My Tropic Isle by Edmund James Banfield (best romantic novels to read .txt) 📕

known as "Birra-birra-goo."

Another form of aeroplane, "Par-gir-ah," comes from the pandanus palm--its parts being plaited together. This is thrown high and descends spirally, twisting so rapidly throughout its course that it appears to be a solid disc. This is also used as a windmill, being affixed to a spindle. Children run with the toy against the wind and find similar ecstasy to those of whites of their age and kidney.

The sea-beach supplies in plenty a missile which, from the hands of a black boy, has a fantastic flight. This is the bone of the cuttle-fish ("Krooghar"), which, when thrown concave surface down against the wind and after the style of the boomerang, whirls rapidly and makes a decided effort to return. It is also thrown along the surface of the sea as white boys do "skipping stones," often reaching astonishing distances in a wonderful series of skips.

"Cat's cradle" is popular in some camps, the ingenious and complicated designs into which the string is woven far outstripping the art of the white man, and leaving his wondering comprehension far behind. Toy boats and canoes are favourite means of passing away time by those who live on the beach; and while little girls dandle dolls of wood and bark, their brothers and cousins laboriously chip stones in the shape of axes, and used formerly to make fish-hooks of pearl shell, in imitation of the handiwork of their elders. Boys are also given to trundling a disc of bark, centrally perforated for a short cord, the art of the game being to give the disc, while it revolves, an outward inclination. In these degenerate days the top of a meat-tin is substituted for the decent bark disc, in the making of which nice art was exhibited.

Several of the games of the youngsters are bad imitations of the sports of the white. Just as their fathers find joy in a greasy, blackened, imperfect pack of cards, throwing them down with significant gestures, but in absolutely perfect ignorance of the rules of any game or capacity to appreciate any number greater than three--so do the children make believe to play cricket with a ball worlds away from a sphere (for it is none other than a pandanus drupe), and a bat of any waddy.

But it is due to the crude folks who owned Australia not so very long ago, to say that they had invented the top before the usurpers came along. Tops are made from the fruit of one of the gourds which ripens about the size of a small orange, the spindle being a smooth and slender piece of wood secured with gum. The spinning is accomplished by revolving the spindle between the palms of the hands, some being so expert in administering momentum that the top "goes to sleep," before the eyes of the smiling and exultant player. Dr. Roth chronicles the fact that the piercing of the gourd to produce the hum has been introduced during recent years. The blacks of the past certainly had no ear for music, but now no top which cannot "cry" is worth spinning.

A more primitive top is the seed-vessel of the "Gulgong" (EUCALYPTUS ROBUSTA), the pedicel of which is twirled between the thumb and second finger. Such tops, of course, are the common property of bush boys, white and black, but the latter seem to be more casual in the spinning, though deriving quite as much glee therefrom.

A similar top but of larger size is the unripe fruit of the "Kirra-kul" (EUPOMATIA LAURINA), which resembles an obtuse peg-top, and is spun from the peg.

The "Kirra-kul" tree provides also the means of obtaining that joy in loud explosions which is instinctive in the boy, whatsoever his race or colour. Young, lusty shoots several feet long, and full of sap, are placed in the fire for a few minutes, and upon being "bashed" on a log or other hard substance the heated gas contained in the pithy core bursts out with a pistol-like report.

"As flies to wanton boys are we to the gods-- They kill us for their sport."

The cruelty of the average boy, his insensibility to, or carelessness of, the pain of others and of inferior creatures is exemplified by the treatment which the "Pun-nul" (March fly) receives. That an insect which occasions so much exasperation and pain should receive small mercy at the hands of a vexed and sportful boy is not extraordinary, and so he provides himself with entertainment and takes vengeance simultaneously. The hapless fly is impaled with an inch or two of the flowering spike of blady grass to which a portion of the white inflorescence adheres, and is released. Under such handicap flight is slow and eccentric, often, indeed, concentric, and the boy watches with unfeigned delight while his ears are soothed by the laboured hum.

"Blue-bottle" and "March" flies provide another sort of cheerful sport in which no little malice is blended. Some boys make tiny spears from the midrib of the frond of the creeping palm (CALAMUS OBSTRUENS), which, balanced on the palm palm of the left hand, are flicked with deadly effect, continual practice reducing misses to the minimum. Where the grass-tree grows plentifully the long, slender leaves are snapped off into about six-inch lengths and are used similarly to the creeping palm darts and with like accuracy. Hours are spent killing the big, lumbering, tormenting flies which infest the camp, and towards which no pity is shown, for do they not bite and bloodsuck night and day?

