She by H. Rider Haggard (english books to improve english .txt) 📕

to his hands and knees, and in this undignified position, with his long white beard trailing on the ground, he began to creep into the apartment beyond. I followed him, standing on my feet in the usual fashion. Looking over his shoulder he perceived it.

“Down, my son; down, my Baboon; down on to thy hands and knees. We enter the presence of She, and, if thou art not humble, of a surety she will blast thee where thou standest.”

I halted, and felt scared. Indeed, my knees began to give way of their own mere motion; but reflection came to my aid. I was an Englishman, and why, I asked myself, should I creep into the presence of some savage woman as though I were a monkey in fact as well as in name? I would not and could not do it, that is, unless I was absolutely sure that my life or comfort depended upon it. If once I began to creep upon my knees I should always have to do so, and it would be a patent acknowledgment of inferiority. So, fortified by an insular prejudice against “kootooing,” which has, like most of our so-called prejudices, a good deal of common sense to recommend it, I marched in boldly after Billali. I found myself in another apartment, considerably smaller than the anteroom, of which the walls were entirely hung with rich-looking curtains of the same make as those over the door, the work, as I subsequently discovered, of the mutes who sat in the antechamber and wove them in strips, which were afterwards sewn together. Also, here and there about the room, were settees of a beautiful black wood of the ebony tribe, inlaid with ivory, and all over the floor were other tapestries, or rather rugs. At the top end of this apartment was what appeared to be a recess, also draped with curtains, through which shone rays of light. There was nobody in the place except ourselves.

Painfully and slowly old Billali crept up the length of the cave, and with the most dignified stride that I could command I followed after him. But I felt that it was more or less of a failure. To begin with, it is not possible to look dignified when you are following in the wake of an old man writhing along on his stomach like a snake, and then, in order to go sufficiently slowly, either I had to keep my leg some seconds in the air at every step, or else to advance with a full stop between each stride, like Mary Queen of Scots going to execution in a play. Billali was not good at crawling, I suppose his years stood in the way, and our progress up that apartment was a very long affair. I was immediately behind him, and several times I was sorely tempted to help him on with a good kick. It is so absurd to advance into the presence of savage royalty after the fashion of an Irishman driving a pig to market, for that is what we looked like, and the idea nearly made me burst out laughing then and there. I had to work off my dangerous tendency to unseemly merriment by blowing my nose, a proceeding which filled old Billali with horror, for he looked over his shoulder and made a ghastly face at me, and I heard him murmur, “Oh, my poor Baboon!”

At last we reached the curtains, and here Billali collapsed flat on to his stomach, with his hands stretched out before him as though he were dead, and I, not knowing what to do, began to stare about the place. But presently I clearly felt that somebody was looking at me from behind the curtains. I could not see the person, but I could distinctly feel his or her gaze, and, what is more, it produced a very odd effect upon my nerves. I was frightened, I do not know why. The place was a strange one, it is true, and looked lonely, notwithstanding its rich hangings and the soft glow of the lamps—indeed, these accessories added to, rather than detracted from its loneliness, just as a lighted street at night has always a more solitary appearance than a dark one. It was so silent in the place, and there lay Billali like one dead before the heavy curtains, through which the odour of perfume seemed to float up towards the gloom of the arched roof above. Minute grew into minute, and still there was no sign of life, nor did the curtain move; but I felt the gaze of the unknown being sinking through and through me, and filling me with a nameless terror, till the perspiration stood in beads upon my brow.

At length the curtain began to move. Who could be behind it?—some naked savage queen, a languishing Oriental beauty, or a nineteenth-century young lady, drinking afternoon tea? I had not the slightest idea, and should not have been astonished at seeing any of the three. I was getting beyond astonishment. The curtain agitated itself a little, then suddenly between its folds there appeared a most beautiful white hand (white as snow), and with long tapering fingers, ending in the pinkest nails. The hand grasped the curtain, and drew it aside, and as it did so I heard a voice, I think the softest and yet most silvery voice I ever heard. It reminded me of the murmur of a brook.

“Stranger,” said the voice in Arabic, but much purer and more classical Arabic than the Amahagger talk—“stranger, wherefore art thou so much afraid?”

