Note Book of an English Opium-Eater by Thomas de Quincey (motivational books for men .TXT) 📕

have succeeded in carrying through the Copernican system of astronomy, as an article of blind belief, sixteen centuries before the progress of man's intellect had qualified him for naturally developing that system. What, in such a case, would be the true estimate and valuation of the achievement? Simply this, that he had thus succeeded in cancelling and counteracting a determinate scheme of divine discipline and training for man. Wherefore did God give to man the powers for contending with scientific difficulties? Wherefore did he lay a secret train of continual occasions, that should rise, by relays, through scores of generations, for provoking and developing those activities in man's intellect, if, after all, he is to send a messenger of his own, more than human, to intercept and strangle all these great purposes? This is to mistake the very meaning and purposes of a revelation. A revelation is not made for the purpose of showing to indolent men that which, by faculties already given to them, they may show to themselves; no: but for the purpose of showing _that_ which the moral darkness of man will not, without supernatural light, allow him to perceive. With disdain, therefore, must every thoughtful person regard the notion, that God could wilfully interfere with his own plans, by accrediting ambassadors to reveal astronomy, or any other science, which he has commanded men, by qualifying men, to reveal for themselves.

Even as regards astronomy--a science so nearly allying itself to religion by the loftiness and by the purity of its contemplations--Scripture is nowhere the _parent_ of any doctrine, nor so much as the silent sanctioner of any doctrine. It is made impossible for Scripture to teach falsely, by the simple fact that Scripture, on such subjects, will not condescend to teach at all. The Bible adopts the erroneous language of men (which at any rate it must do, in order to make itself understood), not by way of sanctioning a theory, but by way of using a fact. The Bible, for instance, _uses_ (postulates) the phenomena of day and night, of summer and winter; and, in relation to their causes, speaks by the same popular and inaccurate language which is current for ordinary purposes, even amongst the most scientific of astronomers. For the man of science, equally with the populace, talks of the sun as rising and setting, as having finished half his day's journey, &c., and, without pedantry, could not in many cases talk otherwise. But the results, which are all that concern Scripture, are equally true, whether accounted for by one hypothesis which is philosophically just, or by another which is popular and erring.

Now, on the other hand, in geology and cosmology, the case is stronger. _Here_ there is no opening for a compliance even with a _language_ that is erroneous; for no language at all is current upon subjects that have never engaged the popular attention. _Here_, where there is no such stream of apparent phenomena running counter (as in astronomy there is) to the real phenomena, neither is there any popular language opposed to the scientific. The whole are abtruse speculations, even as regards their objects, nor dreamed of as possibilities, either in their true aspects or their false aspects, till modern times. The Scriptures, therefore, nowhere allude to such sciences, either as taking the shape of histories, applied to processes current and in movement, or as taking the shape of theories applied to processes past and accomplished. The Mosaic cosmogony, indeed, gives the succession of natural births; and probably the general outline of such a succession will be more and more confirmed as geology advances. But as to the time, the duration, of this successive evolution, it is the idlest of notions that the Scriptures either have, or could have, condescended to human curiosity upon so awful a prologue to the drama of this world. Genesis would no more have indulged so mean a passion with respect to the mysterious inauguration of the world, than the Apocalypse with respect to its mysterious close. 'Yet the six _days_ of Moses!' Days! But is it possible that human folly should go the length of understanding by the Mosaical _day_, the mysterious _day_ of that awful agency which moulded the heavens and the heavenly host, no more than the ordinary _nychthemeron_ or cycle of twenty-four hours? The period implied in a _day_, when used in relation to the inaugural manifestation of creative power in that vast drama which introduces God to man in the character of a demiurgus or creator of the world, indicated one stage amongst six; involving probably many millions of years. The silliest of nurses, in her nursery babble, could hardly suppose that the mighty process began on a Monday morning, and ended on Saturday night. If we are seriously to study the value and scriptural acceptation of scriptural words and phrases, I presume that our first business will be to collate the use of these words in one part of Scripture, with their use in other parts, holding the same spiritual relations. The creation, for instance, does not belong to the earthly or merely historical records, but to the spiritual records of the Bible; to the same category, therefore, as the prophetic sections of the Bible. Now, in those, and in the Psalms, how do we understand the word _day_? Is any man so little versed in biblical language as not to know, that (except in the merely historical parts of the Jewish records) every section of time has a secret and separate acceptation in the Scriptures? Does an aeon, though a Grecian word, bear scripturally (either in Daniel or in St. John) any sense known to Grecian ears? Do the seventy _weeks_ of the prophet mean weeks in the sense of human calendars? Already the Psalms (xc.), already St. Peter (2d Epist.), warn us of a peculiar sense attached to the word _day_ in divine ears. And who of the innumerable interpreters understands the twelve hundred and sixty days in Daniel, or his two thousand and odd days, to mean, by possibility, periods of twenty-four hours? Surely the theme of Moses was as mystical, and as much entitled to the benefit of mystical language, as that of the prophets.

