Due North or Glimpses of Scandinavia and Russia by Maturin Murray Ballou (chromebook ebook reader txt) 📕

real support is by the local government. Another institution was visited, designed for the sick and poor, where they can be properly nursed when temporarily ill, yet not sufficiently so to seek admission to a regular hospital. There have been as many as eight thousand patients admitted within a twelve-month to this establishment. There are also homes for old men and old women, intended for indigent persons who are too old to work. From the latter "home" there was observed driving upon the Lange Linie, beside the sea, a large open wagon full of dames who were enjoying a healthful outing. As the vehicle passed us, the driver was pointing out to his charges the distant view of Sweden, across the intervening Sound. The Royal Theatre or Opera House, situated on the King's Square, was to us a surprise,--it is so similar, at first sight, to the more elaborate and costly Opera House in the Place de l'Opera in Paris, and as it antedates that elegant structure, it would certainly seem to have suggested some of its best lines. The Danish theatre will accommodate seventeen hundred persons, and is usually well filled, the royal box being seldom empty. The corridors are remarkable for spaciousness, and form a popular promenade for both sexes during the intervals between the acts. This furnishes an agreeable social break to the often long-protracted performances. On one side of the theatre facing the Square is a hideous bronze statue of Adam Oehlenschlaeger, the Danish lyric author; and on the opposite side is another representing Ludwig von Holberg, the Norwegian dramatist. This latter, in an artistic sense, is still more objectionable than the first named. The ballet as represented here is unique, being mostly designed to illustrate the early history of Scandinavia.

On one of the main thoroughfares leading from the Square already named, the triple domes of a Russian church dazzle the eye with their bright gilded surface and long hanging chains, depending from cross and crescent of the same metal, the whole reflecting the sun's rays with the force of a Venetian mirror. The interior, however, is plain, though rich in white marble, here and there carved in lattice pattern to form balustrades and daedos. Near by this church is the residence of the Russian Minister. On this same street, called the Bredgade, is the Frederick's Church, begun as long ago as 1749, after a grand design, and not yet finished. It is half surrounded to-day by a broad high staging, upon which groups of mechanics were seen busily at work, as has been the case for so many generations. This is known as the Marble Church, and is surmounted by a grand if not graceful dome of immense proportions. The English residents of the city are building an Episcopal church on the Esplanade, the local government having given the ground for this purpose. The corner-stone was laid by the Prince of Wales in 1885, with a grand ceremony, at which the Emperor and Empress of Russia assisted, with all the Danish royal family. It is the first English church erected in the country. On the Amaliegade, which runs parallel with the Bredgade and which is the next street to it, are four spacious palaces, which form a square, in the centre of which stands a bronze statue of Frederick V. These palaces are the town residence of the present royal family, one being also devoted to the business of the Foreign Office. The Amaliegade ends at the Lange Linie, where the Esplanade begins.

The spire of the large city Exchange is very curious, being formed of the twisted tails of three marvellous dragons, their bulging heads resting on the four corners of the tower,--altogether forming the most ridiculous attempt at architectural ornamentation we have yet chanced to behold. The building thus surmounted dates back to 1624, forming a memento of the reign of Christian IV. The Church of our Saviour has also a remarkable spire, with a winding staircase outside leading to the pinnacle. The bell which surmounts this lofty spire, and upon which stands a colossal figure of our Saviour, is said to be large enough to contain twelve persons at a time; but without climbing to the summit, the local guide's assurance that there were just three hundred and ninety three steps between base and top was unhesitatingly accredited. This church was consecrated in 1696. A peculiarity of its steeple is the fact that the spiral stairs wind upwards in the opposite direction from that which is usual. This was undoubtedly an accident on the part of the mechanics. Christian IV. detected the awkwardness and pointed it out to the architect, who, singular to say, had not before realized a circumstance which is now so obvious. His consequent chagrin was so great as nearly if not quite to render him insane. He ascended the spire on the day when the work was completed, and ended his life by throwing himself from the summit. Such was the entertaining legend rehearsed with great volubility to us by our local guide, who was evidently annoyed at our smile of incredulity.

The Christiansborg Palace, which was the Louvre of Copenhagen, contained many fine paintings by the old masters, including choice examples by Tintoretto, Nicholas Poussin, Raphael, Rubens, Salvator Rosa, Vandyke, Rembrandt, and others. The building was partially burned in 1884,--a fate reserved it would seem for all public structures in this country, a similar fortune having befallen this same palace seventeen or eighteen years ago. It still remains in ruins, and the pictures and other works of art, which were saved, have not yet found a fitting repository. Not even fire has purged this now ruined palace of its many tragic histories, its closeted skeletons, and its sorrowful memories. It was here that Caroline Matilda was made the reigning queen, and here a court mad with dissipation held its careless revels. From this place the dethroned queen went forth to prison at Elsinore, and her reputed lover (Struensee) was led to the scaffold. There was poetical justice in the retributive conduct of the son of the unfortunate queen, one of whose earliest acts upon assuming the reins of government was to confine the odious queen-mother Juliana in the same fortress which had formed the prison of Caroline Matilda. Though the Christiansborg Palace is now in partial ruins, its outer walls and facade are still standing nearly complete, quite enough so to show that architecturally it was hugely ugly. When it was intact its vast courts contained the chambers of Parliament, as well as those devoted to the suites forming the home of the royal family, and spacious art galleries.

