The Complete Memoirs of Jacques Casanova de Seingalt by Giacomo Casanova (list of e readers .txt) 📕

"I laugh because you and a crown of six francs are as like as two peas."

That naivete made the king laugh heartily, and he asked her whether she would like to remain in Versailles.

"That depends upon my sister," answered the child.

But the sister hastened to tell the king that she could not aspire to a greater honour. The king locked them up again in the pavilion and went away, but in less than a quarter of an hour St. Quentin came to fetch them, placed the young girl in an apartment under the care of a female attendant, and with the sister he went to meet at the hotel the German artist to whom he gave fifty Louis for the portrait, and nothing to Morphi. He only took her address, promising her that she would soon hear from him; the next day she received one thousand Louis. The worthy German gave me twenty-five louis for my portrait, with a promise to make a careful copy of the one I had given to Patu, and he offered to paint for me gratuitously the likeness of every girl of whom I might wish to keep a portrait.

I enjoyed heartily the pleasure of the good Fleeting, when she found herself in possession of the thousand gold pieces which she had received. Seeing herself rich, and considering me as the author of her fortune, she did not know how to shew me her gratitude.

The young and lovely O-Morphi--for the king always called her by that name--pleased the sovereign by her simplicity and her pretty ways more even than by her rare beauty--the most perfect, the most regular, I recollect to have ever seen. He placed her in one of the apartments of his Parc-dux-cerfs--the voluptuous monarch's harem, in which no one could get admittance except the ladies presented at the court. At the end of one year she gave birth to a son who went, like so many others, God knows where! for as long as Queen Mary lived no one ever knew what became of the natural children of Louis XV.

O-Morphi fell into disgrace at the end of three years, but the king, as he sent her away, ordered her to receive a sum of four hundred thousand francs which she brought as a dowry to an officer from Britanny. In 1783, happening to be in Fontainebleau, I made the acquaintance of a charming young man of twenty-five, the offspring of that marriage and the living portrait of his mother, of the history of whom he had not the slightest knowledge, and I thought it my duty not to enlighten him. I wrote my name on his tablets, and I begged him to present my compliments to his mother.

A wicked trick of Madame de Valentinois, sister-in-law of the Prince of Monaco, was the cause of O-Morphi's disgrace. That lady, who was well known in Paris, told her one day that, if she wished to make the king very merry, she had only to ask him how he treated his old wife. Too simple to guess the snare thus laid out for her, O-Morphi actually asked that impertinent question; but Louis XV. gave her a look of fury, and exclaimed,

"Miserable wretch! who taught you to address me that question?"

The poor O-Morphi, almost dead with fright, threw herself on her knees, and confessed the truth.

The king left her and never would see her again. The Countess de Valentinois was exiled for two years from the court. Louis XV., who knew how wrongly he was behaving towards his wife as a husband, would not deserve any reproach at her hands as a king, and woe to anyone who forgot the respect due to the queen!

The French are undoubtedly the most witty people in Europe, and perhaps in the whole world, but Paris is, all the same, the city for impostors and quacks to make a fortune. When their knavery is found out people turn it into a joke and laugh, but in the midst of the merriment another mountebank makes his appearance, who does something more wonderful than those who preceded him, and he makes his fortune, whilst the scoffing of the people is in abeyance. It is the unquestionable effects of the power which fashion has over that amiable, clever, and lively nation. If anything is astonishing, no matter how extravagant it may be, the crowd is sure to welcome it greedily, for anyone would be afraid of being taken for a fool if he should exclaim, "It is impossible!" Physicians are, perhaps, the only men in France who know that an infinite gulf yawns between the will and the deed, whilst in Italy it is an axiom known to everybody; but I do not mean to say that the Italians are superior to the French.

A certain painter met with great success for some time by announcing a thing which was an impossibility--namely, by pretending that he could take a portrait of a person without seeing the individual, and only from the description given. But he wanted the description to be thoroughly accurate. The result of it was that the portrait did greater honour to the person who gave the description than--to the painter himself, but at the same time the informer found himself under the obligation of finding the likeness very good; otherwise the artist alleged the most legitimate excuse, and said that if the likeness was not perfect the fault was to be ascribed to the person who had given an imperfect description.

One evening I was taking supper at Silvia's when one of the guests spoke of that wonderful new artist, without laughing, and with every appearance of believing the whole affair.