The sum of this matter is this:--God, by a Hebrew prophet, is sublimely described as _the Revealer_; and, in variation of his own expression, the same prophet describes him as the Being 'that knoweth the darkness.' Under no idea can the relations of God to man be more grandly expressed. But of what is he the revealer? Not surely of those things which he has enabled man to reveal for himself, but of those things which, were it not through special light from heaven, must eternally remain sealed up in inaccessible darkness. On this principle we should all laugh at a revealed cookery. But essentially the same ridicule, not more, and not less, applies to a revealed astronomy, or a revealed geology. As a fact, there _is_ no such astronomy or geology: as a possibility, by the _a priori_ argument which I have used (viz., that a revelation on such fields would counteract _other_ machineries of providence), there _can_ be no such astronomy or geology in the Bible. Consequently there _is_ none. Consequently there can be no schism or feud upon _these_ subjects between the Bible and the philosophies outside.


SCHLOSSER'S LITERARY HISTORY OF THE EIGHTEENTH CENTURY.

In the person of this Mr. Schlosser is exemplified a common abuse, not confined to literature. An artist from the Italian opera of London and Paris, making a professional excursion to our provinces, is received according to the tariff of the metropolis; no one being bold enough to dispute decisions coming down from the courts above. In that particular case there is seldom any reason to complain--since really out of Germany and Italy there is no city, if you except Paris and London, possessing _materials_, in that field of art, for the composition of an audience large enough to act as a court of revision. It would be presumption in the provincial audience, so slightly trained to good music and dancing, if it should affect to reverse a judgment ratified in the supreme capital. The result, therefore, is practically just, if the original verdict was just; what was right from the first cannot be made wrong by iteration. Yet, even in such a case, there is something not satisfactory to a delicate sense of equity; for the artist returns from the tour as if from some new and independent triumph, whereas, all is but the reverberation of an old one; it seems a new access of sunlight, whereas it is but a reflex illumination from satellites.

In literature the corresponding case is worse. An author, passing by means of translation before a foreign people, ought _de jure_ to find himself before a new tribunal; but _de facto_, he does not. Like the opera artist, but not with the same propriety, he comes before a court that never interferes to disturb a judgment, but only to re-affirm it. And he returns to his native country, quartering in his armorial bearings these new trophies, as though won by new trials, when, in fact, they are due to servile ratifications of old ones. When Sue, or Balzac, Hugo, or George Sand, comes before an English audience--the opportunity is invariably lost for estimating them at a new angle of sight. All who dislike them lay them aside--whilst those only apply themselves seriously to their study, who are predisposed to the particular key of feeling, through which originally these authors had prospered. And thus a new set of judges, that might usefully have modified the narrow views of the old ones, fall by mere _inertia_ into the humble character of echoes and sounding-boards to swell the uproar of the original mob.

In this way is thrown away the opportunity, not only of applying corrections to false national tastes, but oftentimes even to the unfair accidents of _luck_ that befall books. For it is well known to all who watch literature with vigilance, that books and authors have their fortunes, which travel upon a far different scale of proportions from those that measure their merits. Not even the caprice or the folly of the reading public is required to account for this. Very often, indeed, the whole difference between an extensive circulation for one book, and none at all for another of about equal merit, belongs to no particular blindness in men, but to the simple fact, that the one _has_, whilst the other has _not_, been brought effectually under the eyes of the public. By far the greater part of books are lost, not because they are rejected, but because they are never introduced. In any proper sense of the word, very few books are published. Technically they are published; which means, that for six or ten times they are _advertised_, but they are not made known to _attentive_ ears, or to ears _prepared_ for attention. And amongst the causes which account for this difference in the fortune of books, although there are many, we may reckon, as foremost, _personal_ accidents of position in the authors. For instance, with us in England it will do a bad book no _ultimate_ service, that it is written by a lord, or a bishop, or a privy counsellor, or a member of Parliament--though, undoubtedly, it will do an _instant_ service--it will sell an edition or so. This being the case, it being certain that no rank will reprieve a bad writer from _final_ condemnation, the sycophantic glorifier of the public fancies his idol justified; but not so. A bad book, it is true, will not be saved by advantages of position in the author; but a book moderately good will be extravagantly aided by such advantages. Lectures on _Christianity_, that happened to be respectably written and delivered, had prodigious success in my