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of God, may do you good."

"Thank you, Miss Barbar, but I am not ill in body—worse luck!" and Lucian sighed.

"Why worse luck, Mr. Denzil?" said the old lady severely. "That is an ungrateful speech to Providence."

"I would rather be ill in body than ill in mind," explained Denzil, blushing, for in some ways he was younger than his years.

"And are you ill in mind?" asked Miss Priscilla, with a twinkle in her eyes.

"Alas! yes. Can you cure me?"

"No. For that cure I shall hand you over to Diana."

"Miss Priscilla!" And Lucian coloured again, this time with vexation.

"Oh, Mr. Denzil," laughed the governess, "because I am old you must not imagine that I am blind. I see that you love Diana."

"Better than my life!" cried the devoted lover with much fervour.

"Of course! That is the usual romantic answer to make. Well, why do you not tell Diana so, with any pretty additions your fancy suggests?"

"She might not listen to me," said this doubting lover dolefully.

"Very true," replied his consoler. "On the other hand, she might. Besides, Mr. Denzil, however much the world may have altered since my youth, I have yet to learn that it is the lady's part to propose to the gentleman."

"But, Miss Barbar, I am poor!"

"What of that? Diana is rich."

"Don't I know it? For that very reason I hesitate to ask her."

"Because you are afraid of being called a fortune-hunter, I suppose," said the old lady drily. "That shows a lack of moral courage which is not worthy of you, Mr. Denzil. Take an old woman's advice, young man, and put your fortunes to the test. Remember Montrose's advice in the song."

"You approve of my marrying Diana—I mean Miss Vrain?"

"From what I have seen of you, and from what Diana has told me about you, I could wish her no better husband. Poor girl! After the tragical death of her father, and her wretched life with that American woman, she deserves a happy future."

"And do you think—do you really think that she—that she—would be happy with—with me?" stammered Lucian, hardly daring to believe Miss Priscilla, whose acquaintance with him seemed too recent to warrant such trust.

The wise old woman laughed and nodded.

"Ask her yourself, my dear," she said, patting his hand. "She will be able to answer that question better than I. Besides, girls like to say 'yea' or 'nay,' themselves."

This seemed to be good advice, and certainly none could have been more grateful to the timid lover. That very night he made up his mind to risk his fortunes by speaking to Diana. It was no easy matter for the young man to bring himself to do so, for cool, bold, and fluent as he was on ordinary occasions, the fever of love rendered him shy and nervous. The looks of Diana acted on his spirits as the weather does on a barometer. A smile made him jocund and hilarious, a frown abashed him almost to gloom. And in the April weather of her presence he was as variable as a weather-cock. It is, therefore, little to be wondered at that one ordinarily daring should tremble to ask a question which might be answered in the negative. True, Miss Barbar's partisanship heartened him a trifle, but he still feared for the result. Cupid, as well as conscience, makes cowards of us all—and Lucian was a doubting lover.

Towards the end of his stay Miss Priscilla—as usual—fell asleep one evening after dinner, and Diana, feeling the house too warm, stepped out into the garden, followed by Lucian. The sun had just set behind the undulating hills, and the clear sky, to the zenith, was of a pale rose colour, striped towards the western horizon with lines of golden cloud. In the east a cold blue prevailed, and here and there a star sparkled in the arch of the sky.

The garden was filled with floating shadows, which seemed to glide into it from the dark recesses of the near woods, and in a copse some distance away a nightingale was singing to his mate, and filling the silence with melody. The notes fluted sweetly through the still air, mingling with the sigh of the rising wind and the musical splashing of the fountain. This shot up a pillar of silvery water to a great height, and in descending sprinkled the near flower beds with its cold spray. All was inexpressibly beautiful to the eye and soothing to the ear—a scene and an hour for love. It might have been the garden of the Capulets, and those who moved in it—the immortal lovers, as yet uncursed by Fate.

"Only three more days," sighed Lucian as he walked slowly down the path beside Diana, "and then that noisy London again."

"Perhaps it is as well," said Diana, in her practical way. "You would rust here. But is there any need for you to go back so soon?"

"I must—for my own peace of mind."

Diana started and blushed at the meaning of his tone and words.

Then she recovered her serenity and sat down on an old stone seat, near which stood a weather-beaten statue of Venus. Seeing that she kept silent in spite of his broad hint, Lucian—to bring matters to a crisis—resolved to approach the subject in a mythological way through the image of the goddess.

"I am sorry I am not a Greek, Miss Vrain," he said abruptly.

"Why?" asked Diana, secretly astonished by the irrelevancy of the remark.

Lucian plucked a red rose from the bush which grew near the statue and placed it on the pedestal.

"Because I would lay my offering at the feet of the goddess, and touch her knees to demand a boon."

"What boon would you ask?" said Diana in a low voice.

"I would beseech that in return for my rose of flowers she would give me the rose of womanhood."

"A modest request. Do you think it would be granted?"

"Do you?" asked Lucian, picking up the rose again.

"How can I reply to your parables, or read your dark sayings?" said Diana, half in earnest, half in mirth.

