Riders of the Silences by Max Brand (best summer reads of all time .TXT) 📕

the landslide creeping upon them inch by inch. In another moment it would loose itself with a rush and cover them.

"I believe," he said.

"If you should live, and I should die—"

"I would throw the cross away."

"No, you would keep it; and every time you touched it you would think of me, Pierre, would you not?"

"When you reach out to me like that, you take my heart between your hands."

"And I feel grown up and sad and happy both together. After we've been together on such a night, how can we ever be apart again?"

The mass of the landslide toppled right above them. She did not seem to see.

"I'm so happy, Pierre. I was never so happy."

And he said, with his eyes on the approaching ruin: "It was your singing that brought me to you. Will you sing again?"

"I sang because I knew that when I sang the sound would carry farther through the wind than if I called for help. What shall I sing for you now, Pierre?"

"What you sang when I came to you."

And the light, sweet voice rose easily through the sweep of the wind. She smiled as she sang, and the smile and music were all for Pierre, he knew. Through the last stanza of the song the rumble of the approaching death grew louder, and as she ended he threw himself beside her and gathered her into protecting arms.

She cried: "Pierre! What is it?"

"I must keep you warm; the snow will eat away your strength."

"No; it's more than that. Tell me, Pierre! You don't trust the power of the cross?"

"Are you afraid?"

"Oh, no; I'm not afraid, Pierre."

"If one life would be enough, I'd give mine a thousand times. Mary, we are to die."

An arm slipped around his neck—a cold hand pressed against his cheek.

"Pierre."

"Yes."

The thunder broke above them with a mighty roaring.

"You have no fear."

"Mary, if I had died alone I would have dropped down to hell under my sins; but, with your arm around me, you'll take me with you. Hold me close."

"With all my heart, Pierre. See—I'm not afraid. It is like going to sleep. What wonderful dreams we'll have!"

And then the black mass of the landslide swept upon them.

CHAPTER 9

Down all the length of the mountain-desert and across its width of rocks and mountains and valleys and stern plateaus there is a saying: "You can tell a man by the horse he rides." For most other important things are apt to go by opposites, which is the usual way in which a man selects his wife. With dogs, for instance—a quiet man is apt to want an active dog, and a tractable fellow may keep the most vicious of wolf-dogs.

But when it comes to a horse, a man's heart speaks for itself, and if he has sufficient knowledge he will choose a sympathetic mount. A woman loves a neat-stepping saddle-horse; a philosopher likes a nodding, stumble-footed nag which will jog all day long and care not a whit whether it goes up dale or down.

To know the six wild riders who galloped over the white reaches of the mountain-desert this night, certainly their horses should be studied first and the men secondly, for the one explained the other.

They came in a racing triangle. Even the storm at its height could not daunt such furious riders. At the point of the triangle thundered a mighty black stallion, his muzzle and his broad chest flecked with white foam, for he stretched his head out and champed at the bit with ears laid flat back, as though even that furious pace gave him no opportunity to use fully his strength.

He was an ugly headed monster with a savagely hooked Roman nose and small, keen eyes, always red at the corners. A medieval baron in full panoply of plate armor would have chosen such a charger among ten thousand steeds, yet the black stallion needed all his strength to uphold the unarmored giant who bestrode him, a savage figure.

When the broad brim of his hat flapped up against the wind the moonshine caught at shaggy brows, a cruelly arched nose, thin, straight lips, and a forward-thrusting jaw. It seemed as if nature had hewn him roughly and designed him for a primitive age where he could fight his way with hands and teeth.

This was Jim Boone. To his right and a little behind him galloped a riderless horse, a beautiful young animal continually tossing its head and looking as if for guidance at the big stallion.

To the left strode a handsome bay with pricking ears. A mound interfered with his course, and he cleared it in magnificent style that would have brought a cheer from the lips of any English lover of the chase.

Straight in the saddle sat Dick Wilbur, and he raised his face a little to the wind, smiling faintly as if he rejoiced in its fine strength, as handsome as the horse he rode, as cleanly cut, as finely bred. The moon shone a little brighter on him than on any other of the six riders.

Bud Mansie behind, for instance, kept his head slightly to one side and cursed beneath his breath at the storm and set his teeth at the wind. His horse, delicately formed, with long, slender legs, could not have endured that charge against the storm save that it constantly edged behind the leaders and let them break the wind. It carried less weight than any other mount of the six, and its strength was cunningly nursed by the rider so that it kept its place, and at the finish it would be as strong as any and swifter, perhaps, for a sudden, short effort, just as Bud Mansie might be numbed through all his nervous, slender body, but never too numb for swift and deadly action.

On the opposite wing of the flying wedge galloped a dust-colored gray, ragged of mane and tail, and vindictive of eye, like its down-headed rider, who shifted his glance rapidly from side to side and watched the ground closely before his horse as if he were perpetually prepared for danger.

