Tropic Days by Edmund James Banfield (inspirational books for students TXT) 📕

it be called toil? Does he not for the most part, after the first and essential preliminaries are of the past, permit Nature to have her own wayward will with his dutiful trees? Does he always and invariably cut out the dead wood which tells of much too strenuous efforts on their part to justify their existence and his care? Does he attempt to exterminate the pretty flies which send to the ground a certain percentage, while yet the fruit is immature and bitter? Does he let the light of the caressing sun into the hearts of his pet trees by removing superfluous twigs? Well does he know that if he tended them as he should their bounty to him would be much magnified. Yet does he dream on, accepting that which comes, admiring leafage, bloom, and fragrant fruit, and always postponing the day when substantial aid and credit should be given. There is something to be said in favour of this happy attitude towards good-natured trees. Should it not suffice to have given them monopoly and choice? Many others, and some of far nobler proportions, have been exterminated for their special benefit and advantage. They have been grown from seed of most highly complimented fruit; their infancy and youth have been nurtured and protected; each has been assigned its proper place with due regard to the welfare of neighbours; less promising vegetation has been summarily checked; the first flowers have been sniffed with high delight, the first fruits sampled with extravagant praise. Having bestowed upon trees care and attention, while they were yet mere sprouts of tender green, and admired their sturdy development, and approved their best efforts, is it not yours to accept whatsoever they offer as reward and recompense for past labour and present appreciation?

From the artistic standpoint the most admirable of all the citrus-trees is the pomelo, which, however, lacks merit from the commercial side. The tree grows more sedately than the orange or the mandarin, but on a grander scale. The leaves are bigger, tougher, and the appendages on either side of the stalk (which botanists call the stipules) more developed. The blooms are greater, and endowed with a much richer perfume than the orange; the fruit is huge and fragrant, though somewhat disappointing to the individual who expects the sweetness of the mandarin; while, if the views of the learned in such attributes are trustworthy it possesses medicinal qualities which are foreign to its dainty, diminutive relative. It would be mere affectation to refrain from these compliments to the pomelo when the atmosphere is saturated with the perfume from lusty trees. Certainly one has to wait patiently for many a long year ere his trees greet him with white flowers which pour out perfume of rare density and enrich him with golden fruit almost as big as footballs. From nine to twelve years must elapse, but expectancy is not wholly measurable by the arbitrariness of time. The true standard is the desire, tempered by the patience of the custodian of the trees.

In August the pomeloes put on their most attractive appearances. The young leaves of lively tint contrast with the almost sombre green of the older foliage, and flowers in clusters give a most becoming adornment. Big and beautiful as they are, scent is their most conspicuous feature. Even in the open air it is rich almost to cloyness. It hangs about the tree while the wind is still, and the slightest movement of the air wafts it hither and thither. It stings sensitive folk with its intensity at close quarters, but when diffused is fragrance of ethereal delight. All day long birds frolic in the trees, some to cull the nectar, some to search for insects attracted for like purpose, some to nibble and discard white petals. All the moist soil beneath is strewn with snowy flakes, for at night flying foxes blunder among the branches, destroying more blooms than they eat. But why grumble? Birds which nip off petals and musty foxes which brush down whole posies in their clumsiness are but positive checks to overproduction. Do they not avert the unthankful task of carting away dozens of barrow loads of superfluous fruit? Last night at dusk there was a sensation of the coming of rain, though the air was still and the sky clear. I paused under the trees to expand my lungs with their scented breathings. A semi-intoxicated bird twittered drowsily among the branches,


"His happy good-night air,
Some blessed hope, whereof he knew,
And I was unaware."


Dozens of sphinx moths--big torpedo-shaped bodies carried by wings of soft brown and dull red--floated about, sipping where and when and as long as they liked. Sometimes the sphinx has almost an aggressive tone In his flight--hasty, important, brooking no interference. Last night's note was of supreme content. A rich and overflowing feast was spread and the insects hovered over the posies and sipped and fluted like merry roysterers, without a care or thought of the morrow. It was a love-feast, for the still night seemed to invite the trees to give of their richest and best; the psalm of the insects was audible, not to the distance whence the perfume was dissipated, but for many a scented yard. The trees seemed sanctified, and I stood bare-headed among them and gave my silent praise for a delightsome experience. Expectancy and patience had been overpaid.


THE SCENE-SHIFTER



"We are all going to the play or coming from it."--DICKENS.