In strolling about the town one comes now and then upon very quaint old sections, where low red-tiled roofs and houses, with gable ends towards the street, break the monotony. The new quarters of Copenhagen, however, are built up with fine blocks of houses, mostly in the Grecian style of architecture,--palatial residences, with facades perhaps a little too generally decorated by pilasters and floral wreaths, alternating with nymphs and cupids. The two-story horse-cars convey one in about fifteen minutes over a long, level, tree-shaded avenue from the centre of the city to Fredericksborg Castle in the environs. It is a palace erected by Frederick IV. as a summer residence for himself and court, but though capacious and finely located, it is void of all aspect of architectural grandeur. As a portion of the grounds commands a fine view of the city, the castle is generally visited by strangers. The spacious building is at present used for a military educational school. The park which surrounds Fredericksborg Castle is the great charm of the locality, being ornamented in all parts by immemorial trees, deep sylvan shades, purling streams, graceful lakes, and inviting greensward. It forms the daily resort of picnic parties from the close streets of the town near at hand, who come hither on summer afternoons in such numbers as to tax the full capacity of the tramway. At the entrance to the park stands a bronze statue of Frederick IV., which presents so strong a likeness to Lamartine, in form and feature, as instantly to recall the French orator and poet. Adjoining the extensive grounds of the castle is the Zoological Garden, which appears to occupy about ten acres of well-wooded and highly cultivated territory, ornamented with choice flower-beds, small lakes for aquatic birds, and a large brook running through the midst of the grounds. There is here an admirable collection of animals. The author's visit chanced upon a Saturday afternoon, when a bevy of primary-school children, composed of boys and girls under twelve years, was being conducted from section to section by their teachers, while the nature of each animal was lucidly explained to them. No advantage for educational purposes seems to be forgotten or neglected in Denmark.


CHAPTER II.


Public Amusements in Copenhagen. -- Danish Sovereigns. -- The Fashionable Promenade. -- Danish Women. -- Palace of Rosenborg. -- A Golconda of Gems. -- A Poet's Monument. -- A Famous Astronomer. -- Our Lady's Church. -- The King's Square. -- The Curious Old Round Tower. -- The Peasantry. -- A Famous Deer Park. -- Roeskilde. -- Elsinore. -- Gypsies. -- Kronborg Castle. -- The Queen's Prison. -- Hamlet and Ophelia's Grave. -- A Danish Legend.


Copenhagen is not without its ballets, theatres, Alhambras, Walhallas, and _cafes chantants_. The principal out-door resort of this character is the Tivoli Gardens, laid out in the Moorish style, where the citizens, representing all classes,--the cultured, the artisan, and the peasant,--assemble and mingle together in a free-and-easy way. Here they enjoy the long summer evenings, which indeed at this season of the year do not seem like evenings at all, since they are nearly as light as the day. Whatever may be said in advocacy of these public assemblies, enjoyed amid the trees, flowers, soft air, and artistic surroundings, there seems to a casual visitor to be too much freedom permitted between the sexes for entire respectability, and yet nothing actually repulsive was observable. In Berlin or Vienna these popular resorts would be designated as beer gardens; here they are called tea-gardens. The Tivoli has a fine ballet troup among its attractions, and employs two orchestras of forty instrumental performers each, stationed in different parts of the spacious gardens. The price of admission to these illuminated grounds is merely nominal. Some of the wealthiest families as well as the humbler bring their children with them, as is the custom of those who frequent the beer gardens of Munich and Dresden. As a popular place of varied and attractive amusements the Tivoli of Copenhagen has hardly its equal in Europe.

Just across the harbor is the spacious and fertile island of Amager, some twenty square miles in extent, which serves as the kitchen or vegetable garden of the capital. It was first occupied by a colony of Flemings who were brought hither in 1516 by Charles II., for the purpose of teaching his subjects how to cultivate vegetables and flowers. The descendants of these foreigners still retain traces of their origin, remaining quite distinctive in their costume and personality. These peasants, or at least those who daily come to market, must be well off in a pecuniary sense, judging by their gold and silver ornaments and fanciful dresses.

Tramways render all parts of the city and environs accessible, the double-decked cars enabling them to carry a large number of passengers. Broad streets and convenient sidewalks invite the promenaders along the open squares, which are frequently lined with umbrageous trees and embellished with monuments. The fashionable drive and promenade is the Lange Linie (that is, the "Long Line"), bordering the Sound and forming a complete circle. It reminded one of the Chiaja of Naples, though there is no semi-tropical vegetation to carry out the similitude. It was