Now I flattered myself that in spite of my inward terrors I had kept a very fair command of my countenance, and was, therefore, a little astonished at this question. Before I had made up my mind how to answer it, however, the curtain was drawn, and a tall figure stood before us. I say a figure, for not only the body, but also the face was wrapped up in soft white, gauzy material in such a way as at first sight to remind me most forcibly of a corpse in its grave-clothes. And yet I do not know why it should have given me that idea, seeing that the wrappings were so thin that one could distinctly see the gleam of the pink flesh beneath them. I suppose it was owing to the way in which they were arranged, either accidentally, or more probably by design. Anyhow, I felt more frightened than ever at this ghost-like apparition, and my hair began to rise upon my head as the feeling crept over me that I was in the presence of something that was not canny. I could, however, clearly distinguish that the swathed mummy-like form before me was that of a tall and lovely woman, instinct with beauty in every part, and also with a certain snake-like grace which I had never seen anything to equal before. When she moved a hand or foot her entire frame seemed to undulate, and the neck did not bend, it curved.

“Why art thou so frightened, stranger?” asked the sweet voice again—a voice which seemed to draw the heart out of me, like the strains of softest music. “Is there that about me that should affright a man? Then surely are men changed from what they used to be!” And with a little coquettish movement she turned herself, and held up one arm, so as to show all her loveliness and the rich hair of raven blackness that streamed in soft ripples down her snowy robes, almost to her sandalled feet.

“It is thy beauty that makes me fear, oh Queen,” I answered humbly, scarcely knowing what to say, and I thought that as I did so I heard old Billali, who was still lying prostrate on the floor, mutter, “Good, my Baboon, good.”

“I see that men still know how to beguile us women with false words. Ah, stranger,” she answered, with a laugh that sounded like distant silver bells, “thou wast afraid because mine eyes were searching out thine heart, therefore wast thou afraid. Yet being but a woman, I forgive thee for the lie, for it was courteously said. And now tell me how came ye hither to this land of the dwellers among the caves—a land of swamps and evil things and dead old shadows of the dead? What came ye for to see? How is it that ye hold your lives so cheap as to place them in the hollow of the hand of Hiya, into the hand of ‘She-who-must-be-obeyed’? Tell me also how come ye to know the tongue I talk. It is an ancient tongue, that sweet child of the old Syriac. Liveth it yet in the world? Thou seest I dwell among the caves and the dead, and naught know I of the affairs of men, nor have I cared to know. I have lived, O stranger, with my memories, and my memories are in a grave that mine hands hollowed, for truly hath it been said that the child of man maketh his own path evil;” and her beautiful voice quivered, and broke in a note as soft as any wood-bird’s. Suddenly her eye fell upon the sprawling frame of Billali, and she seemed to recollect herself.

“Ah! thou art there, old man. Tell me how it is that things have gone wrong in thine household. Forsooth, it seems that these my guests were set upon. Ay, and one was nigh to being slain by the hot-pot to be eaten of those brutes, thy children, and had not the others fought gallantly they too had been slain, and not even I could have called back the life which had been loosed from the body. What means it, old man? What hast thou to say that I should not give thee over to those who execute my vengeance?”

Her voice had risen in her anger, and it rang clear and cold against the rocky walls. Also I thought I could see her eyes flash through the gauze that hid them. I saw poor Billali, whom I had believed to be a very fearless person, positively quiver with terror at her words.

“Oh ‘Hiya!’ oh She!” he said, without lifting his white head from the floor. “Oh She, as thou art great be merciful, for I am now as ever thy servant to obey. It was no plan or fault of mine, oh She, it was those wicked ones who are called my children. Led on by a woman whom thy guest the Pig had scorned, they would have followed the ancient custom of the land, and eaten the fat black stranger who came hither with these thy guests the Baboon and the Lion who is sick, thinking that no word had come from thee about the Black one. But when the Baboon and the Lion saw what they would do, they slew the woman, and slew also their servant to save him from the horror of the pot. Then those evil ones, ay, those children of the Wicked One who lives in the Pit, they went mad with the lust of blood, and flew at the throats of the Lion and the Baboon and the Pig. But gallantly they fought. Oh Hiya! they fought like very men, and slew many, and held their own, and then I came and saved them, and the evildoers have I sent on hither to Kôr to be judged of thy greatness, oh She! and here they are.”

“Ay, old man, I know it, and to-morrow will I sit in the great hall and do justice upon them, fear not. And for thee, I forgive thee, though hardly. See that thou dost keep thine household better. Go.”

Billali rose upon his knees with astonishing alacrity, bowed his head thrice, and his white beard sweeping the ground, crawled down the apartment as he had crawled up it, till he finally vanished through the