Beethoven's Letters 1790-1826, Volume 2 by Ludwig van Beethoven (cool books to read txt) π
With respect to his playing with you, when he has finally acquired the proper mode of fingering, and plays in right time, and gives the notes with tolerable correctness, you must only then first direct his attention to the mode of execution; and when he is sufficiently advanced, do not stop his playing on account of little mistakes, but only point them out at the end of the piece. Although I have myself given very little instruction, I have always followed this system, which quickly forms a musician; and this is, after all, one of the first objects of art, and less fatiguing both to master and scholar. In certain passages, like the following,--
[Music: Treble clef, sixteenth notes.]
I wish all the f
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Your ever-complaisant
BEETHOVEN.
[L.S.]
TO TOBIAS V. HASLINGER.
Baden, Sept. 10, 1821.
MY VERY DEAR FRIEND,--
On my way to Vienna yesterday, sleep overtook me in my carriage, which was by no means strange, for having been obliged to rise so early every morning, I never had a good night's sleep. While thus slumbering I dreamt that I had gone on a far journey, to no less a place than to Syria, on to Judea, and back, and then all the way to Arabia, when at length I actually arrived at Jerusalem. The Holy City gave rise to thoughts of the Holy Books. No wonder then if the man Tobias occurred to me, which also naturally led me to think of our own little Tobias and our great Tobias. Now during my dream-journey, the following Canon came into my head:--
[picture of music]
But scarcely did I wake when away flew the Canon, and I could not recall any part of it. On returning here however, next day, in the same carriage, (that of a poor Austrian musician,) I resumed my dream-journey, being, however, on this occasion wide awake, when lo and behold! in accordance with the laws of the association of ideas the same Canon again flashed across me; so being now awake I held it as fast as Menelaus did Proteus, only permitting it to be changed into three parts.
[picture of music]
Farewell! I intend to send next something composed on Steiner's name, to show that his is no heart of stone [Stein]. Adieu, my good friend; it is my most heartfelt wish that you may prosper as a publisher; may all credit be given to you, and yet may you never require credit. Sing daily the Epistles of St. Paul, and daily visit Father Werner, who can show you in his little book how to go straight to heaven. See, how anxious I am about the welfare of your soul!
I remain always, with infinite pleasure, henceforth and forever,
Your faithful debtor,
BEETHOVEN.
TO THE ARCHDUKE RUDOLPH.
UnterdΓΆbling, July 18, 1821.
I yesterday heard of Y.R.H.'s arrival here; joyful tidings for me, but saddened by knowing that it must be some time before I can have the good fortune to wait on Y.R.H.; having been long very ill, at last jaundice declared itself, which I consider a most loathsome malady. I trust, however, I shall be so far recovered as to see Y.R.H. before you leave this. Last winter, too, I had some very severe rheumatic attacks. Much of this proceeds from the melancholy state of my family affairs; I have hitherto hoped, by every possible exertion on my part, at last to remedy these. That Providence, who searches my inmost heart, and knows that as a man I have striven sacredly to fulfil all the duties imposed on me by humanity, God, and Nature, will no doubt one day extricate me from all these troubles. The Mass [in D] will be delivered to Y.R.H. here. I hope Y.R.H. will excuse my entering into the various causes of the delay. The details could not be otherwise than painful to Y.R.H. I would often gladly have written to Y.R.H. from here, but you told me to wait till I first heard from you. What, then, was I to do? Y.R.H. might have been displeased had I not attended to your injunction, and I know that there are people who are glad to calumniate me to Y.R.H., which pains me exceedingly. I therefore often think that my sole recourse is to keep quiet till Y.R.H. expresses a wish either to see or to hear of me. I was told that Y.R.H. had been indisposed, but I hope it was nothing serious. May Heaven shower down its most precious blessings on Y.R.H.! I trust it may not be very long before I shall be so fortunate as to assure Y.R.H. how entirely I am, &c., &c.
[K.]
301.TO THE ARCHDUKE RUDOLPH.
UnterdΓΆbling, July 18, 1821.
I have written a long and minute letter to Y.R.H., which my copyist Schlemmer will deliver. I wrote it on hearing the day before yesterday of the arrival of Y.R.H. How much I grieve that the attack of jaundice with which I am affected prevents my at once hastening to Y.R.H. to express in person my joy at your arrival. May the Lord of all things, for the sake of so many others, take Y.R.H. under His protection!
[K.]
302.TO THE MOST CELEBRATED MUSIC FIRM IN EUROPE, MESSRS. STEINER & CO., PATERNOSTER-(MISERERE) GΓSSEL.
I request Geh'-bauer[1] to send me two tickets, as some of my friends wish to attend your hole-and-corner music. You probably have some of these worthless admission tickets; so let me have one or two.
The part I send belongs to the Chorus, of which Bauer has the other portions. Your amicus
BEETHOVEN.
[Footnote 1: Gebauer established the "Concerts Spirituels" in 1819, and died in 1822.]
303.ADDRESS UNKNOWN.
Baden, Sept. 27, 1821.
