The Creative Process in the Individual by Thomas Troward (the false prince series .TXT) 📕

material movement evolved at this stage bound to take any particular form? A little consideration will show us that it is. At this initial stage, the first awakening, so to say, of Spirit into activity, its consciousness can only be that of activity absolute; that is, not as related to any other mode of activity because as yet there is none, but only as related to an all-embracing Being; so that the only possible conception of Activity at this stage is that of Self-sustained activity, not depending on any preceding mode of activity because there is none. The law of reciprocity therefore demands a similar self-sustained motion in the material correspondence, and mathematical considerations show that the only sort of motion which can sustain a self-supporting body moving in vacuo is a rotary motion bringing the body itself into a spherical form. Now this is exactly what we find at both extremes of the material world. At the big end the spheres of the planets rotating on their axes and revolving round the sun; and at the little end the spheres of the atoms consisting of particles which, modern science tells us, in like manner rotate round a common center at distances which are astronomical as compared with their own mass. Thus the two ultimate units of physical manifestation, the atom and the planet, both follow the same law of self-sustained motion which we have found that, on a priori grounds, they ought in order to express the primary activity of Spirit. And we may note in passing that this rotary, or absolute, motion is the combination of the only two possible relative modes of motion, namely, motion from a point and motion to it, that is to say centrifugal and centripetal motion; so that in rotary, or absolute, motion we find that both the polarities of motion are included, thus repeating on the purely mechanical side the primordial principle of the Unity including the Duality in itself.

But the Spirit wants something more than mechanical motion, something more alive than the preliminary Rota, and so the first step toward individualized consciousness meets us in plant life. Then on the principle that each successive stage affords the platform for a further outlook, plant life is followed by animal life, and this by the Human order in which the liberty of selecting its own conditions is immensely extended. In this way the Spirit's expression of itself has now reached the point where its polar complementary, or Reciprocal, manifests as Intellectual Man--thus constituting the Fourth great stage of Spirit's Self-recognition. But the Creative Process cannot stop here, for, as we have seen, its root in the Self-contemplation of Spirit renders it of necessity an Infinite Progression. So it is no use asking what is its ultimate, for it has no ultimate--its word is "Excelsior"--ever Life and "Life more Abundant." Therefore the question is not as to finality where there is none, but as to the next step in the progression. Four kingdoms we know: what is to be the Fifth? All along the line the progress has been in one direction, namely, toward the development of more perfect Individuality, and therefore on the principle of continuity we may reasonably infer that the next stage will take us still further in the same direction. We want something more perfect than we have yet reached, but our ideas as to what it should be are very various, not to say discordant, for one person's idea of better is another person's idea of worse. Therefore what we want to get at is some broad generalization of principle which will be in advance of our past experiences. This means that we must look for this principle in something that we have not yet experienced, and the only place where we can possibly find principles which have not yet manifested themselves is in gremio Dei--that is, in the innermost of the Originating Spirit, or as St. John calls it, "in the bosom of the Father." So we are logically brought to personal participation in the Divine Ideal as the only principle by which the advance into the next stage can possibly be made. Therefore we arrive at the question, What is the Divine Ideal like?

CHAPTER III THE DIVINE IDEAL

What is the Divine Ideal? At first it might appear hopeless to attempt to answer such a question, but by adhering to a definite principle we shall find that it will open out, and lead us on, and show us things which we could not otherwise have seen--this is the nature of principle, and is what distinguishes it from mere rules which are only the application of principle under some particular set of conditions. We found two principles as essential in our conception of the Originating Spirit, namely its power of Selection and its power of Initiative; and we found a third principle as its only possible Motive, namely the Desire of the LIVING for ever increasing Enjoyment of Life. Now with these three principles as the very essence of the All-originating Spirit to guide us, we shall, I think, be able to form some conception of that Divine Ideal which gives rise to the Fifth Stage of Manifestation of Spirit, upon which we should now be preparing to enter.

We have seen that the Spirit's Enjoyment of Life is necessarily a reciprocal--it must have a corresponding fact in manifestation to answer to it; otherwise by the inherent law of mind no consciousness, and consequently no enjoyment, could accrue; and therefore by the law of continuous progression the required Reciprocal should manifest as a being awakening to the consciousness of the principle by which he himself comes into existence.

