The Heritage of the Sioux by B. M. Bower (cat reading book .TXT) 📕

He pulled a skinny individual forward and announced that this was Pete Lowry, one of the Great Western's crack cameramen; and another chubby, smooth-cheeked young man he presented as Tommy Johnson, scenic artist and stage carpenter. And he added with a smile for the whole bunch, “We're going to produce some real stuff from now on believe me, folks!”

In the confusion and the mild clamor of the absence-bridging questions and hasty answers, two persons had no part. Old Applehead, hard-ridden by the uneasy consciousness of his treason to Luck, leaned against a porch post and sucked hard at the stem of an empty pipe. And just beyond the corner out of sight but well within hearing, Annie-Many-Ponies stood flattened against the wall and listened with fast-beating pulse for the sound of her name, spoken in the loved voice of Wagalexa Conka. She, the daughter of a chief and Luck's sister by tribal adoption—would he not miss her: from among those others who welcomed him? Would he not presently ask: “Where is Annie-Many-Ponies?” She knew just how he would turn and search for her with his eyes.

She knew just how his voice would sound when he asked for her. Then, after a minute—when he had missed her and had asked for her—she would come and stand before him. And he would take her hand and say to that white woman; “This is my Indian sister, Annie-Many-Ponies, who played the part of the beautiful Indian girl who died so grandly in The Phantom Herd. This is the girl who plays my character leads.” Then the white girl, who was to be his leading woman, would not feel that she was the only woman in the company who could do good work for Luck.

Annie-Many-Ponies had worked in pictures since she was fifteen and did only “atmosphere stuff” in the Indian camps of Luck's arranging. She was wise in the ways of picture jealousies. Already she was jealous of this slim woman with the dark hair and eyes and the slow smile that always caught one's attention and held it. She waited. She wanted Wagalexa Conka to call her in that kindly, imperious voice of his—the voice of the master. This leading woman would see, then, that here was a girl more beautiful for whom Luck Lindsay felt the affection of family ties.

She waited, flattened against the wall, listening to every word that was spoken in that buzzing group. She saw the last bundle taken from the machine, and she saw Luck's head and shoulders disappear within the tonneau, making sure that it was the last bundle and that nothing had been overlooked. She saw the driver climb in, slam the fore-door shut after him and bend above the starter. She saw the machine slide out of the group and away in a wide circle to regain the trail. She saw the group break and start off in various directions as duty or a passing interest led. But Wagalexa Conka never once seemed to remember that she was not there. Never once did he speak her name.

Instead, just as Rosemary was leading the way into the house, this slim young woman they called Jean glanced around inquiringly. “I thought you had a squaw working for you,” she said in that soft, humorous voice of hers. “The one who did the Indian girl in The Phantom Herd. Isn't she here any more?”

“Oh, yes!” Luck stopped with one foot on the porch. “Sure! Where is Annie? Anybody know?”

“She was around here just before you came,” said Rosemary carelessly. “I don't know where she went.”

“Hid out, I reckon,” Luck commented. “Injuns are heap shy of meeting strangers. She'll show up after a little.”

Annie-Many-Ponies stooped and slid safely past the window that might betray her, and then slipped away behind the house. She waited, and she listened; for though the adobe walls were thick, there were open windows and her hearing was keen. Within was animated babel and much laughter. But not once again did Annie-Many-Ponies hear her name spoken. Not once again did Wagalexa Conka remember her. Save when she, that slim woman who bad come to play his leads, asked to see her, she had been wholly forgotten. Even then she had been named a squaw. It was as though they had been speaking of a horse. They did not count her worthy of a place in their company, they did not miss her voice and her smile.

“Hid out,” Wagalexa Conka had said. Well, she would hide out, then—she, the daughter of a chief of the Sioux; she, whom Wagalexa Conka had been glad to have in his picture when he was poor and had no money to pay white leading women. But now he had much money; now he could come in a big automobile, with a slim, white leading woman and a camera man and scenic artist and much money in his pocket; and she—she was just a squaw who had hid out, and who would show up after a while and be grateful if he took her by the hand and said, “How!”

With so many persons moving eagerly here and there, none but an Indian could have slipped away from that house and from the ranch without being seen. But though the place was bald and open to the four winds save for a few detached outbuildings, Annie-Many-Ponies went away upon the mesa and no one saw her go.

She did not dare go to the corral for her horse. The corral was in plain sight of the house, and the eyes of Wagalexa Conka were keen as the eye of the Sioux, his foster brothers. He would see her there. He would call: “Annie, come here!” and she would go, and would stand submissive before him, and would be glad that he noticed her; for she was born of the tribe where women obey their masters, and the heritage of centuries may not be lightly lain aside like an outgrown garment. She felt that this was so; that although her heart might burn with resentment because he had forgotten and must be reminded by a strange white woman that the “squaw” was not present, still, if he called her she must go, because Wagalexa Conka was master there and the master must be obeyed.

Down the dry wash where Applehead had hunted for baling wire she went swiftly, with the straight-backed, free stride of the plainswoman who knows not the muscle-bondage of boned girdle. In moccasins she walked; for a certain pride of race, a certain sense of the picture-value of beaded buckskin and bright cloth, held her fast to the gala dress of her people, modified and touched here and there with the gay ornaments of civilization. So much had her work in the silent drama taught her. Bareheaded, her hair in two glossy braids each tied with a big red bow, she strode on and on in the clear sunlight of spring.

Not until she was more than two miles from the ranch did she show herself upon one of the numberless small ridges which, blended together in the distance, give that deceptive look of flatness to the mesa. Even two miles away, in that clear air that dwarfs distance so amazingly, Wagalexa Conka might recognize her if he looked at her with sufficient attention. But Wagalexa Conka, she told herself with a flash of her black eyes, would not look. Wagalexa Conka was too busy looking at that slim woman he had brought with him.

That ridge she crossed, and two others. On the last one she stopped and stood, straight and still, and stared away towards the mountains, shading her eyes with one spread palm. On a distant slope a small herd of cattle fed, scattered and at peace. Nearer, a great hawk circled slowly on widespread wings, his neck craned downward as if he