"That painter," added he, "has already painted more than one hundred portraits, and they are all perfect likenesses."

Everybody was of the same opinion; it was splendid. I was the only one who, laughing heartily, took the liberty of saying it was absurd and impossible. The gentleman who had brought the wonderful news, feeling angry, proposed a wager of one hundred louis. I laughed all the more because his offer could not be accepted unless I exposed myself to being made a dupe.

"But the portraits are all admirable likenesses."

"I do not believe it, or if they are then there must be cheating somewhere."

But the gentleman, being bent upon convincing Silvia and me--for she had taken my part proposed to make us dine with the artist; and we accepted.

The next day we called upon the painter, where we saw a quantity of portraits, all of which the artist claimed to be speaking likenesses; as we did not know the persons whom they represented we could not deny his claim.

"Sir," said Silvia to the artist, "could you paint the likeness of my daughter without seeing her?"

"Yes, madam, if you are certain of giving me an exact description of the expression of her features."

We exchanged a glance, and no more was said about it. The painter told us that supper was his favourite meal, and that he would be delighted if we would often give him the pleasure of our company. Like all quacks, he possessed an immense quantity of letters and testimonials from Bordeaux, Toulouse, Lyons, Rouen, etc., which paid the highest compliments to the perfection of his portraits, or gave descriptions for new pictures ordered from him. His portraits, by the way, had to be paid for in advance.

Two or three days afterwards I met his pretty niece, who obligingly upbraided me for not having yet availed myself of her uncle's invitation to supper; the niece was a dainty morsel worthy of a king, and, her reproaches being very flattering to my vanity I promised I would come the next day. In less than a week it turned out a serious engagement. I fell in love with the interesting niece, who, being full of wit and well disposed to enjoy herself, had no love for me, and granted me no favour. I hoped, and, feeling that I was caught, I felt it was the only thing I could do.

One day that I was alone in my room, drinking my coffee and thinking of her, the door was suddenly opened without anyone being announced, and a young man came in. I did not recollect him, but, without giving me time to ask any questions, he said to me,

"Sir, I have had the honour of meeting you at the supper-table of M. Samson, the painter."

"Ah! yes; I beg you to excuse me, sir, I did not at first recollect you."

"It is natural, for your eyes are always on Mdlle. Samson."

"Very likely, but you must admit that she is a charming creature."

"I have no difficulty whatever in agreeing with you; to my misery, I know it but too well."

"You are in love with her?"

"Alas, yes! and I say, again, to my misery."

"To your misery? But why, do not you gain her love?"

"That is the very thing I have been striving for since last year, and I was beginning to have some hope when your arrival has reduced me to despair."

"I have reduced you to despair?"

"Yes, sir."

"I am very sorry, but I cannot help it."

"You could easily help it; and, if you would allow me, I could suggest to you the way in which you could greatly oblige me."

"Speak candidly."

"You might never put your foot in the house again."

"That is a rather singular proposal, but I agree that it is truly the only thing I can do if I have a real wish to oblige you. Do you think, however, that in that case you would succeed in gaining her affection?"

"Then it will be my business to succeed. Do not go there again, and I will take care of the rest."

"I might render you that very great service; but you must confess that you must have a singular opinion of me to suppose that I am a man to do such a thing."

"Yes, sir, I admit that it may appear singular; but I take you for a man of great sense and sound intellect, and after considering the subject deeply I have thought that you would put yourself in my place; that you would not wish to make me miserable, or to expose your own life for a young girl who can have inspired you with but a passing fancy, whilst my only wish is to secure the happiness or the misery of my life, whichever it may prove, by uniting her existence with mine."

"But suppose that I should intend, like you, to ask her in marriage?"

"Then we should both be worthy of pity, and one of us would have ceased to exist before the other obtained her, for as long as I shall live Mdlle. Samson shall not be the wife of another."

This young man, well-made, pale, grave, as cold as a piece of marble, madly in love, who, in his reason mixed with utter despair, came to speak to me in such a manner with the most surprising calm, made me pause and consider. Undoubtedly I was not afraid, but although in love with Mdlle. Samson I did not feel my passion sufficiently strong to cut the throat of a man for the sake of her beautiful eyes, or to lose my own life to defend my budding affection. Without answering the young man, I began to pace up and down my room, and for a quarter of an hour I weighed the following question which I put to myself: Which decision