How to Add Ten Years to your Life and to Double Its Satisfactions by S. S. Curry (motivational books to read txt) π
May we not, accordingly, discover that from a psychological as well as a physiological point of view, for reasons of health and development, morning is the most significant and important time of the day!
No human being at the first moment of awakening is gloomy or angry. Everyone awakes in peace with all the world. It is a time of freedom. A moment later memory may bring to the mind some scene or picture that leads to good or bad thought, followed by emotion. This first moment of consciousness is the critical and golden moment of human life. How often has it been said to a child: "You must have gotten out of the wrong side of bed this morning."
Even animals and birds feel the significance of morning. Who has not, at early dawn, heard a robin or some other bird begin to sing--"at first alone," as Thomas Hardy
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Browning's poetic play reveals to us in four scenes the other side of life, the happier people to whom Pippa referred in her soliloquy. We look first into the interior of the old house of which Pippa has spoken with a kind of awe, and see the proud Ottima who owns the mills where Pippa is but a poor worker. In the dark gloom of one of the rooms Ottima has become the sharer in a murder, and, under the influence of Pippa's song, which is heard outside, she and her companion realize their guilt and are overcome with remorse.
At noon we are introduced to a young artist, Jules, who is just bringing home his bride, Phene, whom he has married thinking her a princess, but who is really a poor, ignorant child. She has been employed unconsciously, to herself, and innocently used by some degraded artists as a means of rebuking the idealist, Jules. By this cruel trick they mean to crush him and reduce him to their own sensual level. Even letters which Jules has received from the supposed princess have been written by these perversions of human beingsβwho call themselves artists.
In her lovely innocence Phene is thrilled by Jules' tenderness. Her intuition tells her that something is wrong as she falters in rendering the lines the cruel painters have given her to read to Jules.
We see the blow fall upon the young dreamer as he makes the fearful discovery. In the agony of his disappointment he is about to renounce Phene forever as the artists, waiting outside to sneer at him, expect. The poor, innocent being, in whom his kindness and tenderness have stirred to life for the first time her womanly nature, is about to be cast out to a life of degradation and misery, when Pippa passes, singing. Her song awakens Jules to a higher feeling, to a more human and heroic determination; and the painters, waiting outside, are disappointed.
In the evening Pippa passes Luigi, an Italian patriot. He is meditating over the afflictions of his country and upon a plan to help it, while his mother is trying to dissuade him from the daring undertaking. The police and spies are waiting outside. If he goes he will not be arrested; if he stays they have orders to arrest him at once. At the moment of his wavering, when he is almost ready to obey his mother, Pippa's song arouses anew his patriotic being, and he resolutely goes forth to do a true heroic deed for his country. Thus Pippa saves him from imprisonment and death.
Night brings the last scene in the dramatic events of the world influenced by Pippa's songs. A room of the "palace by the Dome," of which Pippa seems to stand in so much awe, opens before us. Here we look into the face of the Monsignor, for whom she expressed reverence in the morning, and we find that the Monsignor and the dead brother whose home he comes to bless, are in reality Pippa's own uncles. The poor little girl, with only a nickname, is a child of an older brother and the real heir to the Palace, though of this she has never had the remotest dream. We see an insinuating villain tempting the Monsignor to allow him to do away with Pippa in a most horrible manner, and thus leave the Monsignor in sole possession of his brother's property.
During an intense moment Pippa passes and her singing outside causes her uncle to throttle the villain and call for help.
Then we see, at the close of the day, the little girl, unconscious of her share in the life of others, come back to her room and fall asleep murmuring her New Year's hymn which, in spite of appearances, she still trusts. We are left with the hope that she will awaken next day to realize who she is and come into her own.
Thus journey we all through life often forgetting that there is nothing small, that "there is no last nor first." We are conscious of noble aims, but oblivious of the real work we are doing and of our own identity.
What, do you ask, has such a poetic drama to do with such a commonplace subject as health or the prolonging of life?
The question implies a misconception. Human development is not a material thing but is poetic and exalted. It has to do not merely with physical conditions but primarily with spiritual ideals. Let us observe more closely how Browning wakes Pippa up. When she comes to consciousness she utters a cry of joy and thanksgiving;
Faster and more fast,
O'er night's brim, day boils at last."
The joyous thanksgiving of this first moment is the key to Pippa's life and to her influence through the whole day. Such was the right beginning to her day and such is the right beginning for us all to every day of our lives. Her faith and her hymn revealed the true ideals of this strange journey we call life.
There is an old proverb: "Guard beginnings." If a stream is poisoned at its head it will carry the deadly taint through its whole course.
The most significant moment of life is the moment of awakening.