These incomplete and casual references to a very interesting and engrossing topic may be concluded by a reference to a particular spear. Since it consoles and comforts the solitary walks of an aged man, steeped to the lips in the superstitions of his race, and haply ignorant of, or indifferent to, the polyglot pastimes of the younger generation soiled by contact with the whites, the spear, though not a weapon of offence or of sport, is serious and indeed vital to the peace of mind of its owner. He is one of the few who were young men when the white folks intruded upon the race, with their wretched practical ways and insolent disregard of the powers of the unseen spirits, against whom "Old Billy," as his ancestors were wont, still acts on the defensive. "Old Billy" never ventures into the jungle without his spear, though throughout his long and expectant life he has never had occasion to use it. He fears what he knows as "Bidgero," a phantom not quite as truculent as the debil-debil, but evil enough to strike terror into the soul of an unarmed black boy, old or young.

The spear is slender and jointed, the grip being 4 feet 9 inches and the shaft 8 feet. Its distinguishing merit consists of an array of barbs (the serrated spurs of sting-rays) fifteen in number, and ranging in length from 11 inches to 41 inches. In the first eight inches from the point are five barbs, the second being double, and the rest are spaced irregularly in accordance with the respective lengths of the barbs, which are in line. "Old Billy" does not allow any one to handle the spear and will not part with it, no matter how sumptuous the price, for would he not, in default, be at the mercy of any prowling, "Bidgero?"

He describes its use with paucity of speech, effective passes, horrible grimaces, and smiles of satisfaction and victory, which make mere words tame. Suppose you ask, "When that fella Bidgero come up, you catch 'em?" "Old Billy" throws himself into an hostile attitude, in which alertness, determination, and fearsomeness are vividly displayed. "0-o-m!" (The thrust of the spear.) "Ha-a-a-ha!" (The spear is given an excruciating and entangling half-turn.) And "Old Billy" exclaims, still holding the imaginary "Bidgero" at the spear's length: "That fella Bidgero can clear out! Finish 'em!" The spear has penetrated the unlucky and daring phantom, several of the barbs have become entangled in its vitals, the enemy is at "Old Billy's" mercy, and since "Old Billy" has no such element in his mental constitution, there would be one "Bidgero" less in the land if there were any reality in the business. "Old Billy's" manoeuvres and tactics are so grim, skilful, and terrible that one may well hope that he may never be mistaken for a ghost, while within thrusting distance of his twelve foot "Bidgero" exterminator. Yet the young boys smile, when they do not openly scoff, because of his faith in the existence of a personal "Bidgero," and in the efficacy of his bristling spear, which many of them regard as an old man's toy.


CHAPTER XXVI



TOM AND HIS CONCERNS

DOMESTIC AND OTHER BRAWLS

Tom, who holds himself well in reserve, stood once before an armed and angry white man, defiant, unflinching, bold.

As I have had the privilege of listening in confidence to both sides of the story, and as the main facts are minutely corroborative, I judge Tom's recitation of them to be quite reliable.

He was "mate" at the time of a small cutter, the master of which could teach him very little in practical seamanship. The captain was rather hasty and excitable. Tom never hurries, fusses, or falters, be the weather never so boisterous afloat or the domestic tribulations never so wild ashore. When Nelly, his third wife, tore her hair out by the roots in double handfuls and danced upon it, Tom calmly observed, "That fella make fool belonga himself!" But when she rushed at him, clawing blindly, he promptly and without the least consideration for her sex, silenced her for the time being with a stone. The sudden peace after Nelly's squeals and yells of temper was quite a shock; and when she woke her loving-kindnesses to Tom were quite engaging. Tom will ever be master in his own humpy.

To tell of that other incident that caused Tom to look wicked and so bellicose. The captain of the cutter lost half a crown. His excitement began to simmer at once. A hasty general search was made without result, every nook and corner of the boat and all the captain's garments and the belongings of Tom and the other blacks being ransacked. The money declined to be found, and the captain, like David of old, refused to be comforted, and further following the fashion of the psalmist, said in his haste all blacks are thieves. Tom put on the stern, sulky, sullen aspect that so becomes him, and when he was individually challenged with the theft, disdainfully told his master, "Me no take your money! You lost em yourself!"

This calm, plain statement of fact so angered the boss that, calling Tom a cowardly thief, he yelled, "You take my money! I shoot you!"

It is placing rather a paltry valuation even on the life of a black fellow to threaten to shoot him for the sake of half a crown; but the death penalty has been exacted for far less, according to the boastful statements of self-glorifying white men. The boss was raging. He groped in the locker for his revolver, while Tom took a side glance at a tomahawk lying on the thwart.

Presenting the revolver, the boss yelled, "You rogue, Tom! You steal my money! I shoot you!" Tom changed his sulky demeanour for the pose and look that a camera has preserved, saying, "My word! you shoot one time, straight. Subpose you no shoot one time straight, look out."

The shot was never fired.

I asked Tom what he would have done suppose the revolver had been fired and he not killed.

"My word! Subpose that fella he no kill me one time, I finish