The Sensory Input Miners by Alastair Macleod (best books for 20 year olds TXT) π
Excerpt from the book:
βAre not our wars in Iraq and Afghanistan really a form of tourism, and our Aid missions in Africa?β
βHow can you say that?β spluttered Freda.
βIsnβt it true we are getting sensory inputs from these things? In the case of war - fear, adrenalin ? In the cased of Aid Work - a sense of nurturing, caring, feeding, the need to be needed?
βItβs a very cynical view,β said Birna.
βHe has a point,β said Allan Bitter, βlet him continue.β
He had a soft spot for Andrew. Both had similar backgrounds; deprivation in the east end of London, making good.
βConflict and aid as a sort of tourism?β said Ben. βI never thought of it that way.β
βHow can you say that?β spluttered Freda.
βIsnβt it true we are getting sensory inputs from these things? In the case of war - fear, adrenalin ? In the cased of Aid Work - a sense of nurturing, caring, feeding, the need to be needed?
βItβs a very cynical view,β said Birna.
βHe has a point,β said Allan Bitter, βlet him continue.β
He had a soft spot for Andrew. Both had similar backgrounds; deprivation in the east end of London, making good.
βConflict and aid as a sort of tourism?β said Ben. βI never thought of it that way.β
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- Author: Alastair Macleod
Read book online Β«The Sensory Input Miners by Alastair Macleod (best books for 20 year olds TXT) πΒ». Author - Alastair Macleod
a seat in a street cafe and stared blankly at the passers-by.
What was the alternative?
Leave them alone.
She couldnβt get near his certainty that what we had to offer was better for them.
Imprint
Text: alastair macleod
Images: alastair macleod; "business meeting", purchased from dreamstime royalty free photos
Editing: alastair macleod
Translation: cover typeset in timelike
Publication Date: 06-23-2013
All Rights Reserved
Dedication:
"to the principle of non grasping" .............................................................................................................................................. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental
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