Pictures From Italy by Charles Dickens (spicy books to read .TXT) 📕

the pen. The Courier smiles. The landlord makes an alteration. The Courier cuts a joke. The landlord is affectionate, but not weakly so. He bears it like a man. He shakes hands with his brave brother, but he don’t hug him. Still, he loves his brother; for he knows that he will be returning that way, one of these fine days, with another family, and he foresees that his heart will yearn towards him again. The brave Courier traverses all round the carriage once, looks at the drag, inspects the wheels, jumps up, gives the word, and away we go!

It is market morning. The market is held in the little square outside in front of the cathedral. It is crowded with men and women, in blue, in red, in green, in white; with canvassed stalls; and fluttering merchandise. The country people are grouped about, with their clean baskets before them. Here, the lace-sellers; there, the butter and egg-sellers; there, the fruit-sellers; there, the shoemakers. The whole place looks as if it were the stage of some great theatre, and the curtain had just run up, for a picturesque ballet. And there is the cathedral to boot: scene-like: all grim, and swarthy, and mouldering, and cold: just splashing the pavement in one place with faint purple drops, as the morning sun, entering by a little window on the eastern side, struggles through some stained glass panes, on the western.

In five minutes we have passed the iron cross, with a little ragged kneeling-place of turf before it, in the outskirts of the town; and are again upon the road.

CHAPTER II—LYONS, THE RHONE, AND THE GOBLIN OF AVIGNON

Chalons is a fair resting-place, in right of its good inn on the bank of the river, and the little steamboats, gay with green and red paint, that come and go upon it: which make up a pleasant and refreshing scene, after the dusty roads. But, unless you would like to dwell on an enormous plain, with jagged rows of irregular poplars on it, that look in the distance like so many combs with broken teeth: and unless you would like to pass your life without the possibility of going up-hill, or going up anything but stairs: you would hardly approve of Chalons as a place of residence.

You would probably like it better, however, than Lyons: which you may reach, if you will, in one of the before-mentioned steamboats, in eight hours.

What a city Lyons is! Talk about people feeling, at certain unlucky times, as if they had tumbled from the clouds! Here is a whole town that is tumbled, anyhow, out of the sky; having been first caught up, like other stones that tumble down from that region, out of fens and barren places, dismal to behold! The two great streets through which the two great rivers dash, and all the little streets whose name is Legion, were scorching, blistering, and sweltering. The houses, high and vast, dirty to excess, rotten as old cheeses, and as thickly peopled. All up the hills that hem the city in, these houses swarm; and the mites inside were lolling out of the windows, and drying their ragged clothes on poles, and crawling in and out at the doors, and coming out to pant and gasp upon the pavement, and creeping in and out among huge piles and bales of fusty, musty, stifling goods; and living, or rather not dying till their time should come, in an exhausted receiver. Every manufacturing town, melted into one, would hardly convey an impression of Lyons as it presented itself to me: for all the undrained, unscavengered qualities of a foreign town, seemed grafted, there, upon the native miseries of a manufacturing one; and it bears such fruit as I would go some miles out of my way to avoid encountering again.

In the cool of the evening: or rather in the faded heat of the day: we went to see the Cathedral, where divers old women, and a few dogs, were engaged in contemplation. There was no difference, in point of cleanliness, between its stone pavement and that of the streets; and there was a wax saint, in a little box like a berth aboard ship, with a glass front to it, whom Madame Tussaud would have nothing to say to, on any terms, and which even Westminster Abbey might be ashamed of. If you would know all about the architecture of this church, or any other, its dates, dimensions, endowments, and history, is it not written in Mr. Murray’s Guide-Book, and may you not read it there, with thanks to him, as I did!

For this reason, I should abstain from mentioning the curious clock in Lyons Cathedral, if it were not for a small mistake I made, in connection with that piece of mechanism. The keeper of the church was very anxious it should be shown; partly for the honour of the establishment and the town; and partly, perhaps, because of his deriving a percentage from the additional consideration. However that may be, it was set in motion, and thereupon a host of little doors flew open, and innumerable little figures staggered out of them, and jerked themselves back again, with that special unsteadiness of purpose, and hitching in the gait, which usually attaches to figures that are moved by clock-work. Meanwhile, the Sacristan stood explaining these wonders, and pointing them out, severally, with a wand. There was a centre puppet of the Virgin Mary; and close to her, a small pigeon-hole, out of which another and a very ill-looking puppet made one of the most sudden plunges I ever saw accomplished: instantly flopping back again at sight of her, and banging his little door violently after him. Taking this to be emblematic of the victory over Sin and Death, and not at all unwilling to show that I perfectly understood the subject, in anticipation of the showman, I rashly said, ‘Aha! The Evil Spirit.

