To the Last Man by Zane Grey (good book recommendations TXT) 📕

Colter drawled a low laugh.

"Wal, have that your own way. But how much longer are yu goin' to be like this heah?"

"Like what?" she rejoined, sharply.

"Wal, this stand-offishness of yours?"

"Colter, I told y'u to let me alone," she said, sullenly.

"Shore. An' y'u did that before. But this time y'u're different.... An' wal, I'm gettin' tired of it."

Here the cool, slow voice of the Texan sounded an inflexibility before absent, a timber that hinted of illimitable power.

Ellen Jorth shrugged her lithe shoulders and, slowly rising, she picked up the little rifle and turned to step into the cabin.

"Colter," she said, "fetch my pack an' my blankets in heah."

"Shore," he returned, with good nature.

Jean saw Ellen Jorth lay the rifle lengthwise in a chink between two logs and then slowly turn, back to the wall. Jean knew her then, yet did not know her. The brown flash of her face seemed that of an older, graver woman. His strained gaze, like his waiting mind, had expected something, he knew not what—a hardened face, a ghost of beauty, a recklessness, a distorted, bitter, lost expression in keeping with her fortunes. But he had reckoned falsely. She did not look like that. There was incalculable change, but the beauty remained, somehow different. Her red lips were parted. Her brooding eyes, looking out straight from under the level, dark brows, seemed sloe black and wonderful with their steady, passionate light.

Jean, in his eager, hungry devouring of the beloved face, did not on the first instant grasp the significance of its expression. He was seeing the features that had haunted him. But quickly he interpreted her expression as the somber, hunted look of a woman who would bear no more. Under the torn blouse her full breast heaved. She held her hands clenched at her sides. She was' listening, waiting for that jangling, slow step. It came, and with the sound she subtly changed. She was a woman hiding her true feelings. She relaxed, and that strong, dark look of fury seemed to fade back into her eyes.

Colter appeared at the door, carrying a roll of blankets and a pack.

"Throw them heah," she said. "I reckon y'u needn't bother coming in."

That angered the man. With one long stride he stepped over the doorsill, down into the cabin, and flung the blankets at her feet and then the pack after it. Whereupon he deliberately sat down in the door, facing her. With one hand he slid off his sombrero, which fell outside, and with the other he reached in his upper vest pocket for the little bag of tobacco that showed there. All the time he looked at her. By the light now unobstructed Jean descried Colter's face; and sight of it then sounded the roll and drum of his passions.

"Wal, Ellen, I reckon we'll have it out right now an' heah," he said, and with tobacco in one hand, paper in the other he began the operations of making a cigarette. However, he scarcely removed his glance from her.

"Yes?" queried Ellen Jorth.

"I'm goin' to have things the way they were before—an' more," he declared. The cigarette paper shook in his fingers.

"What do y'u mean?" she demanded.

"Y'u know what I mean," he retorted. Voice and action were subtly unhinging this man's control over himself.

"Maybe I don't. I reckon y'u'd better talk plain."

The rustler had clear gray-yellow eyes, flawless, like, crystal, and suddenly they danced with little fiery flecks.

"The last time I laid my hand on y'u I got hit for my pains. An' shore that's been ranklin'."

"Colter, y'u'll get hit again if y'u put your hands on me," she said, dark, straight glance on him. A frown wrinkled the level brows.

"Y'u mean that?" he asked, thickly.

"I shore, do."

Manifestly he accepted her assertion. Something of incredulity and bewilderment, that had vied with his resentment, utterly disappeared from his face.

"Heah I've been waitin' for y'u to love me," he declared, with a gesture not without dignified emotion. "Your givin' in without that wasn't so much to me."

And at these words of the rustler's Jean Isbel felt an icy, sickening shudder creep into his soul. He shut his eyes. The end of his dream had been long in coming, but at last it had arrived. A mocking voice, like a hollow wind, echoed through that region—that lonely and ghost-like hall of his heart which had harbored faith.

She burst into speech, louder and sharper, the first words of which Jean's strangely throbbing ears did not distinguish.

"— — you! ... I never gave in to y'u an' I never will."

"But, girl—I kissed y'u—hugged y'u—handled y'u—" he expostulated, and the making of the cigarette ceased.

"Yes, y'u did—y'u brute—when I was so downhearted and weak I couldn't lift my hand," she flashed.

"Ahuh! Y'u mean I couldn't do that now?"

"I should smile I do, Jim Colter!" she replied.

"Wal, mebbe—I'll see—presently," he went on, straining with words. "But I'm shore curious.... Daggs, then—he was nothin' to y'u?"

"No more than y'u," she said, morbidly. "He used to run after me—long ago, it seems..... I was only a girl then—innocent—an' I'd not known any but rough men. I couldn't all the time—every day, every hour—keep him at arm's length. Sometimes before I knew—I didn't care. I was a child. A kiss meant nothing to me. But after I knew—"

Ellen dropped her head in brooding silence.

"Say, do y'u expect me to believe that?" he queried, with a derisive leer.

"Bah! What do I care what y'u believe?" she cried, with lifting head.

"How aboot Simm Brace?"

"That coyote! ... He lied aboot me, Jim Colter. And any man half a man would have known he lied."

"Wal, Simm always bragged aboot y'u bein' his girl," asserted Colter. "An' he wasn't over—particular aboot details of your love-makin'."