He distrusted the very ground over which his mount strode. For all this he seemed the least formidable of all the riders. To see him pass none could have suspected that this was Black Morgan Gandil.

Last of the crew came two men almost as large as Jim Boone himself, on strong steady-striding horses. They came last in this crew, but among a thousand other long-riders they would have ridden first, either red-faced, good-humored, loud-voiced Garry Patterson, or Phil Branch, stout-handed, blunt of jaw, who handled men as he had once hammered red iron at the forge.

Each of them should have ridden alone in order to be properly appreciated. To see them together was like watching a flock of eagles every one of which should have been a solitary lord of the air. But after scanning that lordly train which followed, the more terrible seemed the rider of the great black horse.

Yet the king was sad, and the reason for his sadness was the riderless horse which galloped so freely beside him. His son had ridden that horse when they set out, and all the way down to the railroad Handsome Hal Boone had kept his mount prancing and curveting and had ridden around and around tall Dick Wilbur, playing pranks, and had teased his father's black until the big stallion lashed out wildly with furious heels.

It was the memory of this that kept the grave shadow of a smile on the father's lips for all the sternness of his eyes. He never turned his head, for, looking straight forward, he could conjure up the laughing vision; but when he glanced to the empty saddle he heard once more the last unlucky shot fired from the train as they raced off with their booty, and saw Hal reel in his saddle and pitch forward; and how he had tried to check his horse and turn back; and how Dick Wilbur, and Patterson, and big Phil Branch had forced him to go on and leave that form lying motionless on the snow.

At that he groaned, and spurred the black, and so the cavalcade rushed faster and faster through the night.

They came over a sharp ridge and veered to the side just in time, for all the further slope was a mass of treacherous sand and rubble and raw rocks and mud, where a landslide had stripped the hill to the stone.

As they veered about the ruin and thundered on down to the foot of the hill, Jim Boone threw up his hand for a signal and brought his stallion to a halt on back-braced, sliding legs.

For a metallic glitter had caught his eye, and then he saw, half covered by the pebbles and dirt, the figure of a man. He must have been struck by the landslide and not overwhelmed by it, but rather carried before it like a stick in a rush of water. At the outermost edge of the wave he lay with the rocks and dirt washed over him. Boone swung from the saddle and lifted Pierre le Rouge.

The gleam of metal was the cross which his fingers still gripped. Boone examined it with a somewhat superstitious caution, took it from the nerveless fingers, and slipped it into a pocket of Pierre's shirt. A small cut on the boy's forehead showed where the stone struck which knocked him senseless, but the cut still bled—a small trickle—Pierre lived. He even stirred and groaned and opened his eyes, large and deeply blue.

It was only an instant before they closed, but Boone had seen. He turned with the figure lifted easily in his arms as if Pierre had been a child fallen asleep by the hearth and now about to be carried off to bed.

And the outlaw said: "I've lost my boy tonight. This here one was given me by the will of—God."

Black Morgan Gandil reined his horse close by, leaned to peer down, and the shadow of his hat fell across the face of Pierre.

"There's no good comes of savin' shipwrecked men. Leave him where you found him, Jim. That's my advice. Sidestep a redheaded man. That's what I say."

The quick-stepping horse of Bud Mansie came near, and the rider wiped his stiff lips, and spoke from the side of his mouth, a prison habit of the line that moves in the lockstep: "Take it from me, Jim, there ain't any place in our crew for a man you've picked up without knowing him beforehand. Let him lay, I say." But big Dick Wilbur was already leading up the horse of Hal Boone, and into the saddle Jim Boone swung the inert body of Pierre. The argument was settled, for every man of them knew that nothing could turn Boone back from a thing once begun. Yet there were muttered comments that drew Black Morgan Gandil and Bud Mansie together.

And Gandil, from the South Seas, growled with averted eyes: "This is the most fool stunt the chief has ever pulled."

"Right, pal," answered Mansie. "You take a snake in out of the cold, and it bites you when it comes to in the warmth; but the chief has started, and there ain't nothing that'll make him stop, except maybe God or McGurk."

And Black Gandil answered with his evil, sudden grin: "Maybe McGurk, but not God."

They started on again with Garry Patterson and Dick Wilbur riding close on either side of Pierre, supporting his limp body. It delayed the whole gang, for they could not go on faster than a jog-trot. The wind, however, was falling off in violence. Its shrill whistling ceased, at length, and they went on, accompanied only by the harsh crunching of the snow underfoot.

CHAPTER 10

Consciousness returned to Pierre slowly. Many a time his eyes opened, and he saw nothing, but when he did see and hear it was by vague glimpses.

He heard the crunch of the snow underfoot; he heard the panting and snorting of the horses; he felt the swing and jolt of the saddle beneath him; he saw the grim faces of the long-riders, and he said: "The law has taken me."

Thereafter he let his will lapse, and surrendered to the sleepy numbness which assailed his brain in waves. He was riding without support by this time, but it was an automatic effort. There was no more real life in him than in a