The Complete Memoirs of Jacques Casanova de Seingalt by Giacomo Casanova (list of e readers .txt) π
"To-day is the fourth; well, then, in four days."
"That will be the eighth?"
"Exactly so. We will go to your casino after the second ballet. Give me all necessary particulars to enable us to find the house without enquiring from anyone."
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My stay in Dresden was marked by an amorous souvenir of which I got rid, as in previous similar circumstances, by a diet of six weeks. I have often remarked that the greatest part of my life was spent in trying to make myself ill, and when I had succeeded, in trying to recover my health. I have met with equal success in both things; and now that I enjoy excellent health in that line, I am very sorry to be physically unable to make myself ill again; but age, that cruel and unavoidable disease, compels me to be in good health in spite of myself. The illness I allude to, which the Italians call 'mal francais', although we might claim the honour of its first importation, does not shorten life, but it leaves indelible marks on the face. Those scars, less honourable perhaps than those which are won in the service of Mars, being obtained through pleasure, ought not to leave any regret behind.
In Dresden I had frequent opportunities of seeing the king, who was very fond of the Count de Bruhl, his minister, because that favourite possessed the double secret of shewing himself more extravagant even than his master, and of indulging all his whims.
Never was a monarch a greater enemy to economy; he laughed heartily when he was plundered and he spent a great deal in order to have occasion to laugh often. As he had not sufficient wit to amuse himself with the follies of other kings and with the absurdities of humankind, he kept four buffoons, who are called fools in Germany, although these degraded beings are generally more witty than their masters. The province of those jesters is to make their owner laugh by all sorts of jokes which are usually nothing but disgusting tricks, or low, impertinent jests.
Yet these professional buffoons sometimes captivate the mind of their master to such an extent that they obtain from him very important favours in behalf of the persons they protect, and the consequence is that they are often courted by the highest families. Where is the man who will not debase himself if he be in want? Does not Agamemnon say, in Homer, that in such a case man must necessarily be guilty of meanness? And Agamemnon and Homer lived long before our time! It evidently proves that men are at all times moved by the same motive- namely, self-interest.
It is wrong to say that the Count de Bruhl was the ruin of Saxony, for he was only the faithful minister of his royal master's inclinations. His children are poor, and justify their father's conduct.
The court at Dresden was at that time the most brilliant in Europe; the fine arts flourished, but there was no gallantry, for King Augustus had no inclination for the fair sex, and the Saxons were not of a nature to be thus inclined unless the example was set by their sovereign.
At my arrival in Prague, where I did not intend to stop, I delivered a letter I had for Locatelli, manager of the opera, and went to pay a visit to Madame Morelli, an old acquaintance, for whom I had great affection, and for two or three days she supplied all the wants of my heart.
As I was on the point of leaving Prague, I met in the street my friend Fabris, who had become a colonel, and he insisted upon my dining with him. After 'embracing him, I represented to him, but in vain, that I had made all my arrangements to go away immediately.
"You will go this evening," he said, "with a friend of mine, and you will catch the coach."
I had to give way, and I was delighted to have done so, for the remainder of the day passed in the most agreeable manner. Fabris was longing for war, and his wishes were gratified two years afterwards; he covered himself with glory.
I must say one word about Locatelli, who was an original character well worthy to be known. He took his meals every day at a table laid out for thirty persons, and the guests were his actors, actresses, dancers of both sexes, and a few friends. He did the honours of his well-supplied board nobly, and his real passion was good living. I shall have occasion to mention him again at the time of my journey to St. Petersburg, where I met him, and where he died only lately at the age of ninety.
End of this Project Gutenberg Etext of MEMOIRES OF JACQUES CASANOVA TO PARIS AND PRISON, Vol. 2a, PARIS by Jacques Casanova de Seingalt
MEMOIRS OF JACQUES CASANOVA de SEINGALT 1725-1798 TO PARIS AND PRISON, Volume 2b--VENICE
THE RARE UNABRIDGED LONDON EDITION OF 1894 TRANSLATED BY ARTHUR MACHEN TO WHICH HAS BEEN ADDED THE CHAPTERS DISCOVERED BY ARTHUR SYMONS.