Ellen gazed out of the door, over Colter's head, as if the forest out there was a refuge. She evidently sensed more about the man than appeared in his slow talk, in his slouching position. Her lips shut in a firm line, as if to hide their trembling and to still her passionate tongue. Jean, in his absorption, magnified his perceptions. Not yet was Ellen Jorth afraid of this man, but she feared the situation. Jean's heart was at bursting pitch. All within him seemed chaos—a wreck of beliefs and convictions. Nothing was true. He would wake presently out of a nightmare. Yet, as surely as he quivered there, he felt the imminence of a great moment—a lightning flash—a thunderbolt—a balance struck.

Colter attended to the forgotten cigarette. He rolled it, lighted it, all the time with lowered, pondering head, and when he had puffed a cloud of smoke he suddenly looked up with face as hard as flint, eyes as fiery as molten steel.

"Wal, Ellen—how aboot Jean Isbel—our half-breed Nez Perce friend—who was shore seen handlin' y'u familiar?" he drawled.

Ellen Jorth quivered as under a lash, and her brown face turned a dusty scarlet, that slowly receding left her pale.

"Damn y'u, Jim Colter!" she burst out, furiously. "I wish Jean Isbel would jump in that door—or down out of that loft! ... He killed Greaves for defiling my name! ... He'd kill Y'U for your dirty insult.... And I'd like to watch him do it.... Y'u cold-blooded Texan! Y'u thieving rustler! Y'u liar! ... Y'u lied aboot my father's death. And I know why. Y'u stole my father's gold.... An' now y'u want me—y'u expect me to fall into your arms.... My Heaven! cain't y'u tell a decent woman? Was your mother decent? Was your sister decent? ... Bah! I'm appealing to deafness. But y'u'll HEAH this, Jim Colter! ... I'm not what yu think I am! I'm not the—the damned hussy y'u liars have made me out.... I'm a Jorth, alas! I've no home, no relatives, no friends! I've been forced to live my life with rustlers—vile men like y'u an' Daggs an' the rest of your like.... But I've been good! Do y'u heah that? ... I AM good—so help me God, y'u an' all your rottenness cain't make me bad!"

Colter lounged to his tall height and the laxity of the man vanished.

Vanished also was Jean Isbel's suspended icy dread, the cold clogging of his fevered mind—vanished in a white, living, leaping flame.

Silently he drew his knife and lay there watching with the eyes of a wildcat. The instant Colter stepped far enough over toward the edge of the loft Jean meant to bound erect and plunge down upon him. But Jean could wait now. Colter had a gun at his hip. He must never have a chance to draw it.

"Ahuh! So y'u wish Jean Isbel would hop in heah, do y'u?" queried Colter. "Wal, if I had any pity on y'u, that's done for it."

A sweep of his long arm, so swift Ellen had no time to move, brought his hand in clutching contact with her. And the force of it flung her half across the cabin room, leaving the sleeve of her blouse in his grasp. Pantingly she put out that bared arm and her other to ward him off as he took long, slow strides toward her.

Jean rose half to his feet, dragged by almost ungovernable passion to risk all on one leap. But the distance was too great. Colter, blind as he was to all outward things, would hear, would see in time to make Jean's effort futile. Shaking like a leaf, Jean sank back, eye again to the crack between the rafters.

Ellen did not retreat, nor scream, nor move. Every line of her body was instinct with fight, and the magnificent blaze of her eyes would have checked a less callous brute.

Colter's big hand darted between Ellen's arms and fastened in the front of her blouse. He did not try to hold her or draw her close. The unleashed passion of the man required violence. In one savage pull he tore off her blouse, exposing her white, rounded shoulders and heaving bosom, where instantly a wave of red burned upward.

Overcome by the tremendous violence and spirit of the rustler, Ellen sank to her knees, with blanched face and dilating eyes, trying with folded arms and trembling hand to hide her nudity.

At that moment the rapid beat of hoofs on the hard trail outside halted Colter in his tracks.

"Hell!" he exclaimed. "An' who's that?" With a fierce action he flung the remnants of Ellen's blouse in her face and turned to leap out the door.

Jean saw Ellen catch the blouse and try to wrap it around her, while she sagged against the wall and stared at the door. The hoof beats pounded to a solid thumping halt just outside.

"Jim—thar's hell to pay!" rasped out a panting voice.

"Wal, Springer, I reckon I wished y'u'd paid it without spoilin' my deals," retorted Colter, cool and sharp.

"Deals? Ha! Y'u'll be forgettin'—your lady love in a minnit," replied Springer. "When I catch—my breath."

"Where's Somers?" demanded Colter.

"I reckon he's all shot up—if my eyes didn't fool me."

"Where is he?" yelled Colter.

"Jim—he's layin' up in the bushes round thet bluff. I didn't wait to see how he was hurt. But he shore stopped some lead. An' he flopped like a chicken with its—haid cut off."

"Where's Antonio?"

"He run like the greaser he is," declared Springer, disgustedly.

"Ahuh! An' where's Queen?" queried Colter, after a significant pause.

"Dead!"

The silence ensuing was fraught with a suspense that held Jean in cold bonds. He saw the girl below rise from her knees, one hand holding the blouse to her breast, the other extended, and with strange, repressed, almost frantic look she swayed toward the door.

"Wal, talk," ordered Colter, harshly.

"Jim, there ain't a hell of a lot," replied Springer; drawing a deep breath, "but what there is is shore interestin'.... Me an' Somers took Antonio with us. He left his woman with the sheep. An' we rode up the canyon, clumb out on top, an' made a circle back on the ridge. That's the way we've been huntin' fer tracks. Up thar in a bare spot we run plump into Queen sittin' against a tree, right out in the open. Queerest sight y'u ever seen! The damn gunfighter had set down to wait for Isbel, who was trailin' him, as we suspected—-an'