To be sure. He is very soon disposed of.’ ‘Pardon, Monsieur,’

said the Sacristan, with a polite motion of his hand towards the little door, as if introducing somebody—‘The Angel Gabriel!’

Soon after daybreak next morning, we were steaming down the Arrowy Rhone, at the rate of twenty miles an hour, in a very dirty vessel full of merchandise, and with only three or four other passengers for our companions: among whom, the most remarkable was a silly, old, meek-faced, garlic-eating, immeasurably polite Chevalier, with a dirty scrap of red ribbon hanging at his button-hole, as if he had tied it there to remind himself of something; as Tom Noddy, in the farce, ties knots in his pocket-handkerchief.

For the last two days, we had seen great sullen hills, the first indications of the Alps, lowering in the distance. Now, we were rushing on beside them: sometimes close beside them: sometimes with an intervening slope, covered with vineyards. Villages and small towns hanging in mid-air, with great woods of olives seen through the light open towers of their churches, and clouds moving slowly on, upon the steep acclivity behind them; ruined castles perched on every eminence; and scattered houses in the clefts and gullies of the hills; made it very beautiful. The great height of these, too, making the buildings look so tiny, that they had all the charm of elegant models; their excessive whiteness, as contrasted with the brown rocks, or the sombre, deep, dull, heavy green of the olive-tree; and the puny size, and little slow walk of the Lilliputian men and women on the bank; made a charming picture.

There were ferries out of number, too; bridges; the famous Pont d’Esprit, with I don’t know how many arches; towns where memorable wines are made; Vallence, where Napoleon studied; and the noble river, bringing at every winding turn, new beauties into view.

There lay before us, that same afternoon, the broken bridge of Avignon, and all the city baking in the sun; yet with an under-done-pie-crust, battlemented wall, that never will be brown, though it bake for centuries.

The grapes were hanging in clusters in the streets, and the brilliant Oleander was in full bloom everywhere. The streets are old and very narrow, but tolerably clean, and shaded by awnings stretched from house to house. Bright stuffs and handkerchiefs, curiosities, ancient frames of carved wood, old chairs, ghostly tables, saints, virgins, angels, and staring daubs of portraits, being exposed for sale beneath, it was very quaint and lively. All this was much set off, too, by the glimpses one caught, through a rusty gate standing ajar, of quiet sleepy court-yards, having stately old houses within, as silent as tombs. It was all very like one of the descriptions in the Arabian Nights. The three one-eyed Calenders might have knocked at any one of those doors till the street rang again, and the porter who persisted in asking questions—the man who had the delicious purchases put into his basket in the morning—might have opened it quite naturally.

After breakfast next morning, we sallied forth to see the lions.

Such a delicious breeze was blowing in, from the north, as made the walk delightful: though the pavement-stones, and stones of the walls and houses, were far too hot to have a hand laid on them comfortably.

We went, first of all, up a rocky height, to the cathedral: where Mass was performing to an auditory very like that of Lyons, namely, several old women, a baby, and a very self-possessed dog, who had marked out for himself a little course or platform for exercise, beginning at the altar-rails and ending at the door, up and down which constitutional walk he trotted, during the service, as methodically and calmly, as any old gentleman out of doors.

It is a bare old church, and the paintings in the roof are sadly defaced by time and damp weather; but the sun was shining in, splendidly, through the red curtains of the windows, and glittering on the altar furniture; and it looked as bright and cheerful as need be.

Going apart, in this church, to see some painting which was being executed in fresco by a French artist and his pupil, I was led to observe more closely than I might otherwise have done, a great number of votive offerings with which the walls of the different chapels were profusely hung. I will not say decorated, for they were very roughly and comically got up; most likely by poor sign-painters, who eke out their living in that way. They were all little pictures: each representing some sickness or calamity from which the person placing it there, had escaped, through the interposition of his or her patron saint, or of the Madonna; and I may refer to them as good specimens of the class generally. They are abundant in Italy.

In a grotesque squareness of outline, and impossibility of perspective, they are not unlike the woodcuts in old books; but they were oil-paintings, and the artist, like the painter of the Primrose family, had not been sparing of his colours. In one, a lady was having a toe amputated—an operation which a saintly personage had sailed into the room, upon a couch, to superintend.

In another, a lady was lying in bed, tucked up very tight and prim, and staring with much composure at a tripod, with a slop-basin on it; the usual form of washing-stand, and the only piece of furniture, besides the bedstead, in her chamber. One would never have supposed her to be labouring under any complaint, beyond the inconvenience of being miraculously wide awake, if the painter had not hit upon the idea of putting all her family on their knees in one corner, with their legs sticking out behind them on the floor, like boot-trees. Above whom, the Virgin, on a kind of blue divan, promised to restore the patient. In another case, a lady was in the very