Such an awakening cannot proceed from a comparison of one set of existing conditions with another, but only from the recognition of a Power which is independent of all conditions, that is to say, the absolute Self-dependence of the Spirit. A being thus awakened would be the proper correspondence of the Spirit's Enjoyment of Life at a stage not only above mechanical motion or physical vitality, but even above intellectual perception of existing phenomena, that is to say at the stage where the Spirit's Enjoyment consists in recognizing itself as the Source of all things. The position in the Absolute would be, so to speak, the awakening of Spirit to the recognition of its own Artistic Ability. I use the word "Artistic" as more nearly expressing an almost unstatable idea than any other I can think of, for the work of the artist approaches more closely to creation ex nihilo than any other form of human activity. The work of the artist is the expression of the self that the artist is, while that of the scientist is the comparison of facts which exist independently of his own personality. It is true that the realm of Art is not without its methods of analysis, but the analysis is that of the artist's own feeling and of the causes which give rise to it. These are found to contain in themselves certain principles which are fundamental to all Art, but these principles are the laws of the creative action of mind rather than those of the limitations of matter. Now if we may transfer this familiar analogy to our conception of the working of the All-Originating Mind we may picture it as the Great Artist giving visible expression to His feeling by a process which, though subject to no restriction from antecedent conditions, yet works by a Law which is inseparable from the Feeling itself--in fact the Law is the Feeling, and the Feeling is the Law, the Law of Perfect Creativeness.

Some such Self-contemplation as this is the only way in which we can conceive the next, or Fifth, stage of Spirit's Self-recognition as taking place. Having got as far as it has in the four previous stages, that is to the production of intellectual man as its correspondence, the next step in advance must be on the lines I have indicated--unless, indeed, there were a sudden and arbitrary breaking of the Law of Continuity, a supposition which the whole Creative Process up to now forbids us to entertain. Therefore we may picture the Fifth stage of the Self-contemplation of Spirit as its awakening to the recognition of its own Artistic Ability, its own absolute freedom of action and creative power--just as in studio parlance we say that an artist becomes "free of his palette." But by the always present Law of Reciprocity, through which alone self-consciousness can be attained, this Self-recognition of Spirit in the Absolute implies a corresponding objective fact in the world of the Relative; that is to say, the coming into manifestation of a being capable of realizing the Free Creative Artistry of the Spirit, and of recognizing the same principle in himself, while at the same time realizing also the relation between the Universal Manifesting Principle and its Individual Manifestation.

Such, it appears to me, must be the conception of the Divine Ideal embodied in the Fifth Stage of the progress of manifestation. But I would draw particular attention to the concluding words of the last paragraph, for if we miss the relation between the Universal Manifesting Principle and its Individual Manifestation, we have failed to realize the Principle altogether, whether in the Universal or in the Individual--it is just their interaction that makes each become what it does become--and in this further becoming consists the progression. This relation proceeds from the principle I pointed out in the opening chapter which makes it necessary for the Universal Spirit to be always harmonious with itself; and if this Unity is not recognized by the individual he cannot hold that position of Reciprocity to the Originating Spirit which will enable it to recognize itself as in the Enjoyment of Life at the higher level we are now contemplating--rather the feeling conveyed would be that of something antagonistic, producing the reverse of enjoyment, thus philosophically bringing out the point of the Scriptural injunction, "Grieve not the Spirit." Also the re-action upon the individual must necessarily give rise to a corresponding state of inharmony, though he may not be able to define his feeling of unrest or to account for it. But on the other hand if the grand harmony of the Originating Spirit within itself is duly regarded, then the individual mind affords a fresh center from which the Spirit contemplates itself in what I have ventured to call its Artistic Originality--a boundless potential of Creativeness, yet always regulated by its own inherent Law of Unity.

And this Law of the Spirit's Original Unity is a very simple one. It is the Spirit's necessary and basic conception of itself. A lie is a statement that something is, which is not. Then, since the Spirit's statement or conception of anything necessarily makes that thing exist, it is logically impossible for it to conceive a lie. Therefore the Spirit is Truth. Similarly disease and death are the negative of Life, and therefore the Spirit, as the Principle of Life, cannot embody disease or death in its Self-contemplation. In like manner also, since it is free to produce what it will, the Spirit cannot desire the presence of repugnant forms, and so one of its inherent Laws must be Beauty. In this threefold Law of Truth, Life, and Beauty, we find the whole underlying nature of the Spirit, and no action on the part of the individual can be at variance with the Originating Unity which does not contravert these fundamental principles.

This it will be seen leaves the individual absolutely unfettered except in the direction of breaking up the fundamental harmony on which he himself, as included in the general creation, is dependent. This certainly cannot be called limitation, and we are all free to follow the lines of our own individuality in every other direction; so that, although the recognition of our relation to the Originating Spirit safeguards us from injuring ourselves or others,