VENICE
CHAPTER X
My Stay in Vienna--Joseph II--My Departure for Venice
Arrived, for the first time, in the capital of Austria, at the age of eight-and-twenty, well provided with clothes, but rather short of money--a circumstance which made it necessary for me to curtail my expenses until the arrival of the proceeds of a letter of exchange which I had drawn upon M. de Bragadin. The only letter of recommendation I had was from the poet Migliavacca, of Dresden, addressed to the illustrious Abbe Metastasio, whom I wished ardently to know. I delivered the letter the day after my arrival, and in one hour of conversation I found him more learned than I should have supposed from his works. Besides, Metastasio was so modest that at first I did not think that modesty natural, but it was not long before I discovered that it was genuine, for when he recited something of his own composition, he was the first to call the attention of his hearers to the important parts or to the fine passages with as much simplicity as he would remark the weak ones. I spoke to him of his tutor Gravina, and as we were on that subject he recited to me five or six stanzas which he had written on his death, and which had not been printed. Moved by the remembrance of his friend, and by the sad beauty of his own poetry, his eyes were filled with tears, and when he had done reciting the stanzas he said, in a tone of touching simplicity,'Ditemi il vero, si puo air meglio'?
I answered that he alone had the right to believe it impossible. I then asked him whether he had to work a great deal to compose his beautiful poetry; he shewed me four or five pages which he had covered with erasures and words crossed and scratched out only because he had wished to bring fourteen lines to perfection, and he assured me that he had never been able to compose more than that number in one day. He confirmed my knowledge of a truth which I had found out before, namely, that the very lines which most readers believe to have flowed easily from the poet's pen are generally those which he has had the greatest difficulty in composing.
"Which of your operas," I enquired, "do you like best?"
"'Attilio Regolo; ma questo non vuol gia dire che sia il megliore'."
"All your works have been translated in Paris into French prose, but the publisher was ruined, for it is not possible to read them, and it proves the elevation and the power of your poetry."
"Several years ago, another foolish publisher ruined himself by a translation into French prose of the splendid poetry of Ariosto. I laugh at those who maintain that poetry can be translated into prose."
"I am of your opinion."
"And you are right."
He told me that he had never written an arietta without composing the music of it himself, but that as a general rule he never shewed his music to anyone.
"The French," he added, "entertain the very strange belief that it is possible to adapt poetry to music already composed."
And he made on that subject this very philosophical remark:
"You might just as well say to a sculptor, 'Here is a piece of marble, make a Venus, and let her expression be shewn before the features are chiselled.'"
I went to the Imperial Library, and was much surprised to meet De la Haye in the company of two Poles, and a young Venetian whom his father had entrusted to him to complete his education. I believed him to be in Poland, and as the meeting recalled interesting recollections I was pleased to see him. I embraced him repeatedly with real pleasure.
He told me that he was in Vienna on business, and that he would go to Venice during the summer. We paid one another several visits, and hearing that I was rather short of money he lent me fifty ducats, which I returned a short time after. He told me that Bavois was already lieutenant-colonel in the Venetian army, and the news afforded me great pleasure. He had been fortunate enough to be appointed adjutant-general by M. Morosini, who, after his return from his embassy in France, had made him Commissary of the Borders. I was delighted to hear of the happiness and success of two men who certainly could not help acknowledging me as the original cause of their good fortune. In Vienna I acquired the certainty of De la Haye being a Jesuit, but he would not let anyone allude to the subject.
Not knowing where to go, and longing for some recreation, I went to the rehearsal of the opera which was to be performed after Easter, and met Bodin, the first dancer, who had married the handsome Jeoffroi, whom I had seen in Turin. I likewise met in the same place Campioni, the husband of the beautiful Ancilla. He told me that he had been compelled to apply for a divorce because she dishonoured him too publicly. Campioni was at the same time a great dancer and a great gambler. I took up my lodgings with him.
In Vienna everything is beautiful; money was then very plentiful, and luxury very great; but the severity of the empress made the worship of Venus difficult, particularly for strangers. A legion of vile spies, who were decorated with the fine title of Commissaries of Chastity, were the merciless tormentors of all the girls. The empress did not practise the sublime virtue of tolerance for what is called illegitimate love, and in her excessive devotion she thought that her persecutions of the most natural inclinations in man and woman were very agreeable to God. Holding in her imperial hands the register of cardinal sins, she fancied that she could be indulgent for six of them, and keep all her severity for the seventh, lewdness, which in her estimation could not be forgiven.
"One can ignore pride," she would say, "for dignity wears the same garb. Avarice is fearful, it is true; but one might be mistaken about it, because it is often very like economy. As for
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