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“No,” he said, and his eye wandered to the boxes. “But my thoughts get away from me. I'll be strong enough to hold them on the cyards next time, I reckon.”

Many tones in his voice she had heard, but never the tone of sadness until to-day.

Then they played a little more, and she put away the board for this first time.

“You are going now?” he asked.

“When I have made this room look a little less forlorn. They haven't wanted to meddle with my things, I suppose.” And Molly stooped once again among the chattels destined for Vermont. Out they came; again the bearskin was spread on the floor, various possessions and ornaments went back into their ancient niches, the shelves grew comfortable with books, and, last, some flowers were stood on the table.

“More like old times,” said the Virginian, but sadly.

“It's too bad,” said Molly, “you had to be brought into such a looking place.”

“And your folks waiting for you,” said he.

“Oh, I'll pay my visit later,” said Molly, putting the rug a trifle straighter.

“May I ask one thing?” pleaded the Virginian, and at the gentleness of his voice her face grew rosy, and she fixed her eyes on him with a sort of dread.

“Anything that I can answer,” said she.

“Oh, yes. Did I tell yu' to quit me, and did yu' load up my gun and stay? Was that a real business? I have been mixed up in my haid.”

“That was real,” said Molly. “What else was there to do?”

“Just nothing—for such as you!” he exclaimed. “My haid has been mighty crazy; and that little grandmother of yours yondeh, she—but I can't just quite catch a-hold of these things”—he passed a hand over his forehead—“so many—or else one right along—well, it's all foolishness!” he concluded, with something almost savage in his tone. And after she had gone from the cabin he lay very still, looking at the miniature on the wall.

He was in another sort of mood the next time, cribbage not interesting him in the least. “Your folks will be wondering about you,” said he.

“I don't think they will mind which month I go to them,” said Molly. “Especially when they know the reason.”

“Don't let me keep you, ma'am,” said he. Molly stared at him; but he pursued, with the same edge lurking in his slow words: “Though I'll never forget. How could I forget any of all you have done—and been? If there had been none of this, why, I had enough to remember! But please don't stay, ma'am. We'll say I had a claim when yu' found me pretty well dead, but I'm gettin' well, yu' see—right smart, too!”

“I can't understand, indeed I can't,” said Molly, “why you're talking so!”

He seemed to have certain moods when he would address her as “ma'am,” and this she did not like, but could not prevent.

“Oh, a sick man is funny. And yu' know I'm grateful to you.”

“Please say no more about that, or I shall go this afternoon. I don't want to go. I am not ready. I think I had better read something now.”

“Why, yes. That's cert'nly a good notion. Why, this is the best show you'll ever get to give me education. Won't yu' please try that EMMA book now, ma'am? Listening to you will be different.” This was said with softness and humility.

Uncertain—as his gravity often left her—precisely what he meant by what he said, Molly proceeded with EMMA, slackly at first, but soon with the enthusiasm that Miss Austen invariably gave her. She held the volume and read away at it, commenting briefly, and then, finishing a chapter of the sprightly classic, found her pupil slumbering peacefully. There was no uncertainty about that.

“You couldn't be doing a healthier thing for him, deary,” said Mrs. Taylor. “If it gets to make him wakeful, try something harder.” This was the lady's scarcely sympathetic view.

But it turned out to be not obscurity in which Miss Austen sinned.

When Molly next appeared at the Virginian's threshold, he said plaintively, “I reckon I am a dunce.” And he sued for pardon. “When I waked up,” he said, “I was ashamed of myself for a plumb half-hour.” Nor could she doubt this day that he meant what he said. His mood was again serene and gentle, and without referring to his singular words that had distressed her, he made her feel his contrition, even in his silence.

“I am right glad you have come,” he said. And as he saw her going to the bookshelf, he continued, with diffidence: “As regyards that EMMA book, yu' see—yu' see, the doin's and sayin's of folks like them are above me. But I think” (he spoke most diffidently), “if yu' could read me something that was ABOUT something, I—I'd be liable to keep awake.” And he smiled with a certain shyness.

“Something ABOUT something?” queried Molly, at a loss.

“Why, yes. Shakespeare. HENRY THE FOURTH. The British king is fighting, and there is his son the prince. He cert'nly must have been a jim-dandy boy if that is all true. Only he would go around town with a mighty triflin' gang. They sported and they held up citizens. And his father hated his travelling with trash like them. It was right natural—the boy and the old man! But the boy showed himself a man too. He killed a big fighter on the other side who was another jim-dandy—and he was sorry for having it to do.” The Virginian warmed to his recital. “I understand most all of that. There was a fat man kept everybody laughing. He was awful natural too; except yu' don't commonly meet 'em so fat. But the prince—that play is bed-rock, ma'am! Have you got something like that?”

“Yes, I think so,” she replied. “I believe I see what you would appreciate.”

She took her Browning, her idol, her imagined affinity. For the pale decadence of New England had somewhat watered her good old Revolutionary blood too, and she was inclined to think under glass and to live underdone—when there were no Indians to shoot! She would have joyed to venture “Paracelsus” on him, and some lengthy rhymed discourses; and she fondly turned leaves and leaves of her pet doggerel analytics. “Pippa Passes” and others she had to skip, from discreet motives—pages which he would have doubtless stayed awake at; but she chose a poem at length. This was better than Emma, he pronounced. And short. The horse was a good horse. He thought a man whose horse must not play out on him would watch the ground he was galloping over for holes, and not be likely to see what color the rims of his animal's eye-sockets were. You could not see them if you sat as you ought to for such a hard ride. Of the next piece that she read him he thought still better. “And it is short,” said he. “But the last part drops.”

Molly instantly exacted particulars.

“The soldier should not have told the general he was

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