"I can speak plainer if you permit it."

"If—if you like!"

The young man laid the rose on Diana's lap. "Then in return for my rose give me—yourself!"

"Mr. Denzil!" cried Diana, starting up, whereby the flower fell to the ground. "You—you surprise me!"

"Indeed, I surprise myself," said Lucian sadly. "That I should dare to raise my eyes to you is no doubt surprising."

"I don't see that at all," exclaimed Diana coldly. "I like to be woo'd like a woman, not honoured like a goddess."

"You are both woman and goddess! But—you are not angry?"

"Why should I be angry?"

"Because I—I love you!"

"I cannot be angry with—with—shall we say a compliment."

"Oh, Diana!"

"Wait! wait!" cried Miss Vrain, waving back this too eager lover. "You cannot love me! You have known me only a month or two."

"Love can be born in an hour," cried Lucian eagerly. "I loved you on the first day I saw you! I love you now—I shall love you ever!"

"Will you truly love me ever, Lucian?"

"Oh, my darling! Can you doubt it? And you?" He looked at her hopefully.

"And I?" she repeated in a pretty mocking tone, "and I?" With a laugh, she bent and picked up the flower. "I take the rose and I give you—"

"Yourself!" cried the enraptured lover, and the next moment he was clasping her to his breast. "Oh, Diana, dearest! Will you really be my wife?"

"Yes," she said softly, and kissed him.

For a few moments the emotions of both overcame them too much to permit further speech; then Diana sat down and made Lucian sit beside her.

"Lucian," she said in a firm voice, "I love you, and I shall be your wife—when you find out who killed my poor father!"

"It is impossible!" he cried in dismay.

"No. We must prosecute the search. I have no right to be happy while the wretch who killed him is still at large. We have failed hitherto, but we may succeed yet! and when we succeed I shall marry you."

"My darling!" cried Lucian in ecstasy; and then in a more subdued tone: "I'll do all I can to find out the truth. But, after all, from what point can I begin afresh?"

"From the point of Mrs. Vrain," said Diana unexpectedly.

"Mrs. Vrain!" cried the startled Lucian. "Do you still suspect her?"

"Yes, I do!"

"But she has cleared herself on the most undeniable evidence."

"Not in my eyes," said Diana obstinately. "If Mrs. Vrain is innocent, how did she find out that the unknown man murdered in Geneva Square was my father?"

"By his assumption of the name of Berwin, which was mentioned in the advertisement; also from the description of the body, and particularly by the mention of the cicatrice on the right cheek, and of the loss of the little finger of the left hand."

Diana started. "I never heard that about the little finger," she said hurriedly. "Are you sure?"

"Yes. I saw myself when I knew your father as Berwin, that he had lost that little finger."

"Then, Lucian, you did not see my father!"

"What!" cried Denzil, hardly able to credit her words.

"My father never lost a finger!" cried Diana, starting to her feet. "Ah, Lucian, I now begin to see light. That man who called himself Berwin, who was murdered, was not my father. No, I believe—on my soul, I believe that my father, Mark Vrain, is alive!"

CHAPTER XXIII A STARTLING THEORY

When Diana declared that her father yet lived, Lucian drew back from her in amazement, for of all impossible things said of this impossible case this saying of hers was the strangest and most incredible. Hitherto, not a suspicion had entered his mind but that the man so mysteriously slain in Geneva Square was Mark Vrain, and, for the moment, he thought that Diana was distraught to deny so positive a fact.

"It is impossible," said he, shaking his head, "quite impossible. Mrs. Vrain identified the corpse, and so did other people who knew your father well."

"As to Mrs. Vrain," said Diana contemptuously, "I quite believe she would lie to gain her own ends. And it may be that the man who was murdered was like my father in the face, but—"

"He had the mark on his cheek," interrupted Lucian, impatient of this obstinate belief in the criminality of Lydia.

"I know that mark well," replied Miss Vrain. "My father received it in a duel he fought in his youth, when he was a student in a German university; but the missing finger." She shook her head.

"He might have lost the finger while you were in Australia," suggested the barrister.

"He might," rejoined Diana doubtfully, "but it is unlikely. As to other people identifying the body, they no doubt did so by looking at the face and its scar. Still, I do not believe the murdered man was my father."

"If not, why should Mrs. Vrain identify the body as that of her husband?"

"Why? Because she wanted to get the assurance money."

"She may have been misled by the resemblance of the dead man to your father."

"And who provided that resemblance? My dear Lucian, I would not be at all surprised to learn that there was conspiracy as well as murder in this matter. My father left his home, and Lydia could not find him. I quite believe that. As she cannot prove his death, she finds it impossible to obtain the assurance money; so what does she do?"

"I cannot guess," said Lucian, anxious to hear Diana's theory.

"Why, she finds a man who resembles my father, and sets him to play the part of the recluse in Geneva Square. She selects a man in ill health and given to drink, that he may die the sooner; and, by being buried as Mark Vrain, give her the money she wants. When you told me of this man Berwin's

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