The importance of morning has been more or less realized in the instinct of the human heart in every age.
Many of the myths of the early Greeks refer to the miracle of the morning. Aurora mirrors to us in a mystic way the significance of this hour to the Greeks. Athene was born by the stroke of the hammer of Hephæstus on the forehead of Zeus, and thus the stroke of fire upon the sky became the symbol or myth of all civilization. Even Daphne, pursued by Apollo, and turned into a tree, is doubtless the darkness fleeing before dawn until the trees stand out clearly defined in the morning light.
The dawn of day has always been considered a prophecy of the time when all ignorance will vanish before the light of truth.
When we remember that men of the early ages had no other light but that of the sun, we can see how naturally the coming of morning impressed primitive peoples, and it is not much wonder that they adored and worshiped the dawn and the rising sun.
We still speak of the dawn of a new civilization. Morning is still the most universal figure of progress, the type of a new life. More than all other natural occurrences it is used as a symbol of something higher.
May we not, accordingly, discover that from a psychological as well as a physiological point of view, for reasons of health and development, morning is the most significant and important time of the day!
No human being at the first moment of awakening is gloomy or angry. Everyone awakes in peace with all the world. It is a time of freedom. A moment later memory may bring to the mind some scene or picture that leads to good or bad thought, followed by emotion. This first moment of consciousness is the critical and golden moment of human life. How often has it been said to a child: "You must have gotten out of the wrong side of bed this morning."
Even animals and birds feel the significance of morning. Who has not, at early dawn, heard a robin or some other bird begin to singβ"at first alone," as Thomas Hardy says, "as if sure that morning has come, while all the others keep still a moment as if equally sure that he is mistaken." Soon, however, voice after voice takes up the song until the whole woodland is ringing with joyous tones. Who, in such an hour, has not been deeply moved with the spirit and beauty of all life and the harmony and deep significance of all of nature's processes?
If we observe the awaking of birds and animals more carefully, however, we find something besides songs.
All the higher animals go through certain exercises on first waking. There seems a universal instinct which teaches that certain stretches, expansions and deep breathings are necessary at this time. In fact, these actions are so deeply implanted in the instinct of animals that they seem a kind of sacred acceptance of life, a species of thanksgiving for all that life brings.
If we accept "Pippa Passes" as a parable of human life and Pippa as a typical human being, may we not in her awakening find an example of this universal instinct? May we not find her first thoughts and feelings worthy of study and her example one to be followed? Do we not, in fact, find here a beautiful illustration of the proper mode of meeting the sacredness of dawn?
As a matter of fact, how do we actually greet the morning? Do we awake as Pippa did, with a joyous song of praise? Do we pour out our hearts in gratitude that it brings a new day, a new life? Do we give thanks for the new opportunities given us, the new possibilities of enjoyment, the new share in the life of the world?
Usually we have no thought about these things. Most of us entirely forget the significance of the way or "the side we get out of bed."
Attention is rarely paid to the spirit in which we awaken children. It is often by means of an angry demand or an indulgent whine. They rise with the impression that it is a sin to awaken them and they begin the day with the feeling that the world is cruel.
If we could spend the first few moments of every morning as Pippa spent her first moments, the character of the whole life would be determined. It is the most important time of every day. Is it not also the time when we are most apt to be tempted?
Has not man seemingly lost the significance of this sacred hour? Why do so many, on waking up, begin to worry over the difficulties of the day? How many look back with regret to the preceding day and forward with a frown to the one newly born! Why not smile as Pippa smiled and meet our blessings with thanksgiving?
There are certain physiological reasons why people feel so sluggish on first awaking:βthe position in bed is cramped, the limbs are contracted, the circulation is impeded and the breathing is greatly hindered. When lying down, all the functions of the vital organs are lessened.
Many people are entirely too careless regarding the air of the room. It needs to be even purer and fresher during one's hours of repose than in those of waking.
Certain simple movements are taken by practically every animal on awaking under normal conditions. Among these are yawning, deep breathing, expansion and stretching. These exercises form a part of the process of awaking. It is the change from the position of lying down to that of standing up. But we find that man rarely takes these exercises. Between the moment of awakening and standing erect man possibly takes more time, whines more and does less than any other animal.
Of all the provisions of nature to meet this crucial moment in animal life the stretch seems to be most important. Why men neglect the stretch is curious. Man seems to lack something of the vigor of the animal instinct on awakening. He lives a more rational life, and it is necessary for him at this time to make certain decisions and exert firmness and resolution.
Science has carefully explained the stretch, but men seem to refuse to take the lesson. The stretch extends the body so that the veins, where congestion is most liable to take place and where pressure of blood is weakest, are so elongated that the blood flows
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