In a few hours came "the season's difference." The scene-shifter worked with almost magical haste, with silence, and with supreme effect. The gloomy days and nights of misty hill-tops and damp hollows, where the grass was sodden and the air dull and irresponsive to sound, gave way to bright sunshine, cloudless skies, calm seas, echoing hills, and the tinge of that which for lack of the ideal word we call "spring." Spring does not visit the tropical coast, where vegetation does not tolerate any period of rest. When plants are not actually romping with excess of vital force, as during the height of the wet season, they grow with the haste of summer. And yet immediately on the dispersal of the mists of July the least observance could not fail to recognise that a certain and elaborate change had taken place. The mango-trees had been flowering for several weeks in a trivial, half-hearted way, but when the sun sent its thrills down into the moist soil the lemons and pomeloes began to sweeten the air; the sunflower-tree displayed its golden crowns among huge soft leaves, and the last blooms of belated wattles fell, showing that it is possible for tributes representative of May and September to be paid on one and the same date.

The scene-shifter came softly "as the small rain upon the tender herb," but with an orchestra of his own. Years of observation have shown that the weather does control the habits of some birds--birds of distinct and regular methods of life. Two such are common--the nutmeg pigeon and the metallic starling. Both species leave this part of the North during the third week of March, flying in flocks to regions nearer the equator. For several weeks the starlings train themselves for the long Northern flight and its perils, dashing with impetuous speed through the forest and wheeling up into the sky until they disappear, to become visible again as black dots hurtling through space when the sunlight plays on their glossy feathers as the course of the flock is changed. With the rush of a wind of small measure but immense velocity, the flock descends earthwards, among and over the trees, perfecting itself by trials of endurance and intricate alertness. The birds return during the first week in August, in small and silent companies, to reoccupy favourite resorts in common. The nutmeg pigeons are also of exact habit, the time for their return generally coinciding with that of the starlings. This year (1916) both birds were noticed just after the scene-shifter had swept the hills of mists, and now other birds seem to have awakened to the conditions which the starlings and the nutmegs brought with them from hotter lands. The swamp pheasants are whooping and gurgling, and that semi-migratory fellow, the spangled drongo--a flattering name, for he jangles but does not spangle--sits on the slim branch of the Moreton Bay ash which held last year's nest and chatters discordances in the very ears of his responsive mate. They will start building a loose nest on the brittlest branch forthwith, and while the lady sits on her three eggs he will screech defiances to the high heavens and perform aerial gymnastics with delirious delight.

The sun-birds are searching the lemon blooms. The breast of the gay, assertive little bird is far richer in tint than the brightest of the lemons. A minute ago one perched on a ripe fruit as if to shame it by contrast, and the fruit has since seemed a trifle dull of tint, and with light-hearted inconsequence the pair are now probing narrow throats of papaw flowers. The ground has been too much overgrown with grass and weeds for the comfort of the little green pigeons which come strutting down the paths for seeds and crumbs. Dry soil, which may be easily scanned and scratched, is more to their liking, so they keep to the forest, where in some places the undergrowth of wattles is so dense that the sun may not visit the ground, and the bare places glitter with seed.

When rain was seriously deficient, proof was given that some proportion of the wattle seeds eaten by pigeons are not digested. In the crevices of logs supporting the water-trough, which proved to be a popular refreshment spot of many species of birds, clamorous with thirst, seeds were deposited, and when the rains came the trough was fringed and decorated with pinnate leaves of sprouting wattles, some of which grew so strongly, notwithstanding the absence of soil, save that which occurs from the slow decay of seasoned bloodwood, that if summary measures had not been taken the trough might have been embowered. The season seems to have been too damp for the night-jars, though quite to the taste of all species of pigeons. In the course of a few minutes the voice of the timid, tremulous, barred-shouldered dove came from among the yellow-flowered hibiscus of the beach, while the pheasant-tailed pigeon sounded its rich, dual note, the red-crowned fruit pigeon tolled its mournful chime, and the guttural of the magnificent fruit pigeon--often heard, but seldom seen--came from the jungle close at hand. Not one of these birds was visible, nor was the fluty-voiced shrike thrush, which answers every strange call and mimics crude attempts to reproduce its varied notes. The blue kingfisher is investigating the tumour made by white ants in the bloodwood wherein the nest is annually excavated, and soon the chattering notes of the pair will be heard. A week ago few signs of the approach of the scene-shifter were discernible. He has come, and plants and birds respond to his genial and becoming presence--plants with richer growth and more abundant flowers, birds with the unreflecting gaiety of nuptial days.


BEACH PLANTS



"Remove the vegetable kingdom, or interrupt the flow of its unconscious benefactions, and the whole higher life of the world ends."--HENRY DRUMMOND.


Strolling on the curving footway of broken shells and coral chips marking the limit of the morning's tide, a vague attempt was made to catalogue the plants which crowd each other on the verge of salt water, and so to make comparison with that part of Australia the features of which provoked Adam Lindsay Gordon to frame an adhesive phrase concerning bright scentless blossoms and songless, bright birds. Excluding the