depend upon it, Kitty Duffan was just as bright and bewitching a life-sized picture as anyone could desire to see; and Tom Duff an thought so, as she tripped up to the great chair in which he was smoking and planning subjects, for a "good-by" kiss.

"I declare, Kitty! Turn round, will you? Yes, I declare you are dressed in excellent taste. All the effects are good. I wouldn't have believed it."

"Complimentary, papa. But 'I told you so.' You just quit the antique, and take to studying Harper's Bazar for effects; then your women will look a little more natural."

"Natural? Jehoshaphat! Go way, you little fraud!"

"I appeal to Jack. Jack, just look at the women in that picture of papa's, with the white sheets draped about them. What do they look like?"

"Frights, Miss Kitty."

"Of course they do. Now, papa."

"You two young barbarians!" shouted Tom, in a fit of laughter; for Jack and Kitty were out in the clear frosty air by this time, with the fresh wind at their backs, and their faces steadily set toward the busy bustle and light of Broadway. They had not gone far when Jack said, anxiously, "You haven't thought any better of your decision last Friday night, Kitty, I am afraid."

"Why, no, Jack. I don't see how I can, unless you could become an Indian Commissioner or a clerk of the Treasury, or something of that kind. You know I won't marry a literary man under any possible circumstances. I'm clear on that subject, Jack."

"I know all about farming, Kitty, if that would do."

"But I suppose if you were a farmer, we should have to live in the country. I am sure that would not do."

Jack did not see how the city and farm could be brought to terms; so he sighed, and was silent.

Kitty answered the sigh. "No use in bothering about me, Jack. You ought to be very glad I have been so honest. Some girls would have 'risked you, and in a week, you'd have been just as miserable!"

"You don't dislike me, Kitty?"

"Not at all. I think you are first-rate."

"It is my profession, then?"

"Exactly."

"Now, what has it ever done to offend you?"

"Nothing yet, and I don't mean it ever shall. You see, I know Will Hutton's wife: and what that woman endures! Its just dreadful."

"Now, Kitty!"

"It is Jack. Will reads all his fine articles to her, wakes her up at nights to listen to some new poem, rushes away from the dinner table to jot down what he calls 'an idea,' is always pointing out 'splendid passages' to her, and keeps her working just like a slave copying his manuscripts and cutting newspapers to pieces. Oh, it is just dreadful!"

"But she thoroughly enjoys it."

"Yes, that is such a shame. Will has quite spoiled her. Lucy used to be real nice, a jolly, stylish girl. Before she was married she was splendid company; now, you might just as well mope round with a book."

"Kitty, I'd promise upon my honor--at the altar, if you like--never to bother you with anything I write; never to say a word about my profession."

"No, no, sir! Then you would soon be finding some one else to bother, perhaps some blonde, sentimental, intellectual 'friend.' What is the use of turning a good-natured little thing like me into a hateful dog in the manger? I am not naturally able to appreciate you, but if you were mine, I should snarl and bark and bite at any other woman who was."

Jack liked this unchristian sentiment very much indeed. He squeezed Kitty's hand and looked so gratefully into her bright face that she was forced to pretend he had ruined her glove.

"I'll buy you boxes full, Kitty; and, darling, I am not very poor; I am quite sure I could make plenty of money for you."

"Jack, I did not want to speak about money; because, if a girl does not go into raptures about being willing to live on crusts and dress in calicos for love, people say she's mercenary. Well, then, I am mercenary. I want silk dresses and decent dinners and matinees, and I'm fond of having things regular; it's a habit of mine to like them all the time. Now I know literary people have spasms of riches, and then spasms of poverty. Artists are just the same. I have tried poverty occasionally, and found its uses less desirable than some people tell us they are."

"Have you decided yet whom and what you will marry, Kitty?"

"No sarcasm, Jack. I shall marry the first good honest fellow that loves me and has a steady business, and who will not take me every summer to see views."

"To see views?"

"Yes. I am sick to death of fine scenery and mountains, 'scarped and jagged and rifted,' and all other kinds. I've seen so many grand landscapes, I never want to see another. I want to stay at the Branch or the Springs, and have nice dresses and a hop every night. And you know papa will go to some lonely place, where all my toilettes are thrown away, and where there is not a soul to speak to but famous men of one kind or another."

Jack couldn't help laughing; but they were now among the little crush that generally gathers in the vestibule of a theatre, and whatever he meant to say was cut in two by a downright hearty salutation from some third party.

"Why, Max, when did you get home?"

"To-day's steamer." Then there were introductions and a jingle of merry words and smiles that blended in Kitty's ears with the dreamy music, the rustle of dresses, and perfume of flowers, and the new-comer was gone.

But that three minutes' interview was a wonderful event to Kitty Duffan, though she did not yet realize it. The stranger had touched her as she had never been touched before. His magnetic voice called something into being that was altogether new to her; his keen, searching gray eyes claimed what she could neither understand nor withhold. She became suddenly silent and thoughtful; and Jack, who was learned in love lore, saw in a moment that Kitty had fallen in love with his friend Max Raymond.

It gave him a moment's bitter pang; but if Kitty was not for him, then he sincerely hoped Max might win her. Yet he could not have told whether he was most pleased or angry when he saw Max Raymond coolly negotiate a change of seats with the gentleman on Kitty's right hand, and take possession of Kitty's eyes and ears and heart. But there is a great