I hope, sir, that you will forgive the liberty I take in thus intruding on you. The bearer of this, H. v.----, has been commissioned by me to exchange or sell a bank-note. Being ignorant of everything connected with these matters, I beg you will be so good as to communicate your views and advice to the bearer. The two illnesses I had last winter and summer rather deranged all my calculations. I have been here since the 7th of September, and must remain till the end of October. All this costs a great deal of money, and prevents my earning it as usual. I indeed expect shortly to receive money from abroad, but as bank-notes stand so high at present, I consider this the easiest resource, and intend subsequently to purchase a new bank-note in its place.
Immediate--in haste.
Your friend,
BEETHOVEN.
[This unsealed letter was enclosed in an envelope on which was written:]
You will at once see what kind of commercial genius I am. After writing the enclosed, I for the first time consulted a friend about the note, who pointed out to me that all I had to do was to cut off a coupon, and the affair was completed. I rejoice, therefore, not to be obliged to plague you further on the subject.
Yours,
BEETHOVEN.
TO THE ARCHDUKE RUDOLPH.
Feb. 27, 1822.
I went to-day early to the Palace, not, indeed, with the intention of meeting Y.R.H., (not being yet dressed), but only to beg Zips to mention that I had called, and was sincerely rejoiced at your arrival here; but I could no longer discover Y.R.H.'s apartments, and wherever I knocked in the hope of finding Y.R.H., my dress seemed to be so closely scrutinized that I hurried away, and write to-day to recommend myself to Y.R.H. To-morrow I intend to pay my respects to Y.R.H., when I hope also to hear whether the usual musical and intellectual meetings are to continue, and when they are to take place. My not having written all this time to Y.R.H. has indeed a very bad appearance, but I delayed from day to day, hoping always to send the Mass, the mistakes in which were really quite dreadful; so much so that I was obliged to revise every part, and thus the delay occurred. Other pressing occupations and various circumstances tended to impede me, which is often the case when a man least expects it. That Y.R.H., however, was ever present with me is shown by the following copies of some novelties,[1] which have been lying finished by me for some time for Y.R.H., but I resolved not to forward them till I could at the same time send the Mass. The latter now only requires binding, when it shall be respectfully delivered to Y.R.H. by myself. Sincerely rejoiced at the hope of soon personally waiting on Y.R.H., I remain, with devoted homage, yours till death.
[K.]
[Footnote 1: The novelties which Beethoven sends to the Archduke are:--
Sonata for pianoforte in E major " 109 ( " " ?1821).
" " " A flat major " 110 ( " " 1821).
]
305.TO F. RIES,--LONDON.
Vienna, April 6, 1822.
MY DEAREST AND BEST RIES,--
Having been again in bad health during the last ten months, I have hitherto been unable to answer your letter. I duly received the 26l. sterling, and thank you sincerely; I have not, however, yet got the sonata you dedicated to me. My greatest work is a Grand Mass that I have recently written. As time presses, I can only say what is most urgent. What would the Philharmonic give me for a symphony?
I still cherish the hope of going to London next spring, if my health admits of it! You will find in me one who can thoroughly appreciate my dear pupil, now become a great master, and who can tell what benefit art might derive from our conjunction! I am, as ever, wholly devoted to my Muse, who constitutes the sole happiness of my life, and I toil and act for others as I best can. You have two children; I only one (my brother's son); but you are married, so both yours will not cost you so much as my one costs me.
Now farewell! kiss your handsome wife for me until I can perform this solemn act in person.
Your attached
BEETHOVEN.
Pray send me your dedication, that I may strive to return the compliment, which I mean to do as soon as I receive your work.
306.TO HERREN PETERS & CO., MUSIC PUBLISHERS,--LEIPZIG.
Vienna, June 5, 1822.
GENTLEMEN,--
You did me the honor to address a letter to me at a time when I was much occupied, and I have also been extremely unwell for the last five months. I now only reply to the principal points. Although I met Steiner by chance a few days ago, and asked him jestingly what he had brought me from Leipzig, he did not make the smallest allusion to your commission or to yourself. He urged me, however, in the very strongest manner, to pledge myself to give him the exclusive right of publishing all my works, both present and future,--and indeed to sign a contract to that effect,--which I declined. This trait sufficiently proves to you why I often give the preference to other publishers both home and foreign. I love uprightness and integrity, and am of opinion that no one should drive a hard bargain with artists, for, alas! however brilliant the exterior of Fame may appear, an artist does not enjoy the privilege of being the daily guest of Jupiter on Olympus; unhappily commonplace humanity only too often unpleasantly drags him down from these pure ethereal heights.
The greatest work I have hitherto written is a Grand Mass with Choruses, and four obbligati voice parts, and full orchestra. Several persons have applied to me for this work, and I have been offered 100 Louis d'or, hard cash, for it; but I demand at least 1000 florins C.M. [20 florins to the mark], for which sum I will also furnish a pianoforte arrangement. Variations on a waltz [Diabelli's] for the piano (they are numerous), 30 ducats in gold,--N.B. Vienna ducats. With regard to songs, I have several rather important descriptive ones: as, for example, a comic Aria, with full orchestra, on Goethe's text, "Mit MΓ€deln sich vertragen;" and another Aria, in the same style, 16 ducats each (furnishing also a pianoforte arrangement if required); also several descriptive songs, with pianoforte accompaniment, 12 ducats each; among these is a little Italian Cantata, with Recitative; there is also a Song with recitative among the German ones. A Song with pianoforte accompaniment, 8
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