Cow-Country by B. M. Bower (ink book reader TXT) 📕

When he went out, Hen was at his heels, trying to say something in his futile, tongue-tied gobble. Bud stopped and looked at him tolerantly. “Hen, It's no use—you might as well be talking Chinese, for all I know. If it's important, write it down or I'll never know what's on your mind.”

He pulled a note-book and a pencil from his vest-pocket and gave them to Hen, who looked at him dumbly, worked his Adam's apple violently and retreated to his horse, fumbled the mail which was tied in the bottom of a flour sack for safe keeping, sought a sheltered place where he could sit down, remained there a few minutes, and then returned to his horse He beckoned to Bud, who was watching him curiously; and when Bud went over to him said something unintelligible and handed back the note-book, motioning for caution when Bud would have opened the book at once.

So Bud thanked him gravely, but with a twinkle in his eyes, and waited until Hen had gone and he was alone before he read the message. It was mysterious enough, certainly. Hen had written in a fine, cramped, uneven hand:

“You bee carful. bern this up and dent let on like you no anything but i warn you be shure bern this up.”

Bud tore out the page and burned it as requested, and since he was not enlightened by the warning he obeyed Hen's instructions and did not “let on.” But he could not help wondering, and was unconsciously prepared to observe little things which ordinarily would have passed unnoticed.

At the dance on Friday night, for instance, there was a good deal of drinking and mighty little hilarity. Bud had been accustomed to loud talk and much horseplay outside among the men on such occasions, and even a fight or two would be accepted as a matter of course. But though several quart bottles were passed around during the night and thrown away empty into the bushes, the men went in and danced and came out again immediately to converse confidentially in small groups, or to smoke without much speech. The men of Burroback Valley were not running true to form.

The women were much like all the women of cow-country: mothers with small children who early became cross and sleepy and were hushed under shawls on the most convenient bed, a piece of cake in their hands; mothers whose faces were lined too soon with work and ill-health, and with untidy hair that became untidier as the dance progressed. There were daughters—shy and giggling to hide their shyness—Bud knew their type very well and made friends with them easily, and immediately became the centre of a clamoring audience after he had sung a song or two.

There was Honey, with her inscrutable half smile and her veiled eyes, condescending to graciousness and quite plainly assuming a proprietary air toward Bud, whom she put through whatever musical paces pleased her fancy. Bud, I may say, was extremely tractable. When Honey said sing, Bud sang; when she said play, Bud sat down to the piano and played until she asked him to do something else. It was all very pleasant for Honey—and Bud ultimately won his point—Honey decided to extend her graciousness a little.

Why hadn't Bud danced with Marian? He must go right away and ask her to dance. Just because Lew was gone, Marian need not be slighted—and besides, there were other fellows who might want a little of Honey's time.

So Bud went away and found Marian in the pantry, cutting cakes while the coffee boiled, and asked her to dance. Marian was too tired, and' she had not the time to spare; wherefore Bud helped himself to a knife and proceeded to cut cakes with geometrical precision, and ate all the crumbs. With his hands busy, he found the courage to talk to her a little. He made Marian laugh out loud and it was the first time he had ever heard her do that.

Marian disclosed a sense of humor, and even teased Bud a little about Honey. But her teasing lacked that edge of bitterness which Bud had half expected in retaliation for Honey's little air of superiority.

“Your precision in cutting cakes is very much like your accurate fingering of the piano,” she observed irrelevantly, surveying his work with her lips pursed. “A pair of calipers would prove every piece exactly, the same width; and even when you play a Meditation? I'm sure the metronome would waggle in perfect unison with your tempo. I wonder—” She glanced up at him speculatively. “—I wonder if you think with such mathematical precision. Do you always find that two and two make four?”

“You mean, have I any imagination whatever?” Bud looked away from her eyes—toward the uncurtained, high little window. A face appeared there, as if a tall man had glanced in as he was passing by and halted for a second to look. Bud's eyes met full the eyes of the man outside, who tilted his head backward in a significant movement and passed on. Marian turned her head and caught the signal, looked at Bud quickly, a little flush creeping into her cheeks.

“I hope you have a little imagination,” she said, lowering her voice instinctively. “It doesn't require much to see that Jerry is right. The conventions are strictly observed at Little Lost—in the kitchen, at least,” she added, under her breath, with a flash of resentment. “Run along—and the next time Honey asks you to play the piano, will you please play Lotusblume? And when you have thrown open the prison windows with that, will you play Schubert's Ave Maria—the way you play it—to send a breath of cool night air in?”

She put out the tips of her fingers and pressed them lightly against Bud's shoulder, turning toward the door. Bud started, stepped into the kitchen, wheeled about and stood regarding her with a stubborn look in his eyes.

“I might kick the door down, too,” he said. “I don't like prisons nohow.”

“No-just a window, thank you,” she laughed.

Bud thought the laugh did not go very deep. “Jerry wants to talk to you. He's the whitest of the lot, if you can call that—” she stopped abruptly, put out a hand to the door, gave him a moment to look into her deep, troubled eyes, and closed the door gently but inexorably in his face.

Jerry was standing at the corner of the house smoking negligently. He waited until Bud had come close alongside him, then led the way slowly down the path to the corrals.

“I thought I heard the horses fighting,” he remarked. “There was a noise down this way.”

“Is that why you called me outside?” asked Bud, who scorned subterfuge.

“Yeah. I saw you wasn't dancing or singing or playing the piano—and I knew Honey'd likely be looking you up to do one or the other, in a minute. She sure likes you, Bud. She don't, everybody that comes along.”

Bud did not want to discuss Honey, wherefore he made no reply, and they walked along in silence, the cool, heavy darkness grateful after the oil lamps and the heat of crowded rooms. As they neared the corrals a stable door creaked open and shut, yet there was no wind. Jerry halted, one hand going to Bud's arm. They stood for a minute, and heard the swish of the bushes behind the corral, as if a horse were passing through. Jerry turned back, leading Bud by the arm. They were fifty feet away